Tag Archive | RIP

Julian Stanczak, The Life of The Surface, Paintings 1970 – 1975 at Mitchell-Innes & Nash

Filtration- Opposing to Red
Filtration – Opposing to Red (All Photos By Gail)

We were very sad to learn of the passing of groundbreaking painter and Op Art pioneer, Julian Stanczak on March 25th of this year. He had good, long life! As a last hurrah, Mitchell-Innes & Nash is currently hosting The Life of the Surface, Paintings, 1970 – 1975, an exhibition of Stanczak’s paintings exclusively from the years 1970 to 1975. This long-planned exhibition is Mitchell-Innes & Nash’s second solo exhibition with the artist, and the first since his recent passing.

Red + Red
Red + Red

Red + Red Detail
Red + Red, Detail

Stanczak’s reverence for color comes from a desire to translate the drama and power of nature into a universal impression. His canvases are created through a complex process of tape masks upon which colors are systematically added and unveiled in layers. Despite the intricate and painstaking process, Stanczak does not use any preparatory drawings for his paintings, relying solely on his own vision of a finished work.

Installation View
Installation View

Column Painting
Detail
Detail from Above Painting

The artist’s work transcends traditional nods to analytical painting methods often associated with this period by drawing upon personal experiences, particularly the diverse places he has lived. Utilizing tromp l’oeil characteristics, Stanczak’s paintings engender the vibration of a distinct visual experience from within the surface of the canvas.

 Yellow and Orange Triangles

Red to Black

In works like Filtration- Opposing to Red (1974-77) the color radiates from the center, vibrating across the surface of the canvas. The light oscillates and encompasses the viewer, creating an engaging and thoughtful experience with color. While the intensity is similar, the cool tones of Soft Light (1972-73) resonate at a gradual pace and generate a calmer energy. The artist described his titles as “provocative of the experience that parallels [his] initial response,” rather than direct descriptions.

Diatonic
Diatonic

Diatonic Detail
Diatonic, Detail

Julian Stanczak’s body of work is awe-inspiring and unique. Whether you’re already a fan, or if you’ve never seen his work in person, now is the time to check him out.

Lime Green

Left Status Blue Right Five Verticals

Julian Stanczak’s  The Life of The Surface, Paintings 1970 – 1975 will be on Exhibit Through June 24th, 2017 at Mitchell-Innes & Nash, Located at 534 West 26th Street in the Chelsea Gallery District.

Pink and Aqua

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Chris Cornell Memorial Video Clip of The Week: Soundgarden, “Outshined”


I got up feeling so down
I got off being sold out
I’ve kept the movie rolling
But the story’s getting old now, oh yeah
I just looked in the mirror
And things aren’t looking so good
I’m looking California and feeling Minnesota, oh yeah

So now you know, who gets mystified
So now you know, who gets mystified

Show me the power child
I’d like to say
That I’m down on my knees today
Yeah, it gives me butterflies, gives me away
Till I’m up on my feet again
Yeah I’m feeling
Oh, I’m feeling outshined, outshined, outshined, outshined

Oh yeah
Yeah
Someone let the dogs out
They’ll show where the truth is
The grass is always greener
Where the dogs are shitting, oh yeah
I’m feeling that I’m sober
Even though I’m drinking
I can’t get any lower
Still I feel I’m sinking

So now you know, who gets mystified
So now you know, who gets mystified

Show me the power child
I’d like to say
That I’m down on my knees today
Yeah, it gives me butterflies gives me away
Till I’m up on my feet again
Oh I’m feeling
Oh, I’m feeling outshined, outshined, outshined, outshined

Oh yeah, hmm

Outshined, oh oh

Oh, so now you know, who gets mystified
Show me the power child
I’d like to say
That I’m down on my knees today
Yeah, it gives me butterflies gives me away
Till I’m up on my feet again
Oh I’m feeling
Oh, I’m feeling

Show me the power child
I’d like to say
That I’m down on my knees today
Yeah, it gives me butterflies gives me away
Till I’m up on my feet again
Oh, I’m feeling
Oh, I’m feeling
Outshined, outshined, outshined, outshined

Chris Cornell
Image Source
Chris Cornell: July 20, 1964 – May 17, 2017. Rest In Peace.

