For years I’ve walked by this sculpture installation at the corner of Water Street and Old Slip, and assumed it was one of John Chamberlain’s crushed car works. But recently I was compelled to snap a few photographs and do a bit of Googling. What I found out is that back in 1970, artist William Tarr made this sculpture from aluminum panels meant for the façade of 77 Water Street (the building on whose plaza it sits) that were rejected due to their imperfections. Thus, the sculpture’s name, Rejected Skin.
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