All Photos By Gail
The Bauhaus, an art and design school founded in Germany in 1919, trained it students to work with industrial producers to manufacture affordable household objects that exemplified efficient design. Bauhaus designers found inspiration in pure geometric forms, and American designers quickly adopted this aesthetic, radically paring objects down to basic shapes that were easy to fabricate mechanically.
The stacked cylinders of this Table Lamp (1935) evoke the moving cogs of machinery and exemplify the simplified beauty of industrial, everyday modernism.
Photographed the Metropolitan Museum of Art in NYC.
In Reverse Installation View (All Photos By Gail)
It’s been six years since I saw Industrial Designer Ron Arad’s phenomenal No Discipline exhibit at NYC’s Museum of Modern Art and was immediately smitten by the artist’s unique vision of transforming the functional and mundane into extraordinary works of art. Early last week, Geoffrey and I attended a talk by Arad at the Neuehouse Private Workspace Collective, during which he talked about his upcoming exhibit at Paul Kasmin Gallery and compared creating In Reverse, his new series of compressed Fiat cars, to the process of pressing flowers between the pages of a book. It was an excellent primer to set expectations high for the exhibit, which opened on February 12th. Continue reading Ron Arad, In Reverse, at Paul Kasmin Gallery