Tag Archive | The Wyld Olde Souls

Gail’s 2011 Pop Culture Top Ten List!

Header for Top Ten List in Starburst

Now that we are just a couple of short weeks away from kicking off a spectacular New Year, full of art, music, pink things, bacon and free food, I would like to ask you, Dear Readers, how was your year? I hope it was awesome. As you can see from this Rad Blog you are now reading, I got to do some fun things in 2011, including going on my most fun vacation in many years when my sister and I took a 7 day Caribbean cruise, with three days in New Orleans on the front end. Holy cow, was that ever fun! Such adventuring! Such fine dining! Such ridiculous humidity! I’m still sweating.

What this all means is that it’s time again for the obligatory Year End Top Ten List, so, instead of going with the predictable, rote, yawnfest Top Ten CDs list I’ve decided to do more of a Pop Culture Mixed Bag, if you will. Because that is how I roll. Let’s get started.

PunkFunkRootsRock

Best Album: Manraze, PunkFunkRootsRock. Take guitarist Phil Collen from Def Leppard, team him up with drummer Paul Cook from The Sex Pistols and add Simon Laffy, the bassist from Phil’s former Glam band, Girl (because every power trio needs a bassist), and you’ve got a record that sounds, well, like a raunchier version of Def Leppard! We especially love Phil’s Lemmy impersonation on “Over My Dead Body.” Record of The Year! Read my interview with Paul Cook at This Link.

That’s Me in the Back Row: Third in from the Left

Best Game ShowThe Kostabi Show, where a panel of three Art critics and/or celebrities compete to title the works of modernist painter Mark Kostabi for cash awards, while a jury votes on which title suits the painting best. I had the opportunity to serve as a member of the jury for a taping this past summer and went home with $6 cash more than I had when I arrived, plus a Kostabi coffee table book signed by Mark. Bonus: free pizza! Kostabi, who is an accomplished pianist, also released a swell modern classical CD, The Spectre of Modernism, this year, which has been in heavy rotation on my iPod for ages now.

Dave Depper's Ram Project

Best Beatles Thing: Dave Depper’s Ram Project, an authentically covered version of Paul McCartney’s second solo album complete with off-key Linda-esque backing vocals! So good!

Nick Kent Book Cover

Best Rock Book: Nick Kent’s Apathy For The Devil, a memoir of the British rock critic’s life and career in the 1970s. Everyone knows that all of the best music happened the Seventies , so I will admit that, as both a writer and fan, I certainly would have loved to have lived that life myself, save for the messy heroin addiction part.

Metropolitan Museum Exhibit

Best Fashion-Related Museum Exhibit: Alexander McQueen’s Savage Beauty at the Metropolitan Museum of Art. Four words: Crown of Thorns Headdress. The Savage Beauty Exhibit set all kinds of ridiculous attendance records for the Met and was just insane. Insane!

Chris Connelly CD Cover Art

Best Homage to Eighties Alternative Goth: Chris Connelly’s Artificial Madness. David Bowie Meets Killing Joke plus Bauhaus sautéed lightly with Magazine and a little Ministry on the side. Homage!

Fix The Ministry Movie Poster

Best Rock Documentary: Fix, The Ministry Movie. Kids: Don’t Do Drugs. Or do a lot of them. One or the Other.

Best Seventies Southern Rock: The Sheepdogs, Five Easy Pieces EP. Bonus points to the band for their fan-winning appearance on the most recent season of Project Runway!

Reality TV (Competition): Top Chef, because Celebrity Chefs are the new Rock Stars!

Suckadelic Art Toy Universe

Pop Culture as Art: The Suckadelic Art Toy Universe Retrospective and Pop Up Store at Boo Hooray Gallery (NYC). The judges and critics on the second season of Bravo’s Work Of Art didn’t really dig the SuckLord’s artwork too much, but his parodies of Star Wars toys served up with a serious side of snark made for one of the most subversive, hilarious and memorable art shows of the year! Art!

