Tag Archive | Music

Video Clip Of The Week: Down ‘n’ Outz (Featuring Joe Elliott), “This Is How We Roll”


Do you like to Rock? I sure do, and you know who else likes to Rock? Joe Elliott of Def Leppard. I love that band, but did you know that Joe brings The Rock with another band as well? That group is called Down ‘n’ Outz, and they are responsible for this week’s anthemic Video Clip“This Is How We Roll. A little background: Elliott formed Down ‘n’ Outz in 2009 as a Mott the Hoople cover band of sorts, and he is joined by members of The Quireboys — including Paul Guerin, Guy Griffin, Keith Weir and Phil Martini. If you suspect that these guys rock hard enough to a crack skull, your suspicions would be correct

“This Is How We Roll” is an animated lyric video that follows the band’s tour bus down the highway enroute to a gig. Lyric videos are not generally my thing, but when you’re feelin’ it, who gives a shit? This song is like oxygen in a vacuum, and will remind you of the days when you used to stay home on Saturday nights to watch the original Headbangers Ball on MTV. Don’t act like you don’t know what I’m talking about. Watch out for the David Bowie Bobblehead on the bus’ dashboard, plus a couple additional nods to the Thin White Duke, because Joe is a fan! “This Is How We Roll” is from the title track from the band’s third studio album, which is out now on UMe. Enjoy!

Down-n-Outz

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Video Clip of The Week: Tiger Army, “The Devil That You Don’t Know”

Do you like The Cramps? I sure do. While I don’t want to go so far as to claim that there is an heir apparent to that legendary band’s considerable Psychobilly throne, LA trio Tiger Army is certainly a contender. Flawlessly fusing the classic sounds of surf, punk and rockabilly, Tiger Army own this week’s clip with a Kenneth Anger-influenced visual scorcher, “The Devil That You Don’t Know.” Clocking in at just under two minutes, “The Devil That You Don’t Know” is the complete package, featuring go-go dancers and psychedelic, 60s-era lighting effects that enhance the take-no-prisoners fuzz guitar and air-tight rhythm section of a band that has honed its craft over a two-decade career. Lead singer / guitarist Nick 13 comes off like the Frank Sinatra of rock as he encourages you to harness your inner bad ass, along with bandmates Djordje Stijepovic — unequaled on the upright bass — and four-on-the-floor drummer Mike Fasano keeping it in the pocket at all times. Tiger Army are a force to be reckoned with that are just insane live. Tiger Army’s sixth album, Retrofuture, is out now on Rise Records, and the band is on tour everywhere through 2019 (Tour Dates Here), so check them out if they are coming to your town. Enjoy!

Tiger Army 2019

Video Clip of The Week: Joseph Arthur, “Streetcar”


Whether he is making his own original music, collaborating with a fellow respected musician, or creating his unique visual artwork, Joseph Arthur brings a spark of understated genius to everything he touches. It just so happens that Joe is gearing up to release his first solo album in three years (wow!) entitled Come Back World, and that means it is my pleasure this week to give you a little taste, with the single and video for the sublime “Streetcar,” which features guest vocals by Ben Harper.

Remaining very much in Arthur’s wheelhouse while also showing a creative stretch, “Streetcar” is an upbeat, Dylanesque love song that speaks to the joy, emotional intimacy and promise of a new romance. Shot in various locations in NYC, the clip starts out with an interior scene, with Arthur and his lady love playfully boxing with each other as they hang a floor-to-ceiling wallpaper imprinted with the famous image of Led Zeppelin standing in front of the Rock Star Party Plane known as The Starship. The couple then proceed to embellish the wall with paint, effectively transforming it into one of Joe’s instantly recognizable paintings. The two then carry the fun out into a nearly-deserted subway car, which sits-in perfectly for the Streetcar of the song’s title. I’m sure that this video was as much fun to make as it is to watch!

Recently, Joseph Arthur also launched a new Podcast called Come To Where I’m From (after his sophomore album released in 2000), which to-date has featured celebrities, comedians and musician from across the board. All episodes can be viewed on his Youtube Channel. Come Back World drops October 11th, 2019, and fall Tour Dates are below. Enjoy!

