Tag Archives: cd review

Recommended Listening: Patti Smith, Outside Society

Patti Smith made a name for herself as a pioneer of NYC’s seminal punk scene, most notably as it relates to the birth of the legendary CBGBs rock club on Bowery, and she has continued to evolve through a career that’s lasted over three decades. Along with her original band, The Patti Smith Group (Guitarist/co-songwriter Lenny Kaye, Drummer Jay Dee Daugherty, Bassist/co-songwriter Ivan Kral and Keyboardist Richard Sohl (RIP) – each a phenomenally talented musician and creative force) with whom she recorded her first four albums, and later as a solo artist, Smith is undeniably one of the most unique and influential artists to emerge in the late 70s. As both a versatile artist (poet, musician, author) and an outspoken activist, Patti Smith is a Woman Who Rocks in every sense of the word.

Smith’s impressive music catalog has already been afforded three compilations culled from her studio recordings, but record labels know when the public is ripe for a new offering. With her having recently won multiple awards for her book, Just Kids, Sony Legacy has put together an album to catch the attention of those who may just now be getting hip to Patti Smith, or fans who are ready for rediscovery. Outside Society – the title taken from a lyric in the refrain of Smith’s arguably most powerful and emotionally charged composition (and my personal favorite), “Rock & Roll Nigger” – is an 18 song, single-disc compilation covering Smith’s recordings from her ten studio albums between the years 1975 to 2007. The disc not only includes many of Smith’s “Greatest Hits” – such as her recorded-live version of “Gloria,” her collaboration with Bruce Springsteen, “Because The Night” and the transcendent “Dancing Barefoot” – but it also features an indispensable selection of deep album tracks that casual fans will likely be unfamiliar with. If you are seeking an introduction to Patti Smith or a way to flesh out owning just one or two albums of hers, Outside Society is must own collection.

In addition to always surrounding herself with highly talented musicians and collaborators, Patti Smith has also worked with a cache of rock music’s most accomplished and legendary producers, including Jack Douglas, Jimmy Iovine and Todd Rundgren, who helped to sculpt her sound, allowing her to remain authentic no matter what genre she tackled. From the raw punkinesss of “Gloria” to one of her most polished pop songs, “Frederick,” (one of the many love songs she wrote for her husband, the late Fred “Sonic” Smith of the MC5) she absolutely owns every performance. Each song on this record, and consider that the styles presented are extremely diverse, sounds amazing and fresh, like it was just recorded.

Patti Smith has covered many rock classics in her storied career – from “Gloria” (a song first made popular by Them as fronted by Van Morrison) to the Byrds’ anthemic “So You Want to Be a Rock & Roll Star” and, most recently, Nirvana’s breakthrough, genre-defining hit, “Smells Like Teen Spirit.” With each interpretation of compositions that many would consider untouchable, Smith makes the song her own with the infusion of her poetry and her inherent ability to tap into the creative essence of each song. Adding further value to an aurally sublime compilation, Outside Society includes Patti’s insightful, autobiographical notes and personal commentary on each track. Her own remembrances of the circumstances surrounding the writing / recording of each track are not only profoundly moving, but often heartbreaking, revealing her to be a woman who has coped with her share of life-changing loss while unfailingly championing individuality and the triumph of the underdog.  God Bless Patti Smith.

Remastered by Greg Calbi and Tony Shanahan, Outside Society will be released on Arista/Columbia/Legacy on August 23, 2011 as a single-disc digipak CD and on vinyl as a Double LP set. Track Listing is As Follows:

