One evening last summer, I was at The Odeon on West Broadway for my friend Robin‘s Birthday dinner, when I spotted this lovely Pink Handgbag and matching Cosmo, sitting on the bar. And now, it is immortalized on this blog!
Kathryn Andrews appropriates images from popular culture, often American movies, television, and stock photography archives. She then alters and re-contextualizes these images into three-dimensional configurations to create new narratives where viewers are invited to rethink the photographs in relation to their own bodies.
For her High Line Commission, Sunbathers I (not shown, located at 18th Street) and Sunbathers II (shown here), Andrews responds to two contrasting aspects of the elevated park: its relationship to nearby billboards and to the natural landscape. Andrews describes the High Line’s environment as a “hyper-surreal image world,” composed of large-scale advertisements and commercial signs that surround park visitors as they stroll high above the bustling cityscape.
Sunbathers II is a large, horizontal aluminum box containing a giant fan and featuring a photograph of an ice cream cone. The fan’s movement is juxtaposed with the adjacent static image, mirroring the park itself.
Kathryn Andrews’ Sunbathers I and II Will Be On Display Through March, 2017.
OMG I Love This. Show your support at each and every Women’s March with this Hello kitty-inspired t-shirt, Hello Pussy! This adorable character shirt will get the attention of everyone around you. Available in both Unisex style y-shirts and Ladies Fit Tees, Hoodies and other wearable swag, and in a variety of colors, at This Link!
The Indian Chief Roadmaster was designed as a handsome, comfortable rival to Harley-Davidson’s heavyweight touring bikes as Americans took to the road in the years following World War II. Indian’s top model, the Chief Roadmaster (1948) exuded power and style. Note the Indian Head on the front fender as well as the custom-fringed leatherwork. Now, imagine how it would look flying in the wind as the bike speeds toward the horizon!
Do you like French food? I sure do. Recently, I was invited to dine with a couple of friends at Jubilee, an authentic French eatery that’s just a short trip up First Avenue from my east village flat. Owned and operated by Eric Macaire, head chef Luc Holie (formerly of the late, great L’Absinthe) and his amicable wife Ilda (the couple hail from Montpelier and Paris, respectively), Jubilee is a neighborhood gem whose warmly decorated interior is elegant while remaining comfortable, cozy and charming. I felt welcome right away.
Jubilee has a huge following for its fresh Mussels (Moules), prepared with your choice of sauces including Marinière, Curry, Poulette, Catalane, Dijonnaise, Citronnée, Tomato Basil, Asian and Calvados (or choose a trio of sauces). Mussels are served ala carte for $17 or with French Fries or Salad for $23.50. Keep that in mind if you have friends who are mussels fans!
Enjoy these photos of our menu choices!
As a first course, I enjoyed the Terrine de Foie Gras de Canard avec Compote de Fruit ($19), Chef Luc’s Homemade Terrine of Duck Foie Gras with a Balsamic Reduction and Fruit Chutney. The generous portion of this buttery Foie Gras is ultra creamy and mild, with the tart balsamic presenting a nice flavor counterpoint. The bright sweetness of the fruit chutney is also nice complement, and adds welcome texture. This dish is very rich and I suggest sharing so as not to dampen your appetite for your main course.
Both of my dining companions ordered the Salade de Tomates d’Heritage avec Mozzarella et Vinaigrette au Balsamique ($13). This fresh Heirloom Tomato Salad with Mozzarella and Balsamic Dressing arrives drizzled extra virgin olive oil and sprinkled with fresh basil, with a toasted baguette “crouton” garnish.
Fish lovers might enjoy the Loup de Mer aux Tagliatelles de Courgettes, Bouillon de Tomate Séchée ($29), Striped Bass, Zucchini Tagliatelles and Sundried Tomato Broth. The fish arrives with a gorgeous, browned crispy skin!
Meat lovers have plenty to choose from on Jubilee’s extensive menu. The Steak de “Black Angus”($35) is a Grass Fed 10 oz Black Angus Steak, served with French Fries and Salad, with choice of Green Peppercorn or Bearnaise Sauce. One of my friends chose to substitute her fries for a side of fresh sauteed Brussels Sprouts, as she was watching her carbs. The requested, off-menu substitution was made with a smile!
