Tag Archives: drummer interviews

An Interview with Vinny Appice of Heaven and Hell

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Not many families can boast having two sons that are both rock music legends, but that’s the case with the Appice family. First inspired by seeing his older brother Carmine drum with classic ‘60s group The Vanilla Fudge, Vinny Appice picked up a pair of drum sticks himself at age eleven. Vinny recorded his first album with guitarist Rick Derringer while still a teenager, and he hasn’t slowed down since. Thirty years into his impressive career, Vinny is currently best known for providing the metal thunder with Ronnie James Dio, Geezer Butler and Tony Iommi in Black Sabbath and its offshoot, Heaven & Hell. Currently touring with Heaven & Hell on a must-see line up featuring Judas Priest, Motorhead and Testament, Vinny and the group will be entering the studio in early fall to record the first full-length album of original material by Heaven & in sixteen years. Continue reading An Interview with Vinny Appice of Heaven and Hell

An Interview with Martin Axenrot of Opeth

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Martin Axenrot knew he had big shoes to fill when he was called on to sit in for Opeth’s long time drummer Martin Lopez, who had become ill and was unable to tour with the group. After completing five tours with the titans of Swedish metal, Axenrot became a full member of Opeth in the spring of 2006. Being a fan of many styles of music, Martin never had any difficulty adapting his playing style to authentically replicate Opeth’s music live, but he did feel challenged when it came time to enter the studio to record the band’s latest masterpiece, Watershed. But judging by his fantastic performance – a brilliant mix of blast beats and precise double bass offset by impressive prog rock chops – captured on what everyone from the band’s rabid fans to Opeth founder, singer/guitarist Mikael Akerfeldt is calling the group’s best effort, Axenrot had no need to worry. Continue reading An Interview with Martin Axenrot of Opeth

An Interview with Paul Bostaph of Testament

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This month, drummer Paul Bostaph – the guy who “took a lot of shit from Slayer fans for committing the cardinal sin of replacing Dave Lombardo” – talks to Metal Edge about his return to the drum throne of Bay Area thrash stalwarts, Testament on their latest critically acclaimed CD, Formation of Damnation. Enjoy! Continue reading An Interview with Paul Bostaph of Testament

An Interview with Jade Simonetto from Hate Eternal

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When Hate Eternal frontman Erik Rutan decided to take the band’s new line-up from a trio to a quartet, he enlisted death metal veterans Alex Webster (Cannibal Corpse) on bass and guitarist Shaune Kelley (Ripping Corpse) as well as a sick young drummer from Montreal, Jade Simonetto (of metalcore sensations, Camilla Rhodes) whose furious skin bashing provides a scorching backdrop for Fury & Flames, Hate Eternal’s fourth studio album. Rutan comments that Jade’s “dedication to extreme drumming and groove has made him the perfect drummer for Hate Eternal.”

Continue reading An Interview with Jade Simonetto from Hate Eternal

An Interview with Gene Hoglan

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Since Strapping Young Lad disbanded in 2007, Gene Hoglan hasn’t exactly sat on his drum throne waiting for the phone to ring. In the past year, the drummer of such revered thrash/death metal bands as Dark Angel and Death – who’s also sat in for the drummers in Slayer and Opeth – has continued to add impressive projects to his resume. Before the holidays, Hoglan played a handful of European dates with Swedish metal trio Meldrum and laid down two albums worth of drum tracks for the group. He’s also got his first instructional DVD, The Atomic Clock due for imminent release, which he managed to complete between recording with one of his new bands, Mechanism, and playing drums on the new album by comedic punk band, Mr. Plow. But perhaps the project Gene’s most proud of having been a part of is recording an album and touring with Dethklok, the fictional death metal band of the popular Adult Swim cartoon, Metalocalypse. The small-scale tour was a huge success, signaling that another tour may be on deck for this year. “The live show was pretty entertaining,” says Gene. “I would definitely suggest that all metal heads come and check it out. We play some pretty decent metal and rip the hell out of it!”

Metal Edge: As a drummer who uses triggers, do you think fans often assume that means you are not actually playing the parts?

Gene Hoglan: Yes. A lot of people rag on drummers who use triggers because they don’t understand what triggers actually do. Granted, you can set the sensitivity of your triggers to [the point] where you breathe on them and they make tones. But they also tend to double trigger when you do that. I back my triggers way off the sensitivity. I’m at about fifty percent now, because I want to kick the sh*t out of the drums to make them [perform]. Drummers who play live with triggers aren’t doing themselves any favors if they’re not tight. The kicks will be all over the place and people will be able to tell. If you have modern technology at your disposal you might as well use it; just don’t rely on it completely. I like a human feel, when not every single thing is so precise. But I appreciate a performance if a drummer is actually playing it.

Metal Edge: You are constantly in demand as a touring and session drummer. Why do people want to hire Gene Hoglan over some other drummer?

Gene Hoglan: It might be due to my background of not sticking to just one style. I’ve always tried to bring an identifiable sound to each band. On the Testament album I did, for instance, they weren’t looking for Death-type drums and Strapping needs to be way more precise, machine like, chaotic and crazy. Across the board with all those bands…I try to serve the song, really, and to bring an identifiable sound. Here’s a great example of that. I wish that I had seen more episodes of Dethklok when I recorded the album, because I really wanted to give Pickles his own drum personae. I think a lot of it came out a little too Gene Hoglan-esque.

Metal Edge: Tell me about the challenge of playing drum parts that Devin (Townsend, SYL) programs that initially sound as if they are “unplayable” by a human drummer.

Gene Hoglan: Devin always tries to program things that he thinks I can’t play. He’s always like, ‘Ah, you’ve foiled me again!’ (laughs). It’s fun to challenge yourself and go the extra step. You could do your version of it, which would probably not be as challenging and something you could pull off easier. But I say screw it; throw caution to the wind and play the super technical part that was programmed and try to do it just like the drum machine. Maybe you didn’t create it, but you played it, so you end up getting the credit anyway (laughs)! If you give me that kind of a part to go off on then, hell yeah, I’ll play it! If you’ve taken the brainwork to program something really nutty and psychotic sounding, then that must be your vision. It’s up to me to see your vision through.

Metal Edge: Many respected metal drummers often cite you as an influence. Do you consider yourself to be a pioneer on double bass or in the thrash/death metal genre?

Gene Hoglan: I just play drums. I’ve always tried to be as good as I could be, but I’ve never really set out to [be a pioneer]. It’s just been a matter of thinking that, ‘This drum part works here.’ If my playing is something that stands the test of time and people enjoy it, what can I tell you? I am so influenced by the guys that were my pioneers that you can step back a generation before me to find out where I take my influences from. So, do I consider myself to be a pioneer? Not really. If people think so, it’s very nice of them, but I just play drums.

Gene’s Gear:
Drums: Pearl SRX Series
Sizes: (2) 24” Kicks, 13” and 15” Rack Toms, 18” Floor Tom, 14” x 8” Brass Free-floating Snare.
Cymbals: Sabian
Sticks: Promark
Heads: Evans
Electronics: Alesis D5 Brain, Roland Triggers

Official Website: https://www.hoglanindustries.com/

Gene Hoglan Drumkit

This article was originally written for Metal Edge Magazine as part of a monthly column by Gail Worley (under the pen name Jayne Rollins). With the magazines’ dissolution, the article has been added to the content base of The Worley Gig for our readers’ enjoyment.