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Music and Musicians

I Like To Rock (Part 1, The Metal Years)

cmi music mararthon 2005 graphic

It’s CMJ week here in New York City and that means…well not much to me, actually. I’m bypassing the convention/ panels/ parties/ endless-showcases-of-lame-bands -enjoying-their-five-seconds-of pre-fame this year in favor of attending just a few choice shows. Last night was my designated “Night of Rock,” despite the fact that my Quest for Rock Action meant I would miss the debut of Survivor: Guatemala. Sometimes we must make sacrifices in order to rock.

The first event on my evening’s agenda involved a pitstop at downtown hard rock landmark, Don Hill’s, where Munsey from Skateboard Marketing was holding his own version of a Metal Mania Party, featuring a performance by my favorite band of scary guys with facial hair, Fear Factory.

Burton Bell Fear Factory
Burton Bell of Fear Factory

This is a picture of Fear Factory singer Burton Bell. He is my very favorite heavy metal front man at the moment. Though Burton is not traditionally “hot” in the pop star sense — being kind of scary looking on stage — he is nevertheless unbelievable sexy, outrageously charismatic and has the best voice for the kind of somewhat melodic aggro metal Fear Factory does. I also love his tattoos. Burt, like me, is an Aquarius and that is probably why we get along. We had Mexican food together once, but that is another story.

It was so crazy to see Fear Factory in a teeny tiny club like Don Hill’s because they play huge venues like Roseland these days, and that ‘s part of the reason their set was so mind blowing. They were so tight and so loud and so fucking metal. My ears still hurt. Have you heard their new CD, Transgression? It just rules; a perfect mix of eat-your-face-off aggressive metal and heavy melodic rock. They remind me what Nine Inch Nails could be if Trent had any balls and wasn’t completely self-absorbed. Before their set, I had the chance to talk to Raymond Herrera, FF’s drummer, who I’ve interviewed a couple of times for Modern Drummer Magazine. He is amazing and completely hilarious to talk to.

Munsey’s party was a total blast because I also met up with some of my metal scene friends who I had not seen since winter, or in some cases over year or more, such as Jon Paris, Liz Ciavarella, Felix Sebacious, Rachel Martinez and Steve Prue. It was rad.

Next I jetted over to the Continental for the Liquor and Poker label showcase featuring two of my favorite bands in the Universe:

Crash Kelly Band
Crash Kelly

Black Halos Band

and The Black Halos

And I will get to that part the evening soon, but now I have to catch a train . . .more later involving much rocking, very cute rocker boys and lots of hugging and sweatiness.

50 Ways To Annoy A Metalhead

Metalhead Guy
1. Tell them every metal band worships the devil.
2. Ask if all black metal bands are trying to copy KISS or just most of them.
3. Hide their joint under their library card.
4. Ask if they know of any other cool bands like Slipknot.
5. If they’re listening to metal, tell them it sounds like some mainstream band. Doesn’t matter who.
6. Say it’s all a ripoff of Iron Butterfly anyway.
7. Ask if they’ve given their souls to Jesus yet.
8. Vaguely imply that you’re gay and would like their company for the evening.
9. Record over their Cannibal Corpse albums with other Cannibal Corpse albums and see if they ever notice the difference.
10. Refuse to accept their fake I.D.
11. Ask how much Dio got paid for his role as Stuart Little.
12. Use the phrase “cookie monster vocals” and act like it’s the funniest, most original thing you’ve ever come up with.
13. If they’re listening to metal, tell them “These guys don’t have talent. Now (insert any mainstream band here), those guys have talent!”
14. Say “What is vinyl?”
15. Point out how homosexual Manowar is. If they agree, tell them the only thing more homosexual is Black Sabbath with Dio.
16. Tell them it all sounds the same.
17. Admit that Cliff Burton was a dirty hippy who had already peaked musically.
18. If they say they love 80s metal, ask them what ever happened to Poison.
19. Tell them you like underground music too, like (insert the newest overhyped fashionable loud-ish band from the radio)
20. Point out that Tarja from Nightwish can’t sing.
21. Insist that Emperor videos would be better if they used a dance troupe.
22. Ask if Mayhem is Marilyn Manson’s band.
23. Divert their CD shipments to the local Jewish community center.
24. Write “God Loves You” on their Venom backpatch.
25. Point out that just about every genre of music has an underground with bands who have integrity, so metal really isn’t that unique.
26. Post under their nickname on a power metal board and say Ray Alder shits all over John Arch.
27. Take out the Iron Maiden disc and put in 50 Cent.
28. Give them a spiky pop-punk haircut while they sleep.
29. Pronounce “Celtic Frost” correctly.
30. If they’re over 25, say that people can still rock even if they have an unplanned child or two and drive a grocery getter. Then point and laugh.
31. Tell them you’re not hiring and to try the other Cinnabon down the street.
32. Sit quietly and applaud politely at a metal show.
33. Make them be sober for five whole seconds.
34. Ask if Randy Rhoads was on the same flight as John Denver.
35. Tell them Korn brought metal back to life in the 90s.
36. Turn the bass way up on their stereo.
37. Laugh at Slayer for stealing their name from the Buffy show.
38. Call Doro fat.
39. Call them on their horrible grammar and/or spelling.
40. Remind them that metal is partially derived from the blues. Then accuse them of being wiggers.
41. Use the phrase “balls in a vice” at least three times when talking about classic metal and/or power metal vocalists.
42. If it’s a guy with long hair, address him as if he were female. Don’t correct yourself about it.
43 .Be impressed with how much RoadRunner Records has improved over the past ten years.
44. Say you love Metallica’s debut, The Black Album.
45. Notice that Lemmy hasn’t moved his left hand in 30 years of playing bass.
46. Refer to metal as “that kill-your-father rape-your-mother stuff.”
47. Ask them if their favorite band is so good, how come nobody has ever heard of them.
48. Pine for the good old days when “Pour Some Sugar On Me” was a big hit.
49. Tell them you used to be a metalhead, but grew out of it when you started listening to more intellectual stuff like (insert any band at all here)
50. Post a list of “Ways To Annoy Metal Fans” knowing full well that so many of them internalize everything and can’t take a joke.