Joseph Arthur Fall Tour Dates
Oct 7 Kansas City, MO Knuckleheads (w/ Jesse Malin)
Oct 8 Denver, CO Larimer Lounge (w/ Jesse Malin)
Oct 10 Seattle, WA The Triple Door
Oct 12 Portland, OR Bunk Bar (w/ Jesse Malin)
Oct 15 San Francisco, CA The Chapel (w/ Jesse Malin)
Oct 16 Los Angeles, CA The Roxy (w/ Jesse Malin)
Oct 17 San Diego, CA Soda Bar (w/ Jesse Malin)
Oct 19 Tucson, AZ 191 Toole (w/ Jesse Malin)
Oct 21 Austin, TX Stubbs Jr (w/ Jesse Malin)
Oct 22 Houston, TX Continental Club (w/ Jesse Malin)
Oct 23 Dallas, TX Three Links (w/ Jesse Malin)
Oct 26 Brooklyn, NY Rough Trade
Oct 29 Boston, MA City Winery
Oct 30 Pawling, NY Daryl’s House
Nov 1 Philadelphia, PA The Locks at Sona
Nov 2 Vienna, VA Jammin Java
Nov 3 Baltimore, MD Rams Head (Matinee)
Nov 5 Charlotte, NC Neighborhood Theatre
Nov 7 Detroit, MI Magic Bag
Nov 9 Evanston, IL SPACE (Late Show) (w/ Jesse Malin)
Nov 10 Minneapolis, MN 7th St Entry (w/ Jesse Malin)

Joseph Arthur Streetcar

Video Clip of The Week: Crobot, “Low Life”


Just when I think there are no bands left that can rock hard enough to crack skulls wide open, along comes Crobot, with their wildly compelling video for an uber-contagious tune called “Low Life,”  and I know that such a band still exists. Hallelujah! Not only does “Low Life” come on like rolling thunder, but the video plays out like a TV miniseries on ass-kicking. Did you ever allow yourself to wonder what would happen if Motorhead and Tenacious D had a baby? You are about find out.

The clip for “Low Life” captures Crobot front man Brandon Yeagley as he navigates multiple inter-personal settings while exhibiting questionable ‘Low Life’ behavior towards the various characters he comes in contact with. But is he being a jerk, or is he simply reacting to the jerkiness he sees in the world? The multi-chapter video somehow manages to be both badass and delightful simultaneously, and that ls no easy task to accomplish. Accompanied by a high-energy band performance, Crobot have completely mastered the art of creating compelling, entertaining music videos, because this one truly mind blowing. The clip was directed by David Brodsky, and produced by Allison Woest for My Good Eye Music Videos (Clutch, Queensryche, GWAR). Based on the Crobot’s unparalleled heavy metal chops and Yeagley’s irresistibly charismatic swagger (Take Note: This is what a Rock Star looks like) I can only imagine that Crobot would literally be the Best Band You’ve Ever Seen live. I know that I would like to find out.

“Low Life” can be found on Crobot’s upcoming new album Motherbrain, due to drop on August 23rd, 2019. Recommended If You Like: Monster Magnet, Motorhead, The Hellacopters, Soundgaren. Enjoy!

Video Clip Of The Week: Kodiak, “Goodbye”


I’ve said it before and I’ll say it again right now: I would rather listen than any ’80s Metal band for one hundred million billion years than listen to any artist currently on the pop charts for five minutes. Just being serious. For that reason, this week’s high energy clip from New Jersey-based rockers Kodiak is like a breath of fresh air in a vacuum. The no-frills clip for their single “Goodbye,” featuring footage from the studio and the band’s stage show, is a great introduction to this talented band, which includes brothers Pete (Drums) and Chris (Guitar) Biggiani, with Bassist TJ Haefner, and lead singer Eric Dalton. Plus, the group is co-managed by Warren Wyatt and drum legend Carmine Appice. So, props for that.

While “Goodbye” is a classic metal scorcher (comparisons to Van Halen are not unwarranted) Kodiak remind me most of bands like Winger and Dokken: groups with handsome, charismatic frontmen who achieved a crossover appeal by infusing their glam metal repertoire with a few well-placed “power ballads.” I can’t guess whether that will also be Kodiak’s approach, but the potential to stretch out is certainly there. In the mean time, Kodiak guarantee that feel-good, edgy hard rock is officially back in acton. Like them on the FaceBook at This Link. Enjoy!

Kodiak Band

David Gilmour’s Guitar Collection Going Up For Auction at Christie’s!

