Foscarini, a leading Italian design and manufacturing company that produces masterful and innovative decorative lighting, is one of my favorite showrooms to visit in NYC’s SoHo design district. The company was founded in 1981 on the famous glass-blowing island of Murano in Venice, Italy, and their award-winning and iconic designs are the results of passionate collaboration with world-class designers. To create light is the central vision of each Foscarini project, never losing sight of the connection between the form and the function of illumination.
One of my favorite designs of theirs is the Lumiere Table Lamp, which was created for Foscarini by Milanese architect and designer Rodolfo Dordoni. The Lumiere has an elegant gradation of tones in the glossy finish of its blown glass shade contrasted with the finish of the characteristic tripod base. This light is both beautiful and beautifully crafted. It has a elegant look and emits a soft light. Each of the elements, the glass shade and the metal stand, are well made and have a nice weight — which, with a table lamp, is a desirable. This is a classic lamp that will complement the decor of virtually any room. The blown glass shade comes in your choice of colors that include Polished Cherry (shown), Polished Turquoise and Warm White, with metal-base finishes of Champagne (shown), Aluminum, and Black Chrome. The Lumierecomes in small and large sizes, with this small size lamp retailing for $727.00.
J. Pierpont Morgan amassed large holdings of medieval art and seventeenth-and-eighteenth-century French decorative art from the collection of interior decorator Georges Hoentschel. Grasping the collection’s importance to artists and designers, Morgan immediately donated many decorative works to the Metropolitan Museum of Art. Even the financier may not have fully realized what an impact his gift would have. It led to a new wing, which opened in 1910, and the creation of The Met’s Decorative Arts department, which was the first of its kind in an American museum.
Several chairs from the Hoentschel collection have distinguished provenances, including this Neoclassical Armchair (1788) by Georges Jacob, who was one of the most important joiners (a person who constructs the wooden components of a building, such as stairs, doors, and door and window frames) of the late eighteenth century. The seat was made for the gaming room at the Chateau de Saint Cloud, a summer residence of the French royal family.
Photographed as Part of the Exhibit, Making the Met at The Metropolitan Museum of Art in NYC.
Since the beginning of the pandemic, about one hundred million billion years ago, one of my greatest joys in life is ordering a large pepperoni Pizza, which I eat entirely by myself, freezing the leftovers for additional meals, so that I can feel the Hot Pizza Love over and over again. For this reason I often joke (half seriously) that Pizza is My Boyfriend and no one can come between us. With Valentines Day coming up sooner than you think, perhaps Pizza will also be your Valentine this year? If so, then why not own this T-Shirt as a sign of your endless love?
Pizza is My Valentine, by Perfect Designers, is available emblazoned shamelessly on a variety of garments including Hoodies, Masks, Long-Sleeve Ts and more, plus assorted T Shirt styles and colors starting at just $24.95. Check out This Link to purchase!
When I was a kid, we definitely did not have cool backpacks like this one: all hot pink and black with a Pink Glitter Batman emblem on the front. So stylish! I spotted this at the Lot-Less Closeout Store, located at 17 West 14th Street in Manhattan.
The Susan Lawrence Dana House (1902 – 1904), one of Frank Lloyd Wright’s earliest projects, afforded him the opportunity to experiment with design and construction techniques that would become emblematic of his Prairie Style architecture.
Cast of The Frieze
Though many European modernists shunned exterior ornament, American practitioners like Wright used it liberally to accentuate structure, with a proclivity toward geometric abstractions of nature. Applied on the upper portions of the exterior, the decorative frieze wraps around the house, forming a richly-patterned skin derived from the shape of sumac leaves — a motif applied throughout the house on windows, lamps, and decorative objects. This project is also known and the Dana-Thomas House.
The bedroom is the most important room in my home, because sleeping is my jam, and it is the room where I let the decor most specifically reflect my tastes and personality. Is my bed pink? Hell yes, it is; but sadly my bed is not quite as fantastically pink as this bed you see pictured here, which is called the Lisi Bed. I first learned of the Lisi Bed via an email, and when I requested further information on this righteous bed — because I knew I had to feature it — the manufacturer sent me the press release noted below. Read on.
Like Sleeping on a Cloud
“Virna Lisi started her film career in her early teens in Rome. Though Lisi turned down a role in From Russia with Love, the Hollywood producers were scouting a new Marilyn Monroe, so Lisi debuted in Hollywood comedy movies. Inspired by the Hollywood Golden Era vibes, Ottiu designers conceived the mid-century modern Lisi bed. Structured in walnut wood, its curved headboard is dressed up in a smooth pastel cotton velvet and presents polished brass nails that embellish even more its glamorous design. By featuring the Mid-century Modern Lisi bed, you will have the inviting bedroom you always dreamt about.” They are not kidding.
It is so beautiful. The Lisi Bed was designed by a group of designers in-house at Ottiu, a luxury furniture brand which is based in Portugal, has a list price of 4.350,00€ (approximately $5,259). Sigh.
The Griffin on this Throne Leg (Western Iran, Late 7th – Early 8th Centuries) exemplifies the use of powerful winged animals (real and imaginary) as symbols of royalty. The mythical beast’s long history stretches back to about 3000 B.C., when it appeared in the art of Egypt and the Middle East, and it may have been introduced to western Iran through contacts with Sogdian, Central Asia. Here, the creature has been adapted to a tradition of animal-legged thrones in Iranian art. In pre-Islamic Iran, the griffin — a combination of lion and eagle, two animals associated with the sun — was seen as a vehicle of ascension, implying the ruler’s elevation to the status of god. In the early years of the Islamic period, new rulers appropriated the symbol to convey power and legitimacy.
Photographed in the Metropolitan Museum if Art in NYC.