Tag Archives: cd reviews

Recommended Listening: Palmyra Delran, You Are What You Absorb

You Are What You Absorb

Well known on the NYC rock scene as the guitarist and primary songwriter behind retro garage-pop quartet The Friggs, Palmyra Delran is a bit of a local music icon. While The Friggs never broke commercially, they opened for legendary bands such as The Ramones and Cheap Trick, earning a devote regional following as well as solid professional props for being an “all-girl” band that could rock as hard as any group of guys. In her second solo venture, Delran stays close to the layered pop sound she helped to hone in The Friggs, while continuing to demonstrate innovation with regard to arrangements and intriguing personal storytelling in songs that draw the listener into her very relatable world.
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Metallica Demands that Online Journalists Remove Reviews of its Music

Metallica

I Believe that Their New CD is Called Douchebags Of The Universe

I really thought that Metallica, easily the most hyper-litigious band in the history of music, had hit rock bottom when they sued Victoria’s Secret over the name of an eyeliner pencil that contained the word “Metallica” in the description of the shade. Apparently, I was incorrect in that assumption. This post from Arstechnica.com about Metallica’s management requesting that bloggers remove reviews of its newest album proves that these guys have, in fact, hit bottom and started to dig. It’s nice to see that Metallica didn’t want the reputation they earned from the Napster debacle to be forgotten.

Note: It appears that the story at the link above has been updated in Metallica’s favor!

Rad CD of the Week: MGMT’s Oracular Spectacular

MGMT
Hot Band of 2008: MGMT

The new CD by NYC-based psychedelic pop-electronic outfit, MGMT, is my favorite album of the year so far. That lofty classification puts it in the company of exactly one other CD, Opeth’s Watershed,, which is just insane. To me, MGMT sound like what might happen if “Waiting On A Friend”-era Mick Jagger teamed up with Beck. The songs, oh yes, they are so good, and the album is produced by Mercury Rev’s Dave Fridmann, so you know it sounds amazing. I’ve been listening to Oracular Spectacular all morning and I’m not even close to being sick of it. Every song on the CD is great but I’m particularly fond of the single, “Time to Pretend”; a combination ode to/indictment of the Rock Star Lifestyle that praises/slams everyone from Jim Morrison and Jimi Hendrix to members of Duran Duran. Check out the lyrics:

“I’m feeling rough, I’m feeling raw, I’m in the prime of my life.
Let’s make some music, make some money, find some models for wives.
I’ll move to Paris, shoot some heroin, and fuck with the stars.
You man the island and the cocaine and the elegant cars.

This is our decision, to live fast and die young.
We’ve got the vision, now let’s have some fun.
Yeah, it’s overwhelming, but what else can we do.
Get jobs in offices, and wake up for the morning commute.

Forget about our mothers and our friends
We’re fated to pretend

I’ll miss the playgrounds and the animals and digging up worms
I’ll miss the comfort of my mother and the weight of the world
I’ll miss my sister, miss my father, miss my dog and my home
Yeah, I’ll miss the boredom and the freedom and the time spent alone.

There’s really nothing, nothing we can do
Love must be forgotten, life can always start up anew.
The models will have children, we’ll get a divorce
We’ll find some more models, everything must run its course.

We’ll choke on our vomit and that will be the end
We were fated to pretend
To pretend”

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CD Review: Dirty Rotten Filthy Stinking Rich (Re-Release) by Warrant

metal edge logo

Warrant, Dirty Rotten Filthy Stinking Rich
Original Release Date: March 1989
Re-Released: August 2004
(Columbia)

Hair Metal bands were often distinguished by singers who could actually sing, and few vocalists of that era had a set of pipes rivaling that of Jani Lane. Warrant’s debut, Dirty Rotten Filthy Stinking Rich draws heavily from the members’ blues rock influences while thoroughly wallowing in pop-metal excess. The mindless pursuit of hedonism rarely sounded as beguiling as it does on the rousing “Down Boys,” while the ultra-schmaltzy ballad “Heaven” was probably the theme song of every metalhead wedding in 1989. Buttressing the excellent vocals and tight, catchy tunes are guitarist Joey Allen’s solos, which are flashy without succumbing to self-indulgent wankery. Achieving platinum sales and number-one chart status shortly before Grunge buried ‘80s Metal forever, D.R.F.S.R. closed out the final decade of Rock ‘N’ Roll decadence in high style.

– Gail Worley

Track Listing

  1. 32 Pennies
  2. Down Boys
  3. Big Talk
  4. Sometimes She Cries
  5. So Damn Pretty (Should Be Against The Law)
  6. D.R.F.S.R.
  7. In The Sticks
  8. Heaven
  9. Ridin’ High
  10. Cold Sweat
  11. Only A Man (Demo)
  12. All Night Long (Demo)

dirty rotten filthy stinking rich

This article was originally written for Metal Edge Magazine. With the magazines’ dissolution, the article has been added to the content base of The Worley Gig for our readers’ enjoyment.

Gail In Print: Modern Drummer, May issue and Metal Edge, April Issue

Tomas Haake: Math Rocker!

Check out the May issue of Modern Drummer, with Mesuggah’s Tomas Haake on the cover, for my Rad updates on Ben Gillies of Silverchair and Sean O’Shea of Orgone.

Also, look for my retro-reviews of classic albums by Warrant and Quiet Riot in the article “25 Essential Hair Metal Albums,” found in April’s edition of Metal Edge.

Ozzy Is Still Alive