David Gilmour Guitar Collection at Christies
All Photos By Gail

In a career spanning more than five decades — as guitarist, singer and songwriter of Pink Floyd, and in his solo recordings  and collaborations with other artists — David Gilmour has created a body of work that cements his legacy as one of the most influential rock musicians  of all time. If you’ve ever wondered what it might be like to play one of Gilmour’s guitars, wonder no longer. Christie’s is preparing to bring to auction highlights from David Gilmour’s personal guitar collection on June 20th, 2019 in New York. Comprising more than 120 guitars, Gilmour’s collection focuses on a selection of his preferred Fender models including Broadcasters, Esquires, Telecasters and Stratocasters, led by a guitar as iconic and recognizable as the historic performances for which it was used – the 1969 Black Stratocaster (estimate: $100,000-150,000). Detailing the musical history of one of the world’s most influential guitarists, the sale will be the largest and most comprehensive collection of guitars to be offered at auction. Sale proceeds will benefit charitable causes. Estimated final sale prices range from $300 to $150,000, appealing to a wide spectrum of guitar aficionados, fans and collectors alike.

Electric Guitar Trio

Ovation Preacher 12 String Electric Guitar 1978
Ovation Preacher 12-String Electric Guitar (1978). Final Sale Estimate $2,000-$3,000

A global tour of the guitars arrived in New York City on June 14th for six days of press and sale previews, and I was lucky to be able to view highlights of the full collection on Monday, June 17th.  As a fan for over 40 years,  it was a thrill to be able to see these historic guitars up-close, to read their stories and to enjoy audio and visual clips of David Gilmour in action, provided by Sennheiser, which completed a full sensory experience.

Pink Floyd Video

Pink Floyd Video

Installation View

Fender EC 1989
Fender Stratocaster Eric Clapton Signature Model in Custom Color Daphne Blue (1989). Final Sale Estimate $3,000-$5,000

Solid Body Electric Resonator Guitar (1991)
Solid Body Electric Resonator Guitar (1991). Final Sale Estimate $1,500-$2,400

Quote from David Gilmour: “These guitars have been very good to me and many of them have given me pieces of music over the years. They have paid for themselves many times over, but it’s now time that they moved on. Guitars were made to be played and it is my wish that wherever they end up, they continue to give their owners the gift of music. By auctioning these guitars I hope that I can give some help where it is really needed and through my charitable foundation do some good in this world. It will be a wrench to see them go and perhaps one day I’ll have to track one or two of them down and buy them back!”

Installation View

Gretsch Solid Body 6129 Silver Jet (1957)
Gretsch Solid Body Electric Guitar, 6129 Silver Jet (1957). Final Sale Estimate $6,000-$8,000

Kerry Keane, Christie’s Musical Instruments Specialist: “For the last half century David Gilmour’s guitar work has become part of the sound track in our collected popular culture. His solos, both lyrical and layered with color, are immediately identifiable to critics and pop music fans as readily as the brushstrokes of Monet’s water lilies are to art historians.

Dusty Rose Stratocaster Plus
Dusty Rose Fender Stratocaster Plus (1987). Final Sale Estimate $1,500-$2,400

These instruments are unique in that they are the physical embodiment of David Gilmour’s signature sound throughout his over 50-year career. Like palette and brush, they are the tools of the trade for an iconic rock guitarist.”

Ampeg Dan Armstrong Lucite Body Electric Guitar (1969)
Ampeg Dan Armstrong Lucite Body Electric Guitar (1969). Final Sale Estimate $2,000-$3,000

Two Guitars with Gilmour Backdrop

COLLECTION HIGHLIGHTS

David Gilmour Black Strat

Leading the Collection is David Gilmour’s 1969 Black Fender Stratocaster, purchased in 1970 at Manny’s on West 48th Street in New York (estimate: $100,000150,000). The Black Strat quickly became his primary performance and recording instrument for the next fifteen years and it was extensively modified to accommodate Gilmour’s evolving style and performance requirements. The Black Strat was played on Money, Shine On You Crazy Diamond and the legendary solo on Comfortably Numb. It was key to the development of the Pink Floyd sound and was instrumental in the recording of landmark albums such as Wish You Were Here (1975), Animals (1977) and The Wall (1979), and of course Pink Floyd’s seminal 1973 masterpiece The Dark Side of the Moon, widely regarded as one of the greatest albums of all time. The guitar can also be heard on Gilmour’s critically acclaimed solo albums including David Gilmour (1978), About Face (1984), On An Island (2006) and Rattle that Lock (2015). After a period of temporary retirement while on semi-permanent loan to the Hard Rock Cafe, Gilmour reclaimed The Black Strat for Pink Floyd’s historic reunion concert at Live 8 in London’s Hyde Park on July 2nd, 2005, reinstating it as his guitar of choice for the next decade and firmly establishing its place in rock’n’roll history.