Honorable Mention: Kasabian’s Velociraptor, MGMT Live at the Guggenheim, The Zombies at City Winery, Single Fare Please Swipe Again at Sloan Fine Art, Spiderman: Turn Off The Dark, Jeremy Dower’s Canis Mortuus Familiarus at Bold Hype Gallery, American Horror Story, Maurizio Catellan’s All Retrospective at The Guggenheim, Patti Smith at Webster Hall, The Wyld Olde Souls’ Ensoulment, Jeremy Fish Listen & Learn at Joshua Liner Gallery, Robot Chicken, Tosh.0.

Happy Holidaze and all the best for 2012!

This list previously appeared in a slightly abbreviated form on the East Portland Blog Dot Com.

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The Wyld Olde Souls Celebrate CD Release with Intimate Live Set at Drom

A perfect – wait, make that ideal – live music experience, for me, includes a few personal preferences such as a venue close to my home that offers seating, reasonably priced drinks and maybe a menu of snacks that won’t break the bank when added to the price of the ticket. It’s a lot to ask, I know, but that is how I roll. Of course, it’s a given that the band on the bill has great songs and is able to reasonably replicate its recorded sound in a live forum while also improvising and “riffing” freely enough to add a personal vibe to the performance. On a recent Saturday night in the East Village, that perfect storm of a concert experience happened at Drom Lounge on Avenue A when psychedelic folk rock band, The Wyld Olde Souls, celebrated the release of its new CD, Ensoulment. It was an evening I won’t soon forget.

Ten years in the making, Ensoulment includes fourteen songs (13 originals and one cover) that prove the long wait for this album was well worth it. Often compared to acts like Fairport Convention, Joan Baez and Donovan, The Wyld Olde Souls are perhaps NYC’s best-kept secret. Fronted by lead vocalist/songwriter and guitarist Ivy Vale, The Wyld Olde Souls includes Vale’s husband Rick Reil (vocals/guitar/sitar), Kristin Pinell Reil (vocals/guitar/flute) – the former both members of the legendary Grip Weeds — vocalist Melissa Davis and tabla player Naren Budhakar, who is such a perfect addition to the band for his ability to really capture the middle eastern spirituality inherent in its music. The band’s lyrics are often romantic and whimsical, offering a welcome respite from the angst and anger in much of today’s pop music, while the lush, layered instrumentation on the album – which includes flute, orchestral strings and mellotron – solidifies The Wyld Olde Souls as a band that expertly takes the act of homage into the realm of a truly unique, original sound.

At Drom, the band opened the show with “Give it to You,” the second track off Ensoulment and proceeded to hold its audience in thrall for the remainder of the tight, 13 song set. Although the band performed in an almost “unplugged” setting (save for Pinell and Reil’s guitars) every song sounded amazing. In addition to Vale’s rich, resonant vocals, Davis’s mellifluous backing vocals create a transcendent aural experience against the Souls’ spot on instrumentation (Rick Reil and Kristin Pinell also handle lead vocals on select songs). The set included many songs from Ensoulment including “Take Me There,” “Undertow” and “Maybe” but also featured a little known George Harrison song, the chant “Gopala Krishna,” which the Souls also performed at George’s Birthday Tribute show (featuring headliner Roberta Flack) this past winter.

Band members joked with each other and the capacity audience while telling stories about their music and influences between songs, which kept the crowd engaged and anticipating what might come next. A few of my favorites included “Love Song” and “Wyld Maiden” as well as the instrumental “Love in Transition” and an Improvised Raga that showcased Budhakar’s expert tabla playing. As the performance came to a close with “Where There is Light” and “Sun God” (a track from the band’s debut CD) I felt very fortunate to have been part of such a fun and entertaining live gig. Ensoulment is already in the running for a top spot in my year-end Top Ten CDs of 2011, and I recommend you pick up a copy either via CD Baby or as an MP3 Download at Amazon.com. The band does not perform live very often but you can friend them on FaceBook to be kept in the loop about future live dates.