Take a look at this luscious Côte de Boeuf ($40), a Grass Fed 14 oz Rib-Eye Steak, which was my entree. Also served with French Fries, Salad and a choice of Green Peppercorn or Bearnaise Sauce, we asked for both sauces and shared them. Divine! The meat was perfectly marbled with an excellent exterior char, and the crispy french fries were plentiful. The classic French bistro meal of Steak Frites surely does not get better than this.
I finished off a very satisfying meal with a favorite French dessert that was too tempting to resist: Profiterolles au Chocolat ($11), a trio of perfect profiteroles, consisting of ultra-light and delicate choux pastry balls filed with vanilla ice cream, garnish with toasted almonds, and served with a dish of warm chocolate sauce to drizzle over the top. So indulgent! Other delectable desserts on the menu include Molten Chocolate Cake with Caramel Ice Cream ($11), Classic Crème Brulée with Cointreau ($10), and a delicious baked dessert made with fresh berries, Gratin de Framboises (Raspberry Gratin) for $11, among many more sweet choices.
For those with not so much of a sweet tooth, Jubilee offers a cheese plate with your choice of three cheeses, accompanied by sliced fruit, nuts, field greens and an assortment of homemade breads — which would almost be ideal as a light lunch or afternoon snack! At the end of our meal, we were also presented with a small plate loaded with tiny homemade Madeleine cakes, still warm from the oven and dusted with confectioners’ sugar – what a very special treat!
Jubilee has an extensive menu with dishes to please every palate. They also host a popular weekend Boozy Brunch ($28.50) that I would love to try with a few friends. I’m excited to have discovered Jubilee, my new go-to place to enjoy all of my favorite French dishes and great service! Bon appetite!
Jubilee is located at 948 First Avenue (at 52nd Street) in Manhattan. Phone: 212-888-3569. For reservations, menus, and more information, visit This Link.!
With its undulating colored ovals traversed by animated brushstrokes, Vasily Kandinsky’s Black Lines (1913), is among the first of his truly nonobjective paintings. The network of thin, agitated lines indicates a graphic, two-dimensional sensibility, while the floating, vibrantly hued forms suggest various spatial depths. By 1913 Kandinsky’s aesthetic theories and aspirations were well developed. He valued painterly abstraction as the most effective stylistic means through which to reveal hidden aspects of the empirical world, express subjective realities, aspire to the metaphysical, and offer a regenerative vision of the future. Kandinsky wanted the evocative power of carefully chosen and dynamically interrelated colors, shapes, and lines to elicit specific responses from viewers of his canvases. The inner vision of an artist, he believed, could thereby be translated into a universally accessible statement.
The artist realized, however, that it would be necessary to develop such a style slowly, in order to foster public acceptance and comprehension. Therefore, in most of his work from this period he retained fragments of recognizable imagery. “We are still firmly bound to the outward appearance of nature and must draw forms from it,” he wrote in his essay Picture with the White Edge, but suggested that there existed a hidden pictorial construction that would “emerge unnoticed from the picture and [would thus be] less suited to the eye than the soul.”
— Nancy Spector
Photographed in the Guggenheim Museum in Manhattan
In this time of darkness, it is important to always be moving towards the light. I’m very happy to share with you this week’s Video Clip, the uplifting and inspirational “Country Hope,” from violinist Daisy Jopling, who is joined here by a chorus of contributing female vocalists. Blending soft rock, modern classical, and lite country genres, “Country Hope” is both soothing and anthemic simultaneously; harnessing the momentum of the recent Women’s marches, remdinding us lyrically that “We Have It All,” and the power to shape our reality is within us. As a side note, if you live in an area that got pummeled by last week’s blizzard, you will surely also appreciate the conjuring of springtime and creative rebirth evoked by this gorgeous video, which is shot entirely outdoors.
For those in the NYC area, Jopling will perform music from her just-release album, The Awakening (her first album of original compositions), at Manhattan’s Cutting Room on Friday, February 18th, 2017 with a 7:30 PM set time. In concert, Jopling often switches between a 1778 Antonio Gragnani violin and her Yamaha electric violin, which sounds exciting! I can remember seeing violinist Lili Haydn open for Page and Plant at Madison Square Garden many years ago now, and she blew my mind, so this show should be pretty cool. The Awakening is now available on the Fleur De Son Classics label, as the first crossover signing on this classical music label’s roster. Enjoy!