Holy Mother of God, that’s one scary showerhead, isn’t it? Sort of Giger-esque if you ask me, but nevertheless clever and extremely functional. I guess one of the scariest things would be having to rip out the shower wall to install it. Originally exhibited at the Art Directors Club’s 2002 art exhibit, Bed, Bath and Bomb Shelter, which featured gas mask-themed utilitarian product designs, the showerhead was designed by Chris Dimino.
Yes, we know what else this lovely pink thing looks like. But this silicone sculpture of a hot pink cannon is part of an exhibit that includes a larger grouping of the identical sculptures (see photo below) from an exhibit at the Ankara Galeri in Turkey. From what we gather courtesy of Google Translate, the exhibit, which took place in late 2011, was called Generation of Defense. Very Nice!
LA-based Ramones fans and art lovers won’t want miss the chance to check out The Art of Dee Dee Ramone: A Birthday Memorial Show taking place from September 18 – 26th at La Luz De Jesus Gallery in Los Angeles. The opening reception is scheduled for what would have been Dee Dee’s 59th Birthday, Saturday September 18th, from 8:00 until 11:00 PM. I’m sure it will be quite a scene-making opportunity.
Dee Dee Ramone will forever be an enigmatic punk rock icon. While most are familiar with his musical legacy as a founding member and songwriter in the world famous Ramones, many are less aware of his talent for art and painting. La Luz de Jesus Gallery has assembled an exhibition of over thirty original pieces, many of which will be displayed for the very first time at this extraordinary event sanctioned by Dee Dee’s Estate to honor the rock legend. Also debuting at the show is a special Limited Edition commemorative archival lithograph featuring one of Dee Dee’s quintessential self-portraits “Dee Dee Ramone: The Blue Dragon,” as seen above. Somebody in LA who reads this blog, please go and email me a report!
The Art of Dee Dee Ramone runs until September 26th at La Luz de Jesus Gallery, 4633 Hollywood Blvd., Los Angeles CA 90027.
It is no secret to anyone who reads this blog that I am all about Andy Warhol. When it comes to matters of the art (pun intended) Geoffrey and I will agree on most things, but we differ slightly in opinion when it comes to Warhol. While he admits to being a fan, Geoffrey has a love/hate relationship with Andy, feeling that he ruined art as much as he saved it by facilitating the “Everyone will be famous for 15 minutes” approach to everyman stardom that has created such reprehensible pieces of shit as The Real Housewives, Big Brother and the Kardashian sisters. I see his point, but I would have to respectfully disagree with his take that Warhol “ruined” art in any way. On the contrary, by being the very first artist to infiltrate fine art with a commercial art approach and accompanying sensibilities, Warhol made art truly accessible to the masses for the first time in history. In this way, he revolutionized Modern Art as we know it. Regardless of his many eccentricities and the commonly held belief that he was somewhat of an asshole in person, Andy Warhol was a maverick pioneer of staggering genius. He is my favorite artist ever in the Universe of all time. Andy Warhol!
Easter Eggs, Photo By Geoffrey Dicker
You can probably imagine then how excited I was to finally have the time to check out Andy Warhol: The Last Decade, which has been up for over a month now over at the Brooklyn Museum. The Last Decade is the first US museum retrospective to examine the later period work of Andy Warhol (who died in 1987). With close to fifty works in the collection, the exhibition reveals a “renewed spirit of experimentation” that Warhol experienced in his final ten years. At this time, Warhol produced more works in series form, and on a vastly larger scale, than at any other point in his forty-year career. With his controversial Oxidations series as well as his Yarn, Rorschach and Camouflage paintings, the visual style of his work progressed along with the introduction of new techniques. Inspired by collaborations with Jean-Michel Basquiat, Francesco Clemente and Keith Haring, Warhol also returned to hand-painted images using a brush.
The Last Decade is much different from another recent Warhol exhibit I saw back in February of 2009, Warhol Live at San Francisco’s DeYoung Museum which, while comprehensive, was primarily about Warhol’s portraits. With exception of the “Fright Wig” self-portraits (one of which provides the primary image used by the museum for promoting this exhibit) and the Interview Magazine cover portraits, I’d never seen any of these images on exhibit before. And discovering something new about an artist who’s already been dead for over two decades is always fun.
