Tag Archive | Lenticular Print

Mike Kelley Brings His Superman Origin Story to Hauser & Wirth

Installation View
All Photos By Gail

Hauser & Wirth is currently hosting the eponymous Mike Kelley exhibit, the gallery’s first exhibition devoted to one of the most ambitious and influential artists of our time. Organized in collaboration with the Mike Kelley Foundation for the Arts, the exhibition is the first in New York to focus exclusively on one of the most significant of Kelley’s later series, Kandors. These visually opulent, technically ambitious sculptures combine with videos and a sprawling installation never before exhibited in the United States, as the late Los Angeles artist reworks the imagery and mythology of the popular American comic book hero, Superman, into an extraordinary opus of nurture and loss, destruction, mourning and – possibly – redemption. This my favorite exhibit of the year so far!

Kelley’s Kandors (1999, 2007, 2009, 2011) is named for Superman’s birthplace, the capital of the planet Krypton. According to the comic book legend, Superman’s father Jor-El sent his infant son to safety on Earth before Krypton’s destruction, saving his life but inadvertently sentencing Superman to a future of displacement, loneliness and longing.

Bottle 4 Video Projection
Bottle 4 Video Projection

Superman grows up believing that Kandor was destroyed, but later discovers his real home still exists: Kandor was stolen by intergalactic archvillain Brainiac prior to Krypton’s demise, shrunken to a miniature metropolis and left trapped inside a glass bottle. Superman ultimately wrestles Kandor away from Brainiac and hides it in his Fortress of Solitude, sustaining its citizens with tanks of Kryptonic atmosphere. As Kelley once explained, Kandor functions for Superman as ‘a perpetual reminder of his inability to escape the past, and his alienated relationship to his present world.’

Wall of Lenticluar Prints
Wall of Lenticluar Prints

While Kelley’s Kandors series relates to the artist’s longstanding preoccupation with memory, trauma, and repression, these works are also powerful vehicles for the formal investigations of color, light and scale that marked the last decade of the artist’s life. Kelley even described works from the series as being ‘akin to paintings by Henri Matisse’, but sculptural and in three dimensions. By focusing exclusively upon Kandors, the exhibition at Hauser & Wirth offers viewers fresh insight into the formal challenges, popular cultural references, and psychological states Kelley prioritized in his last years.

City 5
City 5

Entering the exhibition at Hauser & Wirth, visitors encounter a group of vitreous sculptures glowing in a dimly lit room. Cast in resin, these miniature metropolises representing the city of Kandor create an optically dazzling spectacle rendered in a palette of refracted colors.

Cities

City 20
City 20

City 15
City 15

City 17
City 17

Kandor 4

Visitors continue through the space to find Kandor 4 (2007), in which Kelley has abstracted and reinterpreted the narrative of the fictive city in a complex amalgamation. Kandor 4 comprises three cities standing on a plinth, illuminated from beneath, with their towering architectural skylines bathed in tones of yellow, red and blue.

Detail of Kandor 4
Kandor 4, Detail

Kandor 4

The fantastical cities are juxtaposed with an ultraviolet glass bottle resting on a yellow base, connected to a gas tank and hose intended to evoke the life sustaining vapors Superman used to keep the citizens of Kandor alive beneath their glass bell jar. In the final component, a video projection depicts Bottle 4 with an array of swirling atmospheric and light effects inside it, accompanied by an otherworldly soundtrack composed by Kelley.

Lenticular Print Blue Bottle

Each unique representation of Kandor in the exhibition derives from one of the many illustrations of the city by various artists in the Superman comics, beginning with Action Comics #242 (July 1958). Intrigued by the stylistic and architectural inconsistencies that marked Kandor’s representation in the ensuing half century, Kelley selected 20 strikingly diverse illustrations from the original comics’ panels.


Click to a Watch Video and Hear the Exhibit’s Otherworldly Soundtrack

He manipulated and superimposed the designs and colors of these illustrations, which he enlarged to life-scale and employed to create a group of lenticular light boxes. A selection of these light boxes illuminates the darkened hallway leading visitors to the exhibition’s innermost room and most significant element: Kandor 10B (Exploded Fortress of Solitude) (2011).

Kandor 10B (Exploded Fortress of Solitude)

Kandor 10B (Exploded Fortress of Solitude)

Kandor 10B (Exploded Fortress of Solitude)

Kandor 10B (Exploded Fortress of Solitude)

Film Still
Still from Extracurricular Activity Projective Reconstruction #36

This version of Kelley’s Extracurricular Activity Projective Reconstruction #36 (Vice Anglais) (2011) is a lightbox that juxtaposes the original found photograph with a still from his film.
Click to Watch Video

The climax and coda to the Kandors series, ‘Exploded Fortress of Solitude’ is a cavernous installation spread across the gallery’s main space. Exhibited here for the first time in the United States, this epic work is presented together with the video ‘Extracurricular Activity Projective Reconstruction #36 (Vice Anglais)’ (2011), an unsettling but humorous satire that collides psychosexual and sadomasochistic drama with a repertoire of parodic clichés derived from British Hammer Horror films. The blackened exterior of Kelley’s monumental fortress contains a dimly lit cave-like environment surrounded by fragmented boulders, a gas tank, hoses, a buck, and chains, evoking a haunting sense of unease and menace.

