Ian sent me the above link to this Brazilian web zine called Whiplash. Somehow, they seem to have gotten their hands on a huge archive of photos of Rock Stars in stages from mere infancy to teenage years. Each musician or band is archived under a separate link, which actually makes it easier to find a specific person, if you happen to be looking for baby pictures of Steven Tyler. Continue reading Rock Stars in the Larval Stage→
Artist: December People Album:Sounds Like Christmas Release Date: October 30, 2001 Label: Magna Carta Records
A studio side-project of various renowned rockers (who, in this scenario, record under pseudonyms), The December People gather every few years to release Christmas-themed novelty music. With Sounds Like Christmas, the group boldly goes where no Christmas album has gone before. Using classic rock tunes by Led Zeppelin, Genesis, King Crimson, Pink Floyd and Queen as a starting point, December People craft a unique voice, working ubiquitous holiday standards into the rock mainframe, with sublime results. “Silent Night” flowing seamlessly from Pink Floyd’s “Us and Them”; “Stairway to Heaven” begetting “T’Was the Night Before Christmas”; and “I Heard the Bells on Christmas Day” arranged as “Bohemian Rhapsody” are all both brilliant and heart-felt in their flawless execution. (Incorporating a few bars of Beethoven’s Ninth symphony during that song’s fade is the kind of detail work that makes this an engaging listen). Far from producing a laser-show-flashback of pretentious, Moog-laden space-outs, the various homages are fun to spot. Those weaned on the pomp and ceremony of progressive rock will find that Sounds Like Christmas generates extraordinary enthusiasm for the season.
This article was originally written for Rolling Stone’s Online Magazine. Though Rolling Stone remains in print and online, this article is no longer a part of their archive and have been added to the content base of The Worley Gig for our readers’ enjoyment.
For about four years, I wrote a monthly column (and the ocassional short feature or cover story) for this national Indie-rock slanted music magazine that paid shit, when they even paid me, and had weird editorial guidelines like not letting writers use the word “THAT” in any reviews or articles unless it was a quote. WTF?Continue reading They Ruined My Reviews and Then They Didn’t Pay Me→
Artist: Col. Parker Album:Rock ‘n’ Roll Music Release Date: 2001 Label: V2 Records
In LA’s musically incestuous post-80’s rock scene, the “Supergroup” tag can apply whenever two or more musicians, whose names possess the tiniest bit of marquee value, couple and spawn a project. That said, meet Col Parker is comprised of ex-Guns ‘N’ Roses guitar-slinger, Gilby Clarke, drummer Slim Jim Phantom, bassist Muddy Stardust (LA Guns) and accomplished keyboard mercenary, Teddy Andreadis, that began life as a glorified-bar-band. Rock ‘n’ Roll Music offers an upbeat mix of blues-based rockers and ballads punctuated with Clarke’s inspiring attempts to squeeze every Keith Richards guitar riff into one album, and spiked with humorous odes to decadent lifestyles long-abandoned (“Can’t Get that Stuff,” “Pushing 40 Blues”). Contains zero percent threats to the status quo or insights to the meaning of life. It’s only Rock ‘n’ Roll, but I like it.
This article was originally written for Rolling Stone’s Online Magazine. Though Rolling Stone remains in print and online, this article is no longer a part of their archive and has been added to the content base of The Worley Gig for our readers’ enjoyment.
Artist: Beautiful Creatures Album:Beautiful Creatures Release Date: August 16, 2001 Label: Warner Music Group
Like Vikings on a rampage, Beautiful Creatures’ vocalist, Joe LeSte (late of LA glam rockers, Bang Tango), leads his pack of hard rock revivalists on a quest to reclaim rock’s Holy Grail; a feat now unlikely to be accomplished by Axl Rose and his hired Guns. Both “Wasted” and “Stepback” recall vintage G’N’R, with scattered nods elsewhere to strip metal posterboys, Faster Pussycat, and “I Got It All” gets all AC/DC on your ass before the whole thing slides back into the garage. Despite the blues/metal pastiche of their material, the band’s relentless groove gives these songs the feel of a heavy rock rave. Those still jonesing for the glory days of Headbangers Ball would do well to mix a dose of Beautiful Creatures in with their regular diet of Appetite for Destruction, Slash’s Snakepit and Buckcherry.
This article was originally written for Rolling Stone’s Online Magazine. Though Rolling Stone remains in print and online, this article is no longer a part of their archive and has been added to the content base of The Worley Gig for our readers’ enjoyment.