GailWorley.com, that’s what I call her. Sometimes I just think “Mmmm, Gail.” It’s plain and simple: Gail Worley is fucking hot! She rocks! Gail has her finger on the pulse of what’s going on in rock. That’s why she wrote my website bio, (a bunch of blah blah blah stuff about me). Why not just Enjoy Me ™ via Gail on the bio section of http://www.totalposer.com; The Official web site of Mike Fasano. Who? Exactly!
Matt Walker, Drummer, Morrissey, Filter, Smashing Pumpkins, Cupcakes, Garbage
It’s an amazing thing when an interview becomes a conversation, especially one where ideas are exchanged and the subject opens up to reveal aspects of the music that were either unintended or unconscious. In my Modern Drummer interview with Gail Worley, I discovered a new appreciation for my own work, and also that maybe all the subtleties I thought would probably go unnoticed actually had an impact on the listener. Her interview was like a getting a much needed second wind in the middle of a long set.
Ralph Saenz, Vocalist, Metal Skool/Metal Shop a.k.a. Danger Kitty/Atomic Punks
If you want to know what is really up with your favorite band, Gail can pull the info that matters from those who make the music that we all love. Believe me when I say artists have a hard time expressing themselves to the press, but Gail made it easy for me to be open and honest. I think that’s because she cares about and loves music as much as the artist she interviews.
David Nefesh, Singer/Songwriter
Gail Worley has a way of "relating with" the artists she interviews. That makes for great readingregardless of one's penchant for the music at hand because she brings their fascinating personalities to the fore while showing her own unique colors as well. She does all this with a wonderful mix of good humor, passion, sensitivity and refreshing nerve that makes me feel like I'm looking through a window into someone's living room, observing two interesting people hang out. There's a comfort in her realness that's hard to find these days, and she reminds us that music is (or should be) all about sharing and connecting.
They Ruined My Reviews and Then They Didn’t Pay Me
For about four years, I wrote a monthly column (and the ocassional short feature or cover story) for this national Indie-rock slanted music magazine that paid shit, when they even paid me, and had weird editorial guidelines like not letting writers use the word “THAT” in any reviews or articles unless it was a quote. WTF? Continue reading They Ruined My Reviews and Then They Didn’t Pay Me