Tag Archives: Little Barrie

Video Clip of the Week: Little Barrie, “Bonneville Ride”

If somebody asked me to name my three current favorite bands or artists – and, trust me, no one ever asks – I would say that they are: Australian Psychedelic Rock Project Tame Impala (aka Tim & Paula, who are just the Best), American singer/songwriter Kurt Vile (whom I consider to be a modern-day Bob Dylan) and British Rockers Little Barrie, whose 2012 release, King Of The Waves I reviewed very extremely favorably. But yeah, those are my Top Three.

I don’t often review albums these days, because, no time. But I do review the videos. So, imagine the level of ecstatic delight I experienced when Little Barrie’s publicist hipped me to the band’s latest viddy for a heavily-steeped-in-cool song called “Bonneville Ride.” Oh my, I do love this video.

Shot on Super 8 film so that it resembles a home movie from my childhood, “Bonneville Ride” is constructed visually around original footage of Little Barrie bassist Lewis Wharton’s father, also named Lewis, racing grasstrack motorbikes in the early – mid 1970′s. (Lewis senior is the gentleman hanging off the sidecar of number 69).   Watching this clip feels like you are dreaming, or watching someone else’s dream. And I suspect it does not get much better than that. There are also a few clips of the band performing — and they are so good live. Aurally, the song is confident enough to let Wharton’s slinky bass line take the lead for a sweet ride that’s more akin to a mood-inducing flashback, or a slice of life, than a mere pop tune. In a word: Sublime.

“Bonneville Ride” comes from Little Barrie’s fourth album Shadow, which was released this past May on Tummy Touch Records. Like all of their albums, it is excellent listening. Enjoy!

Little Barrie Band 2014
Little Barrie are: Lewis Wharton (Bass), Barrie Cadogan (Guitar/Vocals) and Virgil Howe (Drums)

Gail’s Top Ten Favorite CDs of 2012

Tame Impala Lonerism CD Cover

Tame Impala, Lonerism

People who’ve taken a lot of psychedelics (raises hand) and listened to way too much music while lounging in a room lit only by a black light bulb will often talk about how certain albums sound like they were made while the band was on drugs. Tame Impala’s sophomore album, Lonerism, is drugs.

Read my awesome review of Lonerism at This Link.

Darkness Hot Cakes CD Cover

The Darkness, Hot Cakes

Hot Cakes is my favorite Queen album since A Night at the Opera.

Read my amazing review of Hot Cakes at This Link.

Little Barrie King of the Waves CD Cover

Little Barrie, King of the Waves

Little Barrie’s King of the Waves was Number One on the list for most of the year until The Darkness nudged it from the top spot, only to be further nudged by Tame Impala. This only means it was a pretty fucking great year for Rock & Roll.

Read more of my opinion on how Little Barrie Saved Rock in 2012 at This Link.

Sheepdogs CD Cover

The SheepDogs

It is my belief that The SheepDogs operate in this realty via adept use of a well-oiled Time Machine.  Read more about my hypothesis at This Link.

Matt Boroff's Filling In The Cracks CD Cover

Mott Boroff, Filling In The Cracks EP

My mind was blown away last year by the discovery of Matt Boroff, an artist who refers to himself as a “Gold Medalist in the Best Kept Secret Olympics.” Read more at This Link.

Killers Battle Born CD Cover

The Killers, Battle Born

I like This Album.

Bento Diamond Days CD Cover

Bento, Diamond Days

I was in the process of reviewing Diamond Days when I was unexpectedly evacuated from my apartment due to the storm surge of Hurricane Sandy. Drama! Bento is the solo project by Ben Gillies, former drummer for Silverchair. I interviewed Ben once and he was hilarious. If you enjoyed Siverchair’s artsy fartsy 2007 Swan Song, Young Modern, you will probably dig this album.

Vaccines Come of Age CD Cover

The Vaccines, Come of Age

The first time I played this CD each song managed to distinguish itself from the next, so it gets to be on this list.

Lita Ford Living Like a Runaway CD Cover

Lita Ford, Living like a Runaway

No pain, no gain. Guitarist and Rock Godess Lita Ford bounces back from a messy divorce to make the album of her career. My indepth review of Living Like a Runaway can be found at This Link.

Mike Viola Acousto de Perfecto CD Cover

Mike Viola, Acousto De Perfecto

If real musical talent – quality songwriting, musicianship, charisma – were still rewarded with popularity and financial success in the way they were back in the ‘70s, Mike Viola would be as revered as Elton John and sell out bigger concert tours than Lady Gaga.

Read more from me about Mike Viola and Acousto De Perfecto by clicking Here.

Recommended Listening: Little Barrie, King of The Waves

Little Barrie King of the Waves CD Cover

America has, so far, welcomed two highly influential British Invasions of Rock & Roll. In the early sixties, The Beatles and The Rolling Stones, along with countless Mersey Beat bands, laid the foundation for everything that arrived in their mighty wake. Thirty years later, a largely stagnant music scene got a much-needed shot in the arm with a vibrant Brit Pop infusion courtesy of Oasis, Blur, The Verve, Suede and others. Decades pass and, still, every one of those albums stand up to whatever happens to be the flavor of the moment on commercial pop charts that hardly reflect artistic merit. Rock & Roll may have been born on these shores, but damn if we don’t need the Brits to come along every so often and show us how it’s done.

Now on its third release, London (by way of Nottingham)’s power trio Little Barrie is making vibrant, old-school rock music that could comfortable fit into either faction of British Invasion Rock & Roll: drawing heavily from deeply-rooted blues based rock that has never gone out of fashion. Singer/Guitarist Barrie Cadogan embodies the essence of a true guitar hero: balancing the job of vocal anchor with that of the emboldened showman whose mastery of his instrument is so ingrained it’s become second nature. The fact that his resume of live and studio work includes gigs with Primal Scream, Edwyn Collins, Morrissey, Paul Weller and The Chemical Brothers, among others, speaks volumes about Coddington’s impressive skill and creativity level. Cadogan is joined in Little Barrie by the formidable rhythm section of drummer Virgil Howe (son of legendary Yes’ guitarist Steve Howe) and bassist Lewis Wharton. Spin King of The Waves just once and the scenario of aural seduction will be complete.

“Surf Hell” kicks the album off in high gear with garage rock distortion chased with pyschobilly menace, which rolls right into the relentless pull of a minor chord melody that turns “How Come” and “Does The Halo Rust?” into instant favorites. Howe lays down an irresistibly subtle tribal undertow on “Precious Pressure” while Coddington channels his best Keith Richards. The title track’s languid guitar hooks harness the seductive power of “Crystal Ship-esque” heroin rock, and while you might be tempted to nod out on its blissful vibe, stick around for the rest of the show, because it just keeps getting better. This album is flawless – no bells and whistles or complex studio wizardry: just pure sonic rock power! Not only does it sound great, it feels amazing!

I was fortunate to catch a private showcase performance by Little Barrie a couple of week’s ago at the Rose Bar (inside the Gramercy Park Hotel – great room!) and was blown away by group’s on-stage charisma and star power that’s based 100% on expert musicianship and the ability to write kick ass tunes. I may harbor a soft spot for the British anyway, but a band must deliver the goods in order to win my affection and loyalty. Little Barrie have made an album that will surely be at the top of my list of favorites for 2012 and I invite you to fall in love with them by picking up a copy of King of The Waves. As Mohammed Ali once famously said, “It’s not bragging, if you can back it up.”

King Of The Waves was released in the UK last summer but has a US release date of February 28, 2012.

Grade: A+