Tag Archives: Seventies Rock

Recommended Listening: The Sheepdogs

Sheepdogs Self Titled Album Cover

Back when I used to eek out a few bucks writing about music, one particularly hard ass editor accused me of being “not a real Rock Critic.” This was likely due to my unwillingness to indulge in the widespread practice of pondering the sociopolitical leanings of a band in the context of a record review rather than just basing my critique on how the music sounded to me. I never really got that approach. I’m not interested in reading paragraphs of turgid, impenetrable prose and rock-crit wankery. Just tell me how the music sounds so I know if I want to buy the record.

Along those lines, The Sheepdogs are a band that’s easy for me to write about, because their music sounds amazing. This Canadian Classic Rock quartet (who in 2011 won a contest making them the first unsigned act ever to appear on the cover of Rolling Stone magazine) have three independent albums under their belts and an EP released on Atlantic last year, but this record is their major label debut (produced by Patrick Carney of The Black Keys), and it’s beyond impressive.

“Laid Back” and “Feeling Good,” the first two tracks on the disc set the tone for the entire album: This is an exceptionally great feeling album of groove heavy tunes performed by a band that embraces an extremely lyrical approach to their playing. Lead singer Ewan Currie (whose voice has been compared to The Guess Who’s Burton Cummings) delivers the kind of quietly confident, effortlessly powerful vocal performance that is the mark of true natural talent. Guitarist Leot Hansen is doing wildly innovative stuff on the guitar while paying homage to tone masters such as George Harrison (“Never Gonna Get My Love”), Duane Allman (“Javelina!”) and of course Jimmy Page (“Sharp Sounds”). He’s amazing. Drummer Sam Corbett varies his drum feels to serve the song and his rhythm section partner, bassist Ryan Gullen holds down the bottom end while layering in adhesive hooks. This means that The Sheepdogs are just as vibrant and tight live as they are on disc, and you can’t say that about many acts these days.

What’s most impressive about The Sheepdogs is the band’s ability to integrate their influences so seamlessly that the songs are instantly familiar without sounding derivative. “Is Your Dream Worth Dying For?” feels pleasantly infused with tiny reminiscences of Todd Rundgren’s “I Saw The Light”, “While We’re Young” comes off like a revamped version of “Shapes of Things” and “In My Mind” captures the same kind of transcendent, euphoric quality as a song like Cream’s “Badge” without sounding anything like that song. As an aside, at least half these tracks indicate that The Sheepdogs should have a ready-made fan base in anyone who ever cited The Grateful Dead as a favorite band.

In their review of The Sheepdogs, Rolling Stone wrote, “Listening to the Sheepdogs is like having good luck finding classic rock stations on a long road trip.” I agree with that sentiment, but to me it feels fresher than that: as if it were possible travel back in time and actually hear new songs from a ‘70s band. It’s a refreshing reminder that the most vital benchmark of what constitutes good music is (or should be) that the music just sounds good.

Grade: A

Remembering Bob Welch

Fleetwood Mac Bob Welch
John McVie, Mick Fleetwood, Bob Welch, Christine McVie Circa 1970 (Image Source)

Bob Welch sang lead vocals on “Hypnotized” and “Silver Heels”: the two best Fleetwood Mac songs, ever, pre-Buckingham Nicks. And now he’s dead. Welch’s body was found by his wife in their home in Antioch, TN earlier today (June 7, 2012) with a self-inflicted gunshot wound to the chest. It is reported that he had been suffering from deteriorating health. Welch would have been 66 years old on July 31st.

Please enjoy this clip of Bob singing “Hypnotized” from the album Mystery to Me. RIP Bob Welch!

RIP Ronnie Montrose

Ronnie Montrose with Guitar
Image Source

It’s a huge bummer to have to report on the passing of legendary guitarist Ronnie Montrose, whose eponymous band — fronted by vocalist Sammy Hagar — released so many songs that I loved while growing up in the seventies. According to an article up now at Rolling Stone, Montrose died of a self-inflicted gunshot wound on Saturday, March 3rd, 2012, having suffered from clinical depression since childhood. A sad loss for music. Ronnie Montrose was 64 years old.

Recommended Listening: Take It Or Leave It, A Tribute to The Runaways

While the span of the band’s career was relatively short, The Runaways changed the landscape of rock and altered the perception of women making music forever. With The Runaways’ biopic just released last year, who would have imagined that their influence would continue to be topical several decades after their break up? I was around for the duration of their rise and fall and, the significant post-Runaways careers of Joan Jett and Lita Ford notwithstanding, I sure never thought we’d still be taking about them 30 years later. So it’s not surprising, really, that Main Man Records has compiled what can only be called the definitive Runaways tribute compilation; a two disc set called Take It Or Leave It. All you need to know is that this record fucking rocks. Continue reading Recommended Listening: Take It Or Leave It, A Tribute to The Runaways

Happy Birthday to Yes’ Bassist Chris Squire

Chris Squire was born on this day, March 4th, in 1948. Happy Birthday, Chris!