Strangler’s drummer Jet Black (Born Brian John Duffy) was born on this day, August 26th, in…wait for it…1938! Holy Cow! Rock on Jet Black, and have an excellent Birthday. Favorite Strangler’s Song: “All Roads Lead To Rome.”
Killing Joke, Gang of Four, Bauhaus, Et Al (This Photo by Geoffrey Dicker)
Walking into the Steven Kasher Gallery last night for the opening reception of Rude And Reckless was very much like flashing back to my teenage bedroom, whose walls were plastered floor to ceiling with Punk Rock posters, show flyers, stickers and album cover art until I moved out of my parents house to go to college. Punk Rock – at a time when Punk Rock was really something vital and alive – was everything to me at that time, and I was an avid collector of 7” Punk singles (which I’d pick up by the dozens at Zed Records in Long Beach, California) and punk/new wave badges. A lot of what I collected, and probably still have, seems to have been magically curated into this amazing collection of memorabilia that is sure to delight anyone who has fond memories of the British, New York or LA/Orange County punk scenes in the late ‘70s to early ‘80s. Good times.
Rude and Reckless: Punk/Post-Punk Graphics, 1976-82 is the first New York exhibition surveying the extraordinary diversity of Punk and Post-Punk graphic design. The exhibition showcases a wide range of American and British artistry, with influences that include the Bauhaus, Futurism, Dadaism, Pop Art, Constructivism and Expressionism. The exhibition features over 200 rare posters, along with fanzines, flyers, clothing, badges and stickers.
Rude and Reckless documents an era that produced a great burst of applied graphic-design creativity, one of the most subversive of the 20th Century. Vivid, violent and frequently acid-tongued, the works in this exhibit represent one of the truly authentic DIY youth culture movements of the Western World. The exhibition is timed to coincide with the 35th anniversary of Punk Rock; both the release of the first Ramones album, and the mythical (and notorious) Anarchy in the UK Tour were seminal punk events in 1976. The exhibition is based on the collection Andrew Krivine, who began collecting in 1977. Curated by Krivine and Steven Kasher, the selection comprises the rarest and finest examples culled from an archive of more than 800 punk/new wave/post-punk posters and ephemera.
Article continutes with more photos and exhibit information after the Jump! Continue reading
On This Date in 1982: The Stranglers released their nineteenth single, “Golden Brown” from their sixth studio album, La Folie. “Golden Brown,” which reached the #2 spot on the U.K. singles chart, is pretty obviously a love song about the pleasurable effects of heroin, if you bother to read the lyrics even casually.
Thanks to The P5 Blogspot For The Tip!
“Shhh…Please Don’t Tell My Age.”
Hugh Cornwell of The Stranglers was born on this day, August 28th, in 1949! Hugh is currently in the process of re-releasing his download-only 2008 album, HOOVERDAM. Like all of Cornwell’s dozen or so post-Stranglers‘ solo efforts, HOOVERDAM is quite excellent and recommended listening. Favorite Stranglers song: “All Roads Lead To Rome.”
I’ve been a fan of Britain’s seminal art-punk band, The Stranglers, from “Peaches” to “All Roads Lead to Rome” and into all of vocalist Hugh Cornwell’s numerous brilliant solo albums. Now Cornwell is offering a free download of his latest album, Hoover Dam directly from his website. I spent five minutes yesterday downloading the CD after being turned on to the offer by my good pal Randy, and I enjoyed playing these ten songs all afternoon! The album is fantastic, not a bad song in the bunch. I highly recommend adding Hoover Dam to your collection.