Andy Warhol: The Last Decadeat The Brooklyn Museum (in the 1st Floor Robert E. Blum Gallery and the 5th Floor Morris A. and Meyer Schapiro Wing) runs through September 12, 2010. From Manhattan take the 2 or 3 to the Eastern Parkway/Brooklyn Museum stop, and you’re right there.
If you weren’t at downtown New York’s Sacred Gallery (located at 424 Broadway at Canal Street, 2nd Floor) on Friday July 9th, then you missed out on the happening art party of the summer, Pint Size Paintings! Curated by Durb Morrison (who also contributed works to the event), Pint Size Paintings collects over 400 original works of art by 350 artists, all painted on canvases measuring only 2 by 3 inches in size (each artist was given two canvases)! Geoffrey and I could not believe the fine detailing and originality of these paintings, which ranged in subject matter from conventional portraiture and well-known celebrities to the surreal, the visceral, the horrific and the fantastic.
Besides the sensorially overwhelming effect of the dozens and dozens of captivating miniature canvases (we circled the room a half dozen times at least, noticing new details of these tiny masterpieces on each successive pass) the show was also a great party with tons of cool people to chat up and free-flowing, ice-cold PBRs – so important with this ridiculous heat wave we’ve been having! We had a fantastic time and got completely wasted for free – Art!
Don’t get too bummed though if you missed the exhibit here in NYC, because you can purchase a copy of Pint Size Paintings Volume #1: Miniature Paintings By Big Artists, featuring a large selection of the Pint Sized images, for just $29.99 from the Hell City store. Thanks to Durb Morrison and gallery manager Kevin Wilson for a truly memorable evening!
Paintings by Durb Morrison
This is what the Paintings Looked Like After A Few PBRs!
Heads Up: American fans of the hilarious and twisted BBC/Adult Swim series, The Mighty Boosh – starring Noel Fielding and Julian Barratt – might want to schedule that long-planned trip to London for sometime between next Monday and the end of the year. That way, you can check out Noel Fielding’s exhibit of his original paintings, starting July 5th at Maison Bertaux patisserie in London. The show is entitled Brian Ferry versus the Jelly Fox, which makes sense when you know that Noel is a huge fan of the former Roxy Music front man (Ferry is referenced in the 2004 Mighty Boosh episode, Hitcher).
According to an interview with Fielding published today in the Guardian UK, the exhibit “will feature a shrine to Ferry, including a large portrait of the Roxy Music singer, as well as a picture of a tree, with Ferry masks hanging off, and another with a headless man on a hill, a Bryan Ferry kite flying high above his neck. The Jelly Fox is part of another convoluted fantasy, a little like The Wizard of Oz, in which three characters go in search of the Jelly Fox.”
I think I will be calling my travel agent shortly!
Noel Fielding’s Bryan Ferry vs The Jelly Fox runs from July 5, 2010 to January 2011 at Maison Bertaux (“London’s oldest and best patisserie”), located at 28 Greek Street, SOHO London, England.
It is no secret that The Beatles were the greatest band ever in the universe of all time. For those Beatles and John Lennon fans in or near New York City, Sunday October 12, 2008 is the final day to see a moving and impressive collection of John Lennon’s drawings and song lyrics entitled “Imagine Peace.”Geoffrey and I went yesterday and spent about an hour enjoying the funny, insightful and often provocative collection of over 100 drawings and framed lyrics of songs from both The Beatles’ and Lennon’s solo catalogs. Some of my favorites were colorful sketches John did with his son Sean, like the frog drawing seen above. They also play Beatles songs non-stop over the gallery’s sound system, which makes it an even more enjoyable experience, because you can work in a little dancing! Sadly, the exhibit has a limited run which ends this evening. Do try to make it by if you can. Gallery address info is below.
Exhibit is at Openhouse Gallery, 201 Mulberry St., in SoHo. Hours: Thursday night 5-9; Friday 12-9 p.m.; Sat. 11 a.m. – 8 p.m.; Sun. 11 a.m.-6p.m. The suggested $2 donation benefits City Meals-On-Wheels.