Rebel Scum II T-Shirt

Rebel Scum

“I stole my father’s Death Star plans. It was all lasers, lightsabers, droids and The Force. Within a week he destroyed my planet and hit the road.”

This fun Sonic Youth Album Cover Parody design by Cubik is available on a T-Shirt just $19.95 and on an assortment of other shirts, sweatshirts and Hoodies at This Link!

Keith Emerson: 1944 – 2016

Keith Emerson Obit

Prog Rock Keyboard Legend and all-around Musical Genius, Keith Emerson, passed away last night, March 10th, 2016, of a self-inflicted gunshot wound. My Obit  for Keith  up is now at Ink19 Dot Com.

RIP Ziegfeld Theater

Ziegfeld Exterior With Snow
Ziegfeld Theater Exterior the Morning after Winter Storm Jonas (All Photos By Gail)

The legendary Ziegfeld Theater closed its doors for good on Thursday, January 28th with a 10 PM sold-out showing of Star Wars: The Force Awakens. What a way to go!

Ziegfeld Marquee

We’d heard the rumor for just over a week that the place would be shutting down to be renovated into an event space, so Geoffrey wisely suggested we head over for a matinee of Star Wars on the day after Winter Storm Jonas dumped two feet of snow on the city. It proved to be a good call, because I had, for whatever reaosn, never been there before. Better late than never, you aren’t kidding.

Ziegfeld Poster

Ziegfeld Posters

I took a few photos of the interior of the lobby spaces, but they didn’t turn out that great because I never like to use my flash. The thing I love about these photos though is that their darkness really does accurately reflect the glamour of the red velvet walls, and ornate brass and crystal light fixtures. Brightly lit photos would just ruin the mood.

Ziegfeld Stairway

Lobby staircase to the second floor.

Ziegfeld Lighting 1

Ziegfeld Lighting 2

This is the reflection of a chandelier shot into an oval mirror.

Ziegfeld Lighting 3

We had a great afternoon because The Force Awakens is just fantastic (Adam Driver as Kylo Ren: swoon), even though there was a tinge of melancholia in the experience, understanding that this beautiful movie palace would s0on join entertainment venues from  Roseland Ballroom to CBGB that get closed down the name of the almighty dollar. They aren’t very sentimental  in New York City. Read more about the final night at the Ziegfeld at This Link!

Pink Thing of The Day: David Bowie Mural in Dublin

David Bowie Mural Dublin
Image Source

A friend in Dublin, Ireland sent me the link to this mural of Bowie as Ziggy Stardust, which just went up in his neighborhood. I think it’s beautiful. You can read more about the mural at This Link!

Thanks to Finbar Hall for the Tip!

Modern Art Monday Presents: Ellsworth Kelly, Green Blue Red

Green Blue Red
Photo By Gail

Minimalist pioneer Ellsworth Kelly passed away at age 92 on December 27th, and we miss him already. I was just out in LA and had the chance to visit the fabulous new Broad Museum, where I took the above photo of one of Kelly’s famous works. Throughout the late 1950s and early ’60s, Ellsworth Kelly worked with shapes and solid colors deployed flatly across single canvases. Finding inspiration in both nature and art, he was drawn to the oddity of forms and the various conditions that create visual interest in unlikely ways. In this spirit, Green Blue Red ( 1963) abstains from the balance and harmony of traditional painting and reflects an impulse to build a surface of visual tension out of the contrasts of color and shape and the containment of an edge.

Kelly’s works of this period depict the jarring difference between colors and the unusual placement of shapes, energizing the visual experience in creating and disorienting optical effect. The green rectangle and blue oval are vibrant and foreign against a red background. Kelly does not construct balance or resolve; he creates compositions that are alive in their idiosyncrasies.

Photographed at the Broad Museum in Los Angeles.