A perfect – wait, make that ideal – live music experience, for me, includes a few personal preferences such as a venue close to my home that offers seating, reasonably priced drinks and maybe a menu of snacks that won’t break the bank when added to the price of the ticket. It’s a lot to ask, I know, but that is how I roll. Of course, it’s a given that the band on the bill has great songs and is able to reasonably replicate its recorded sound in a live forum while also improvising and “riffing” freely enough to add a personal vibe to the performance. On a recent Saturday night in the East Village, that perfect storm of a concert experience happened at Drom Lounge on Avenue A when psychedelic folk rock band, The Wyld Olde Souls, celebrated the release of its new CD, Ensoulment. It was an evening I won’t soon forget.
Ten years in the making, Ensoulment includes fourteen songs (13 originals and one cover) that prove the long wait for this album was well worth it. Often compared to acts like Fairport Convention, Joan Baez and Donovan, The Wyld Olde Souls are perhaps NYC’s best-kept secret. Fronted by lead vocalist/songwriter and guitarist Ivy Vale, The Wyld Olde Souls includes Vale’s husband Rick Reil (vocals/guitar/sitar), Kristin Pinell Reil (vocals/guitar/flute) – the former both members of the legendary Grip Weeds — vocalist Melissa Davis and tabla player Naren Budhakar, who is such a perfect addition to the band for his ability to really capture the middle eastern spirituality inherent in its music. The band’s lyrics are often romantic and whimsical, offering a welcome respite from the angst and anger in much of today’s pop music, while the lush, layered instrumentation on the album – which includes flute, orchestral strings and mellotron – solidifies The Wyld Olde Souls as a band that expertly takes the act of homage into the realm of a truly unique, original sound.
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