In a series of pastels made in the fall of 1934, Joan Miró pursued what he called “aggressiveness” through color. Rendered in acidic, highly saturated and dissonant hues of thickly applied pastel, the isolated figure of Woman (Opera Singer) appears to protrude from the paper’s surface, Her asymmetrical head, twisted open mouth, overinflated genitalia, and single toenail resist the corporeal ideals embraced by the various fascist parties that were gaining power across Europe at the time.
Photographed as part of the Exhibit Joan Miró, Birth of the World, on View at The Museum of Modern Art Through June 15th, 2019.
Rockwell Kent (1882 – 1971) was a self-proclaimed wanderer who felt most at home in the wilderness. His artistic and philosophical devotion to nature lead him to explore far-reaching places that served as inspiration for his rugged landscape paintings, as well as several published travelogues.
Moonlight, Winter (1940) depicts the farm in New York’s Adirondack mountains, where Kent eventually settled in 1927. The scene conjures the artist’s vision of a certain — if somewhat distant — harmony between there vastness of the night sky and the quaint shelter of human life.
Photographed in the Whitney Museum of American Art in NYC.
Modern Art 1970 – 1974 is a cast-in-two-parts Bronze and Aluminum modular sculpture by American Sculptor and Visual Artist, Lynda Benglis. The work (created between 1973 and 1974) includes four individual sculptures that are identical in form while maintaining an organic feel. To me they look like molten lead, tongues or platypus bills. Modern Art 1970 – 1974 can be viewed at NYC’s Museum of Modern Art in Painting and Sculpture II, Gallery 23, 4th Floor.