The White Strat

Another important guitar offered is Gilmour’s 1954 White Fender Stratocaster #0001, which has become one of the instruments synonymous with his long artistic career (estimate: $100,000150,000). Gilmour acquired The #0001 Stratocaster in 1978. Its use on several recordings, such as Another Brick In The Wall (Parts Two and Three), and on the concert stage, make it readily recognizable by both fans and connoisseurs.

Fred Gretsch White Penguin

An additional collection highlight is an incredibly rare Gretsch White Penguin 6134. With only 50 models ever produced, the White Penguin is one of the rarest America vintage guitars to exist in the market. Gilmour purchased this guitar (pictured above) for his private collection July of 1980 (estimate: $100,000150,000).

1984 Red Strat

Further Fender highlights include the 1957 ‘Ex-Homer Haynes’ Stratocaster, with gold plated hardware and finished in the rare custom color of Lake Placid Blue (estimate: $60,000-90,000); a Candy Apple Red 1984 Stratocaster 57V (estimate: $15,000-25,000), which became his primary electric guitar during the 1980’s and 1990’s, used during recording and touring of the Pink Floyd albums A Momentary Lapse of Reason (1987) and The Division Bell (1994): and an exceptionally early 1954 Stratocaster, (estimate: $50,000-70,000), believed to be one of a group of Stratocasters produced by Fender prior to its commercial production release in October 1954.

Acoustic Guitar Trio

Echoing Gilmour’s early musical influences of the Everly Brothers and Bob Dylan, the collection offers several acoustic guitars. Examples include a 1969 D-35 Martin purchased on the streets of New York in 1971, and used as both Pink Floyd and David Gilmour’s main studio acoustic, notably on Wish You Were Here (estimate $10,000- 20,000); and a unique Tony Zemaitis (1978) custom acoustic bass guitar (estimate $15,000-25,000).

Installation View
David Gilmour Guitar Backdrop

Update: To read an article on the results of this auction click Here!

Video Clip of The Week: The Voidz, “Permanent High School”


Hey what’s up? Does it feel like summer yet where you live? Here in NYC, not so much, but I can tell it’s on the way! After taking a couple of weeks off from this column, I was all ready-and-set to post a completely different band for this week’s Video Clip, but then I read about their stupid personal politics and was compelled to make an abrupt about face on that decision. And that’s too bad, because the song was excellent, but the lead singer sounded like a dick, and I just can’t even with that. Anyway, no loss to you, because look what I found instead? It’s this crazy great video for the tune “Permanent High School” from the Julian Casablancas-fronted band The Voidz!

Soundtracked by Casablancas‘ rather intoxicatingly druggy vocals, watching the video for “Permanent High School” feels like being dropped into a dream-in-progess.  As the band and its entourage load into a waiting van and head to the gig, two attractive female fans steal clothes from random dryers in a laundromat that is thoroughly bathed in glowing pink light. The now-well-dressed, obviously quite avid fans manage to outsmart club security and hustle their way into the show, squirming all the way to the front of stage, where the band is already in the midst of their set. And then . . . one of the ladies gets a little over zealous, shall we say. From there, it’s like the best night of your life, hanging with your best friend at a show by your favorite band! If these ladies look familiar to you, it’s because they are played models by Suki Waterhouse and Theodora Richards (daughter of Keith Richards). Pretty cool!

Aurally, “Permanent High School” (which has nothing to do with High School) is a sublime mix of psychedelia and garage rock, with probably the best lyrics that Casablancas has written in his entire career. “Permanent High School” can be found on The Voidz 2018 release, Virtue. Tristate area residents can catch The Voidz (and The Strokes) performing on May 31st and June 2nd, 2019 at New York’s Governor’s Ball Music Festival. Enjoy!

The Voidz Governors Ball