Todd Gray’s work draws from his archive of photographs amassed during the past forty-five years of his career. Taken in locations from Hollywood to Ghana (where he maintains a studio), these images have been selected by the artist to explore the complex interrelation of Blackness, diasporic identity, and historic systems of exploitation. For his ongoing series Exquisite Terribleness, begun in 2013, Gray collages photographs into a layered arrangements of thrift store frames, creating compositions of fragmented bodies. Many of the individual photographs that Gray uses for his collages were shot following his own creative visions; others, such as in Euclidean Gris Gris 2 (2018) were commissioned, including many he took as Michael Jackson’s personal photographer in the 1970s and early 1980s. Jackson is significant here for Gray not as a celebrity or figure of controversy, but as a global phenomenon whose almost mythic status serves to frame the complex issues explored in Gray’s work. Michael Jackson was accused of child sexual abuse in 1983 and then tried and acquitted for the crime in 2005. New allegations surfaced in a documentary released on HBO in early 2019.
Photographed as Part of The 2019 Biennial Exhibit at The Whitney Museum, NYC