“Hey, look at those upside down trees!” I shouted to my friends as we approached the entrance to Mass MoCA, the coolest contemporary art museum in the Universe. The trees turned out to be a work of art by Natalie Jeremijenko called Tree Logic (1999) in which six live trees are inverted and suspended from a truss made up of a metal armature, stainless steel planters, and telephone poles. In Tree Logic, the art of the piece is not found in its condition at any single point, but in the change of the trees over time.
Trees are dynamic natural systems, and Tree Logic reveals this dynamism. The familiar, almost iconic shape of the tree in nature is the result of the interplay between gravitropic and phototropic forces: the tree grows away from the earth and towards the sun. When inverted, the six trees in this experiment still grow away from the earth and towards the sun — so the natural predisposition of trees might well produce the most unnatural shapes over time, raising questions about what the nature of the natural is. I would love to be able to observe the trees as their foliage changes with seasons.