Jacob Lawrence (1917 – 2000) once wrote, “For me, the most important function of art is observation.” He was inspired by and created works based on his own experiences of everyday life in Harlem and the history of African Americans the United States. In The Wedding (1948), Lawrence simultaneously depicted the solemnity and the joy of the marriage ceremony. Although the preacher’s face is only partially defined, he appears to look down with great seriousness at the couple as they contemplate their vows. The large, colorful urns overflowing with brilliant flowers signify the prosperity of this union
Photographed in the Art Institute, Chicago.