1. Gloria

2. Free Money

3. Ain’t It Strange

4. Pissing In A River

5. Because The Night

6. Rock N Roll Nigger

7. Dancing Barefoot

8. Frederick

9. So You Want To Be A Rock N Roll Star

10. People Have the Power

11. Up There Down There

12. Beneath The Southern Cross

13. Summer Cannibals

14. 1959

15. Glitter In Their Eyes

16. Lo and Beholden [radio edit]

17. Smells Like Teen Spirit

18. Trampin’

GRADE: A+

Recommended Listening: Take It Or Leave It, A Tribute to The Runaways

While the span of the band’s career was relatively short, The Runaways changed the landscape of rock and altered the perception of women making music forever. With The Runaways’ biopic just released last year, who would have imagined that their influence would continue to be topical several decades after their break up? I was around for the duration of their rise and fall and, the significant post-Runaways careers of Joan Jett and Lita Ford notwithstanding, I sure never thought we’d still be taking about them 30 years later. So it’s not surprising, really, that Main Man Records has compiled what can only be called the definitive Runaways tribute compilation; a two disc set called Take It Or Leave It. All you need to know is that this record fucking rocks. Continue reading Recommended Listening: Take It Or Leave It, A Tribute to The Runaways →

Recommended Listening: Mark Kostabi’s The Spectre of Modernism

My reputation as the Rock Critic at Large is based pretty much on my passion for and impressive knowledge of Classic Rock, Prog Rock excess and first wave British Punk Rock. When it comes to reviewing music, I like to stick to what I know best, but when it comes to knowing what sounds good, anybody who really gets me is hip to the fact that I go crazy for a wild saxophone, and my love of the classical piano is a deep love, indeed. I recently had a CD of Modern Classical music drop into my lap that ingeniously manages to fit comfortably into the realm of melodic jazz, while also appealing to the “maturing” rock fan dwelling in more of us than you would imagine. Surprisingly, the artist’s name on the disc is that of one of my favorite modern painters!

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Recommended Listening: Kissing Cousins Unfortunate End EP

“Harmonic Dissonance” is an oxymoron, I am pretty sure. But it works for me when attempting to distill the essence of Kissing Cousins new EP, Unfortunate End . I don’t write much about new music these days, because (come closer please, so no one will hear us say such things) most of it just sucks really fails to resonate with me in any way. And that’s just a shame. But I do like Kissing Cousins, this band of ladies from Los Angeles, who have a new EP due for release on Tuesday May 17th entitled Unfortunate End. The members of Kissing Cousins include Heather Heywood, Alexis Woodall, Amanda Paganini and Beth Zeigler and, honestly, they are quite talented and rocking.

Lyrically, according to the band’s bio, the four songs on the EP explore the unfortunate ends of four different female protagonists, which is very “Southern Gothic” and reason to be excited right out of the gate. “You Bring Me Down” reminds me of the exhilaration I felt listening to Hole’s Live Through This for the first time, about a million billion years ago. Except, unlike Courtney Love, Heather Heywood can actually sing. And since that’s the Hole album for which Kurt Cobain wrote all the songs, you know that’s some high praise, right there. “Throw Her Body in the River” sounds like a companion piece to PJ Harvey’s “Down By The Water” – which, if you’re going to wear your influences on your sleeve, borrow from the best, amiright? The tranquil, gloriously languid “Granny Get Your Gun” captures the soporific qualities of Mazzy Star or The Cowboy Junkies before this ambitious EP leaves you jonesing for a fix of the full length CD by closing with the foreboding but comparatively jaunty “Pale White.” When the EP is over, I play it again. And again. And I just never do that anymore. The band’s press kit states that with Unfortunate End, Kissing Cousins continue in a long tradition of redefining what it is to be in a “girl band” and what it is to sound feminine, southern and ultimately, unique.  I would tend to concur.

GRADE: A+

Rad CD of The Week: The Posies’ Blood/Candy

Back in 1995, The Posies – being for all intents and purposes the ridiculously talented core duo of Jon Auer and Ken Stringfellow – contributed a cover of “Richie Dagger’s Crime” to the CD A Small Circle of Friends; a Germs tribute collection put out by the now-defunct Grass Records. The Posies chose to interpret one of The Germs’ most – by extremely loose-definition – “Pop” tunes by reworking it as a sort of hybrid of The Beatles’ “While My Guitar Gently Weeps” meets “You Won’t See Me” – right down to the “Ooh, la la la” harmonies. It was a genius move, and something only The Posies could have pulled off. You know Auer and Stringfellow were high-five-ing and slapping each other on the back for at least a couple of weeks over that idea.

Continue reading Rad CD of The Week: The Posies’ Blood/Candy →