Tag Archives: heavy metal drummers

An Interview with Travis Smith of Trivium

metal edge logo

When Florida’s premier Thrash/Metalcore band, Trivium, released The Crusade in 2006, drummer Travis Smith felt he’d “broken out of the box” – surpassing his previous recorded performances exponentially. With the release of the band’s fourth CD, Shogun, however, he thinks he may have “jumped the gun” with that claim. “That quote would apply 100 percent right now,” says the drummer. “This record really has the Travis Smith stamp on it. It shows my true identity behind the kit. I did some really cool stuff on Shogun that I’ve never done on any previous record; cool little tricks that you can’t plan. I was in the right headspace and the right environment, working with the right people. I felt good about going in there and laying down my drum tracks. Among our other records, this record totally stands out. Shogun will be the challenge for me to out-do myself for the next record.” Catch Travis and Trivium on tour now with Slipknot and Coheed & Cambria.

Metal Edge: The drums on Shogun sound great. Did you use any special studio micing?

Travis Smith: There were mics everywhere (laughs). I recorded drums in a 3,000 square foot room at The Sound Kitchen Studios in Nashville. Nick Raskulinecz, who produced the record, has interesting micing techniques. He had about seventy mics on the drums and ten room mics alone. We had two mics for every tom, top and bottom, three mics on the snare, and four mics in each kick drum. All the cymbals had their own mics. There were mics behind me and in the ceiling; you name the place and there was a mic. The drums are so full because he literally captured every sound.

Metal Edge: Do you have a favorite part of your kit?

Travis Smith: My favorite drum is always the snare drum. There’s something about the snare: I can tune them and they just make me smile. I guess it’s how loud they are; like a gun blast. When choosing snares I’m very picky about them and the way they’re tuned. I’m a drummer that tunes the snare differently in the studio than I do live. For Shogun, I tuned it a little lower than I usually do, so it’s got more body, which is what I was going for. So the main difference between my recording snares and my live snares is that I lose the body live and go for more ear-piercing attack. The snare drum [sound] on Shogun is way different than any snare drum that I’ve used on other recordings. I wanted it to have a punch and to rattle your speakers whenever I hit it!

Metal Edge: Did you record with the DW snare?

Travis Smith: For Shogun, I actually used a TAMA Bell Brass snare. Sometimes I try using different rims because often you can get different sounds just by swapping out the rim. I tried several different rims on the snare but I ended up using the factory rim that came with it, which is really fat and heavy duty. When it comes to my snare drum I’m a super heavy hitter. I hit the snare differently than I do any other drum and I have my own technique, which consists of [hitting] half rim and half head. It’s a technique that I’ve picked up over the years of playing so much and it’s what I think hitting the snare drum should sound like. I just detune the top head a little bit and wail the f*ck out of it (laughs).

Metal Edge: The Slipknot tour includes dates at huge places like Madison Square Garden. Have you yet played a venue of that size in the States?

Travis Smith: We haven’t done a tour like this in the States ever, and we are so looking forward to it. Growing up, you dream of playing [at MSG] and now we’re getting that opportunity to show people what Trivium is all about. That’s what we live for – to play live and be out there on that stage. We’ve played arenas with Slayer on the Unholy Alliance tour over in Europe, but now Slipknot is giving us that opportunity to really try to win over new fans here. We have a thirty-five minute set, which will be thirty-five minutes of complete chaos. We’re going out there to kill.

Travis’s Gear:
Drums: DW
Sizes: 8, 9, 10 and 12-inch Rack Toms, (2) 16×18-inch Floor Toms, 21-inch Gong Drum (used as additional Floor Tom), 7×14-inch Snare, 20×24-inch Kick
Cymbals: Sabian
Heads: Aquarian
Sticks: Ahead Travis Smith Signature Sticks

Official Website: https://www.trivium.org/

Travis Smith of Trivium

This article was originally written for Metal Edge Magazine as part of a monthly column by Gail Worley (under the pen name Jayne Rollins). With the magazines’ dissolution, the article has been added to the content base of The Worley Gig for our readers’ enjoyment.

An Interview with Jimmy DeGrasso of F5

metal edge logo

In a career spanning over twenty years, drummer Jimmy DeGrasso has toured and recorded with some of the biggest acts in classic hard rock and metal, including Ozzy, Megadeth, David Lee Roth and Alice Cooper. So when his former Megadeth rhythm section partner, David Ellefson needed a drummer to record the sophomore album by his band F5, DeGrasso was his only choice. While Jimmy lays down some brutal double bass on The Reckoning he resists being labeled a “metal drummer” and reveals that the direction of his career was somewhat of a lucky accident. “When I moved to LA twenty-five years ago I wanted to be a fusion jazz drummer,” Jimmy admits.

Continue reading An Interview with Jimmy DeGrasso of F5

An Interview with Shawn Drover of Megadeth

metal edge logo

Shawn Drover had been drumming professionally for over ten years when was invited to sit behind the drum throne in Dave Mustaine’s 2004 resurrection of the mighty Megadeth, a band he’d been a fan of since 1985’s Killing is My Business. With his experience and knowledge of Megadeth’s catalog, Shawn was a perfect fit, and the drummer admits he added a very important tool to his drumming arsenal shortly after joining the band. “One thing that Dave taught me early on is to play for and stay true to the song,” he offers.

Continue reading An Interview with Shawn Drover of Megadeth

An Interview with Gil Sharone of Stolen Babies

metal edge logo

When drummer Chris Pennie left Dillinger Escape Plan to join Coheed and Cambria, both Dillinger and its fans were overjoyed with Pennie’s replacement, Gil Sharone of LA’s Stolen Babies. Says Gil, “I was thrilled to play on Dillinger’s Ire Works CD and to do the tour. We had this ridiculous chemistry that was both personal and musical. When we played together for the first time, the room lit up.” Towards the end of the touring cycle however, the drummer reveals that, “it got to the point where Dillinger was becoming my life, and my first commitment has always been to Stolen Babies, because that’s my band.

Continue reading An Interview with Gil Sharone of Stolen Babies

An Interview with Blake Richardson of Between the Buried and Me

metal edge logo

Since the 2007 release of its fourth album, Colors, North Carolina’s Between the Buried and Me (BTBAM) have toured relentlessly, blowing metal fans away with its exciting and challenging contribution to the Progressive Metalcore genre. As part of a highly adventurous quintet that mixes epic elements of Pink Floyd and King Crimson with the thunder of modern heavyweights like Tool and Mastodon, drummer Blake Richardson is determined to bring the groove back to extreme metal drumming. Continue reading An Interview with Blake Richardson of Between the Buried and Me