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CD Review: Supernatural Equinox by Outrageous Cherry

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Outragous Cherry CD Cover

Artist: Outrageous Cherry
Album: Supernatural Equinox
Release Date: May 6, 2003
Label: Rainbow Quartz

On its fifth album, Detroit’s Outrageous Cherry pull together a tight concatenation of influences; mingling old-school acid eaters (Stones, Byrds, Beatles) with modern genre revivalists (Dandy Warhols, Brian Jonestown Massacre) to wrap their signature noise-pop in a distinctive psychedelic overcoat. There’s a well-balanced, seductive ethereality to Supernatural Equinox that’s hard to resist. On the sunnier, Beach Boys-influenced tunes like “If You Want Me” and “Saturday Afternoon,” vocalist/songwriter Matthew Smith simultaneously pays homage to and parodies the 60’s with lyrics like, “It’s 1970 now/Flower Power is dead.” On the flip-side, OC doses the listener with the intense, acid-prog of “Psychic Wheels” (think BRMC) and a ferocious wah-wah pedal attack courtesy of “The Orgone Vortex.” Supernatural Equinox peaks out with “See You Next Time,” a raga-flavored, extended jam punctuated by processed backing vocals borrowed from Their Satanic Majesty’s Request. Turn on, tune in, trip out.

Official Facebook: https://www.facebook.com/outrageouscherrydetroit/
Official Website: http://www.outrageouscherry.com/

This article was originally written for Rolling Stone’s Online Magazine. Though Rolling Stone remains in print and online, this article is no longer a part of their archive and has been added to the content base of The Worley Gig for our readers’ enjoyment.

CD Review: 2 a.m. Wakeup Call by Tweaker

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Tweaker 2 AM Wake Up Call CD Cover

Artist: Tweaker
Album: 2 am Wakeup Call
Release Date: April 20, 2004
Label: Waxploitation

2 a.m. Wakeup Call is the second album from Tweaker (producer, remixer, ex-NIN drummer Chris Vrenna), following 2001’s The Attraction To All Things Uncertain. Continuing Vrenna’s fondness for conceptual works, 2 a.m. is a journey through nightmares, sleeplessness and a variety of nocturnal disturbances. Warm tones of piano and acoustic guitar moderate the expected electronic flourishes, taking the chill off songs exploring insomnia-inducing subjects like deep depression (“Worse Than Yesterday”), the manic mind (“Pure Genius”) and somnambulism (“Sleepwalking Away”). Framing Vrenna as a modern Burt Bacharach, 2 a.m. finds the composer crafting tunes for interpretation by other voices, though Vrenna had guest vocalists (including David Sylvian, Robert Smith and Will Oldham) write their unique lyrical visions for his mini-soundtracks. The results are surprisingly seductive. From the stark “Nights In White Satin” vibe of “Ruby” to Jennifer Charles’ opiated, candy floss croon on “Crude Sunlight,” Tweaker’s disquieting lullabies for troubled slumber provide uneasy listening at its finest.

Official Website: https://en.wikipedia.org/wiki/Tweaker_(band)

This article was originally written for Rolling Stone’s Online Magazine. Though Rolling Stone remains in print and online, this article is no longer a part of their archive and has been added to the content base of The Worley Gig for our readers’ enjoyment.

CD Review: Dirt by Mark Selby

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Mark Selby Dirt CD Cover

Artist: Mark Selby
Album: Dirt
Release Date: 2003
Label: Vanguard Records

After gaining notoriety for penning hits recorded by Kenny Wayne Shepherd (“Blue on Black”) and the Dixie Chicks, singer/songwriter/ guitarist Mark Selby earned his moment in the spotlight with the release of his own critically lauded, 2000 debut, More Storms Comin’. His exceptional sophomore CD, Dirt indicates that album was not just a fluke. Many of Selby’s songs (some co-written with his wife, Tia Sillers) give vibrant life to romantic ruminations he keeps in his head, (“Willing to Burn, ” “Desire”). Favorable comparisons to Gregg Allman permeate this disc, not only in regard to Selby’s lyrical blues-rock guitar playing, but also his visual songwriting and slightly rough-hewn but engaging vocals — especially appealing on the lead track, “Reason Enough.” Excellent flanged guitar adds a hypnotic undercurrent to the gorgeous title track, but never detracts from the song’s true grit. No need for bells or whistles here: the music does all the talking.

Official Website: https://www.facebook.com/MarkSelbyRocks/

This article was originally written for Rolling Stone’s Online Magazine. Though Rolling Stone remains in print and online, this article is no longer a part of their archive and has been added to the content base of The Worley Gig for our readers’ enjoyment.