Armed with only his acoustic guitar and a soaring vocal range, singer/songwriter Blake Morgan celebrated the July 30th release of his latest CD, Diamonds in the Dark, with an engaging set played to a packed house at Manhattan’s Cutting Room.
While the unplugged set was missing the lusher aspects of Diamonds in the Dark’s expanded instrumentation, Morgan’s delivery and on stage charisma did each song full justice. This CD is really fantastic! Morgan’s adept guitar playing fondly recalls that of the late great George Harrison, while his voice varies between comparison to the adult contemporary mellowness of hit-maker Duncan Sheik and top-shelf Seventies pop greats such as Andrew Gold. And what’s not to like about that?
Morgan draws his subject matter from his past romantic relationships, and while the songs are obviously deeply personal, he keeps the message universal and accessible. Tuesday’s set featured nine cuts from the just-released Diamonds, including a few of my favorites like the opening number, “Haunt Me,”“Best Bad Idea” and “I Can Hear You Say.” I enjoyed Blake’s humorous between-song banter (where he revealed many of the details behind each song) and it was a fun evening for all! Diamonds in the Dark is available now wherever fine music is procured, and you can find out more about Blake by visiting This Link. See the set list below!
Cutting Room Set List
Black Into Blue
Water Water Everywhere
Best Bad Idea
Don’t Want To Let You Go
I Can Hear You Say
We Left Off
So Scared And Happy
A perfect – wait, make that ideal – live music experience, for me, includes a few personal preferences such as a venue close to my home that offers seating, reasonably priced drinks and maybe a menu of snacks that won’t break the bank when added to the price of the ticket. It’s a lot to ask, I know, but that is how I roll. Of course, it’s a given that the band on the bill has great songs and is able to reasonably replicate its recorded sound in a live forum while also improvising and “riffing” freely enough to add a personal vibe to the performance. On a recent Saturday night in the East Village, that perfect storm of a concert experience happened at Drom Lounge on Avenue A when psychedelic folk rock band, The Wyld Olde Souls, celebrated the release of its new CD, Ensoulment. It was an evening I won’t soon forget.
Ten years in the making, Ensoulment includes fourteen songs (13 originals and one cover) that prove the long wait for this album was well worth it. Often compared to acts like Fairport Convention, Joan Baez and Donovan, The Wyld Olde Souls are perhaps NYC’s best-kept secret. Fronted by lead vocalist/songwriter and guitarist Ivy Vale, The Wyld Olde Souls includes Vale’s husband Rick Reil (vocals/guitar/sitar), Kristin Pinell Reil (vocals/guitar/flute) – the former both members of the legendary Grip Weeds — vocalist Melissa Davis and tabla player Naren Budhakar, who is such a perfect addition to the band for his ability to really capture the middle eastern spirituality inherent in its music. The band’s lyrics are often romantic and whimsical, offering a welcome respite from the angst and anger in much of today’s pop music, while the lush, layered instrumentation on the album – which includes flute, orchestral strings and mellotron – solidifies The Wyld Olde Souls as a band that expertly takes the act of homage into the realm of a truly unique, original sound.