Exploded Fortress of Solitude

Here, the artist shifted his formal investigations from color, light and transparency to ambitious sculptural gestures inflected by darkness and opacity. Exploded Fortress of Solitude is a ruin of textured, black-hued, faux boulders and slabs that draws viewers inside by the sheer force of its scale and mystery, while the murmuring acoustics of Vice Anglais layer the atmosphere with tension and anticipation.

Exploded Fortress of Solitude

In the video, the Exploded Fortress of Solitude serves as the backdrop for the exploits for Kelley’s gang of perverts; visitors exploring the cave are likewise subjected to the unsettling whimpers and debauchery of the English Vice.

Kandor 10 B Exploded Fortess of Solitude

One of the final works of the Kandors series, Exploded Fortress of Solitude suggests a dramatic denouement for the fated city, a possible catharsis not only for Superman but for Mike Kelley and for us. It emblematizes the extraordinary articulation that preoccupied Kelley in the years before his untimely death, between his two great serial enterprises of the 21st century, Kandors and the Extracurricular Activity Projective Reconstructions.

Kandor 10 B Detail

From within the depths of Superman’s fortress, the visitor is reunited with the city of Kandor, now rendered as a glowing rose-colored emanation encased beneath a bell jar. Eerily illuminating the darkness of the rocky chamber, the roseate Kandor reveals that the crevices of Superman’s solitary sanctum sanctorum actually glitter with tiny gold trinkets.

Fortress of Solitude Jewels

The Fortress of Solitude has indeed exploded. Chaos has triumphed over order and long years of preservation have succumbed to galactic cataclysm – but we are left with a pot of gold. At the limit of loneliness and trauma, in an uncanny archaic place, we encounter a glittering symbol of duality – of hope and life, of wealth and greed.

Fortress of Solitude Jewels

Mike Kelley took his own life on January 31, 2012. RIP.

Mike Kelley will be on Exhibit through October 24th, 2015 at Hauser & Wirth, Located at 511 West 18th Street, in the Chelsea Gallery District.

Mike Kelley Signage

Orange City

Chartreuse City

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Burka Red Dress By Cecile Plaisance

Burqa Red Dress
All Photos By Gail

Lenticular Printing is a technology in which lenticular lenses (a technology that is also used for 3D displays) are used to produce printed images with an illusion of depth, or the ability to change or move as the image is viewed from different angles (Thanks, Wikipedia!). This print by french artist Cecile Plaisance, appropriately entitled Burqa Red Dress (2014) depicts a Barbie Doll who appears to be wearing a Red Party Dress when viewed from off to one side, but switches to the same doll wearing a Burqa when viewed from straight on.

Burqa Red Dress

The visible lines in these photo are due to my camera being unable to accurately capture the optical effect, and are not owed to any flaws in the artwork. Found in the booth for the Paris-based Galerie Envie d’Art at the Affordable Art Fair (going on now in NYC through Sunday, March 29th at the Metropolitan Pavilion) Burqa Red Dress (in an edition of 8 pieces) sells for $9,500.

Pink Thing of The Day: Pink Bambi at the Affordable Art Fair!

Pink Bambi
Photo By Gail

Hey what’s up. The annual Affordable Art Fair, which officially opens today, hosted a super crowded preview last night with free drinks and lots of amazing art that is, admittedly subjectively, priced to own. To the Fair’s creators, this means art priced up to $10,000, so your mileage may vary. I know that I admired perhaps a dozen works that I’d love to have in my collection, priced from between $400 to $3,000, so that certainly fits my budget — and that’s exciting!

This 3D Lenticular print depiction of a Hot Pink Giant Bambi wandering along a NYC street is by artist Paco Raphael, represented by the Ronen Art Gallery in Amsterdam, Netherlands, and sells for just $2700, which is a steal! There are also versions of this artwork where Bambi is Orange, and one where he is Purple. So, something for every taste!

What’s extra cool about AAF is that it hosts galleries from all over the globe, so you can see works from Europe and Asia that you otherwise might not be exposed to, all in one place.

Affordable Art Fair takes place at the Metropolitan  Pavilion, located at 125 West 18th Street in NYC, through Sunday March 29th, 2015. Visit This Link for more information!