This heavenly billboard, which apparently has something to do with California, is located at the popular corner of 44th Street and 11th Avenue in Manhattan and is owned by Mother New York. The Billboard’s artwork changes regularly. This photo was taken during Fashion Week in mid-September.
The newest commissioned artwork for the High Line Billboard just went up on September 3rd. This installation is a boldly-colored, stained glass-inspired Gilbert & George painting called Waking. The controversial art duo appear in the painting (from 1984) three times in the very center of the image and are surrounded on both sides by various male figures and faces. This photo was taken at approximately 7 PM, so you can see the sun is already starting to set, but this was the best I could do as I am not in this neighborhood very often. Gilbert & George: Waking will be up through October 1st, 2013 in a parking lot adjacent to the The High Line, at West 18th Street and 10th Avenue in Manhattan.
Identical twin artists How & Nosm are among ten artists commissioned in cities around the world to create original artwork for DKNY ARTWORKS. Each original work captures an artistic expression of the NYC skyline within the frame of a DKNY logo. The participating artists were asked to interpret New York City as they envision it and were selected based on their connection with the city in which their artwork will be featured. The billboard by How & Nosm, titled I JUST CALLED TO SAY can be found at the intersection of 7th Avenue and 48th Street in Times Square, NYC.
This special project incorporates art in public spaces and an available auction on Paddle8 with proceeds to benefit Free Arts NYC, a program which provides under-served children and families with educational arts and mentoring programs. Bidding will be available online to June 29th at 10pm EDT, with an auction event at The Montauk Beach House in Montauk, NY.
How & Nosm Billboard Detail
Chris Stamp with Roger Daltrey (Image Source )
From Ultimate Classic Rock:
Chris Stamp, who co-managed The Who during their rise to rock stardom and released the Jimi Hendrix Experience’s first single and album via his Track Records label, has died of cancer at age 70.
According to Billboard, Stamp passed away Saturday night (Nov. 24) at New York City’s Mount Sinai Hospital. He met the Who while making a film about the rise of rock music in England, and went on to become the group’s co-manager alongside Kit Lambert. The pair worked with the group until their dismissal in 1975, with Stamp also earning production credits on Who albums including Magic Bus and Quadrophenia.
Stamp and Lambert (who died in 1981) formed Track Records in 1968 and released Are You Experienced?, Axis: Bold as Love and other classic albums by Hendrix along with records from The Who, Arthur Brown and Golden Earring.
After reportedly conquering his own substance abuse problems in 1987, Stamp began a new career as an addiction counseling therapist. He reconnected with the Who in later years by participating in documentaries and writing liner notes for re-releases of their classic albums.
The Who paid tribute to Stamp both on their official website and from the stage, with singer Roger Daltrey telling the crowd at the group’s Detroit concert Saturday night their former manager was a person “without whom we wouldn’t be the band we were.”
Stamp is the brother of actor, Terence Stamp.
The Image Above Courtesy of the Jonathan LeVine Gallery. All Other Photos by Gail Worley
Worley Gig has taken a bit of a break from Gallery hopping this summer: partly because lots of the galleries are on their summer hiatus and partly because we’ve just been too busy doing other fun things. Oh, New York Contemporary Art Scene, how we have missed you. But what better way to get re-immersed in the vibrant Chelsea gallery scene than with Jonathan LeVine Gallery’s latest group show, Détournement: Signs of the Times, brilliantly curated by Carlo McCormick, which opened this past Thursday. We’d especially like to thank the gallery’s Associate Director, Malena Seldin for allowing The Gig to photograph the show in the empty gallery prior to the start of Thursday night’s opening reception.
Much like Opera Gallery’s Streets of The World group show this past May, Détournement features the work of many of the most famous contemporary pop and street artists currently working, including:
AIKO, Dan Witz, David Wojnarowicz (estate), Dylan Egon, EINE, Ilona Granet, Jack Pierson, John Law (Jack Napier), Leo Fitzpatrick, Mark Flood, Martin Wong (estate), Max Rippon (RIPO), Mike Osterhout, Posterboy, Ron English, Shepard Fairey, Steve Powers (aka ESPO), TrustoCorp, Will Boone and Zevs.
Carlo McCormick offers the following statement about the show:
A détournement is a detour of sorts, but not so much along the scenic route as over the tougher road that goes more directly to the truth. A more proximate translation from the French might be a derailment, but I’m not sure English is so well suited to get both the violence and hilarity of the term. Since coined by the Lettrist International in the 1950s, it has served various generations as a common strategy by which to subvert consensus visual language so as to turn the expressions of capitalist culture against themselves. The most typical folkloric version we encounter of a détournement is when someone writes a word at the bottom of a stop sign, so that with say just three letters this mundane road command might read “Stop War.”
Traffic Signs for the Hearing Impaired By Martin Wong (estate)
The idea of an artist co-opting a popular commercial slogan or iconic symbol is not new, but it is done here in ways that create a visceral reaction in the viewer and encourage imaginative extrapolation and discourse. Not to mention, but you can see I am about to, the fact that this show just makes a gorgeous visual presentation. A few of my favorite images are Dan Witz’s series of “Do Not Enter” signs, which range from whimsical to horrifying.
Ron English also gets one entire wall of the rear gallery dedicated to his mural comprised of a series of darkly satirical grocery store flyers, accompanied by one of his popular reoccurring characters, the sexually anthropomorphized cow:
Of course, two of our favorite brands, Coca Cola and Apple, do not escape unscathed:
If you’re outside the tri-state area you can view the works of Detournement online and read more about the exhibit and participating artists at This Link. Otherwise, make a trip to see the show in person before it closes at the end of this month.
See More Photos from this Exhibit After the Jump!
Detournement: Signs of the Times will be on exhibit through August 25, 2012 only at Jonathan LeVine Gallery, Located at 529 West 20th Street (West of 10th Avenue), 9th Floor in Chelsea, NYC. Hours are Tuesday through Saturday, 11 AM to 6 PM.