Gustave Courbet (1819 – 1877) often painted the rocky grotto at The Source of the Loue (1854), the river that flows through his native village, Ornan, in the French-Comte region of eastern France. This view is probably one of four he mentioned to the art dealer Jules Luquet in the spring of 1864 when he wrote, “I’ve been to the source of the Loue these last days and made four landscapes [measuring] about 1 meter 40.”
Photographed in The Metropolitan Museum of Art in NYC.
On an otherwise gloomy and very rainy Sunday in New York, we made our way to the NYBG in the Bronx for the second day of artist Yayoi Kusama’s new exhibit, Kusama: Cosmic Nature. While Saturday’s opening day enjoyed the benefit of bright sun and warm temperatures, we did not let the overcast skies dampen our sprits at all while exploring this amazing exhibit which showcases of all of Kusama’s ‘greatest hits’ (if you know what I mean). An in-depth review will likely be on the horizon here on The ‘Gig. In the meantime, check it out for yourself buy snagging a couple of hot tickets at This Link!
When you are walking on the street, remember not only to look down, to avoid stepping in dog poo, but also to look up, so you can spot cool street art like this Pink Skull sticker by artist Matt Siren!
It’s time again to do our Spring Cleaning, so maybe you’ve noticed (or maybe not) that we underwent a recent facelift in the form of changing WordPress themes after using the same one since our last upgrade in 2013! Wow, it seems like just yesterday. The new theme is a continuation of our ongoing site improvements that we announced on our 17 year blogiversary last June. Aside from a font change, you’ll notice that those site features formerly residing on the right side of our home page have moved to over to the left, leaving us with an expanse of new real estate to develop — yay! Who knows what will come next? I can only promise that it will be excellent. Have a look around at our new design and let us know what you think in the comments!
Suitable for either indoor or outdoor use, Jonathan Trayte’s MelonMelonTangerine loveseat (2019) brings together different colors, textures and forms supported by a tubular frame of powder-coated steel in a warm, sunshine yellow.
Installation View with Bikini Squash Sculpture
The seat incorporates a variety of natural and man-made fabrics including a nylon-weave lower ‘shelf,’ black leather seats, cowhide upholstered seatbacks, and leather headrests, with furry wool armrest covering and polished brass accents. A mounted disc of polished marble provides a small table for holding your afternoon cocktails, or whatever you please.
19th century Bengali craftspeople found an export market in Britain for decorative chess sets carved from ivory.
The two sides were sometimes carved to represent opposing armies of local soldiers and Europeans. The example seen here, with relatively simple carving is unusual as signs of wear and repair suggest it was used for playing games rather than as a showpiece for display. Hand-carving has produced variation even between pawns of the same side.
Photographed in the British Galleries at The Metropolitan Museum of Art in NYC.
Actor Mel Gibson rose to stardom in the 1979 film Mad Max, an action movie set in a dystopian future. In 2006, Gibson directed and cowrote Apocalypto, a dystopian fantasy set in the past. Drawing on durable colonialist tropes, Apocalypto portrays the indigenous civilizations of a pre-Colombian Central America as irredeemably brutal and doomed; the film ends with the arrival of the Spanish conquistadors. During the time that elapsed between the release of these two films, Gibson’s life took many sordid turns that land Apocalypto’s melodramatic tagline — “No One Can Outrun Their Destiny” — an ironic air. Mel Gibson Story (2010) by Jonathan Horowitz illustrates the actor’s downward spiral through a five-panel metamorphosis of the two movie posters.