Shawn Thornton’s Pareidolia at Cue Art Foundation

Shawn Thornton Painting
All Photos By Gail

The first time I was exposed to the minutely-detailed and unconventionally psychedelic paintings of Philadelphia-based artist Shawn Thornton, I thought I was looking at paintings of vibrantly colorful circuit boards. It’s an easy misconception to make, I suspect. Thornton’s canvases are dense with the intersecting lines of diagram-like designs and irregular grids, which often contain images of birds, animals, people, or even the artist himself. While he’s shown extensively at the Fleisher/Ollman Gallery and Stephen Romano Gallery here in NYC — and Thornton’s work was also featured in an episode of HBO’s High Maintenance (which, as an aside, is a fantastically entertaining show) — but his unique artworks have a chance to gain greater exposure in the solo exhibit, Pareidolia, which includes works produced in a variety of media between 1995 and 2017, up now at Cue Art Foundation.

Shawn Thornton Painting

Since I have previously seen and written about an exhibit by artist Tahiti Pehrson which was also called Pareidolia, I know that the exhibit’s title refers to a psychological phenomenon involving a stimulus (an image or a sound) wherein the mind perceives a familiar pattern where none actually exists. This is a very appropriate title for Thornton’s body of work, and especially this expanded collection, which showcases not only paintings but also includes found-object sculptures and video installations.

Toy and Found Object Sculpture

There are two large assemblage sculptures in Pareidolia which remind me very much of the work of artist Matthew Dutton, whose art is always so enigmatic and captivating; like something you’d see in a fever dream. I love that Thornton can transform a combination of vintage toys, furniture and ordinary household items, like a carousel clothespin hanger, into a fantasy device that appears to have some kind of practical function or purpose.

Toy Sculpture Detail
Detail from Above Sculpture

Elephant and Giraffe Installation View

This altar-like tableau, starring a whimsical plastic Elephant and Giraffe stuffed with tiny lights, also features antlers, tree branches, bells, padlocks, vinyl LP discs, and tiny living plants.

Elephant Close Up

Really great.

Mandolin and Painting

Serpents Egg in the Seat Of Consciousness
Serpents Egg in the Seat Of Consciousness

Many of the paintings, such as this one, feature self-portraits of Thornton hidden in the midst of other images. It turns out that Thornton’s own experiences with Pareidolia, which is evident in his hallucinatory artworks, was triggered by an undiagnosed brain tumor in his pineal gland, which he lived with for over a decade.

Installation View

The above collection of small-scale paintings directly reference the artist’s experience with surgery to remove the tumor.

Green Flame Hypnosis
Green Flame Hypnosis

It is not a coincidence that these paintings resemble maps of Thornton’s psyche.

A Fracture in the Golden Mean
A Fracture in the Golden Mean

Paintings like these can take Thornton over a year to complete, and there are no accidental brush strokes.

Lobotomy of the Ghost Mechanics - Scarab Timetable
Lobotomy of the Ghost Mechanics – Scarab Timetable

Brahmastra for a New Age (UFO / Time Machine)
Brahmastra for a New Age (UFO / Time Machine)

Thornton worked on the above canvas from 2010 to 2103.

Detail from Brahmastra for a New Age (UFO / Time Machine)

Take a look at the detail from just a couple of square inches of this painting! Unbelievable!

Shawm Thorntown Signage

Come and discover the world of Shawn Thornton now at Cue Art Foundation before the show closes!

Shaun Thornton’s Pareidolia will be on Exhibit Through May 24th, 2017 at Cue Art Foundation, Located at 137 West 25th Street (between 6th and 7th Avenues) in NYC.

Black Pyramid Meditation
Black Pyramid Meditation

One thought on “Shawn Thornton’s Pareidolia at Cue Art Foundation”

  1. See my structuralist analysis of the standard subconscious layers of archetypes in some of Shawn Thornton’s paintings; https://mindprintart.wordpress.com/2018/01/12/archetypal-structure-or-mindprint-in-tryptamine-art/
    Compared to other art, including art styling typical of various psychoactive substances, and various times and cultures, there is no difference in the core content. The implications are that art is not prompted by drugs; that styling is a meaningless layer used for social differentiation and appropriation; and that there is only one set of core contents in cultural media; thus there is only one culture.

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