It’s an amazing thing when an interview becomes a conversation, especially one where ideas are exchanged and the subject opens up to reveal aspects of the music that were either unintended or unconscious. In my Modern Drummer interview with Gail Worley, I discovered a new appreciation for my own work, and also that maybe all the subtleties I thought would probably go unnoticed actually had an impact on the listener. Her interview was like a getting a much needed second wind in the middle of a long set.