Emile Louise Gossiaux (b, 1989) often explores the interdependence of humans and animals in their work and regards their late guide dog, London, as an equal collaborator. Continue reading Emile Louise Gossiaux, Kong Play
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Modern Art Monday Presents: Charles Burchfield, Winter Twilight
There’s something quietly unsettling about Winter Twilight (1930) by Charles E. Burchfield — a winter scene that feels less like a peaceful evening and more like a moment suspended in uneasy silence. The painting depicts a snow-covered road at dusk, but instead of warmth or nostalgia, the scene leans into isolation and quiet tension. What strikes me immediately is how cinematic and moody it feels — almost like a haunted version of a Edward Hopper streetscape.
The street appears largely deserted, blanketed in mostly undisturbed snow. A storefront glows brightly, where two bundled pedestrians appear to be window shopping — one of the only signs of life in an otherwise still environment. Nearby, another lone figure stands facing the street, back turned to the pair, adding to the sense of emotional distance and disconnection. Continue reading Modern Art Monday Presents: Charles Burchfield, Winter Twilight
Modern Art Monday Presents: Kay Sage, No Passing
Created in 1954, No Passing reflects artist Kay Sage’s mature style — a stark, architectural surrealism built from scaffolding-like structures, draped forms, and wide, empty expanses that feel both constructed and abandoned. The composition suggests barriers, boundaries, and restriction, with vertical elements that resemble incomplete buildings or skeletal frameworks. Fabric-like shapes appear suspended or stretched across the space, as if something is being concealed or held in place. No Passing feels exactly like its title — a visual barrier, a place where movement stops and entry is denied
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Modern Art Monday Presents: Screamin’ Jay Hawkins By Karl Wirsum
Karl Wirsum (1939 – 2021) used the clean style of commercial graphics and the abstracted form of a dissected frog Screamin’ Jay Hawkins (1968). who used this painting as the cover for his album Because Is In Your Mind (1970). Best known fir his 1956 song “I Put a Spell On You” and his sensational live performances, Hawkins appears here in full song, raining amoeba-shaped sweat down on a man wearing “armpit rubber,” like old fashioned galoshes, to keep the moisture at bay.
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Modern Art Monday Presents: The Candy Store By Richard Estes
At first glance, The Candy Store (1969) by Richard Estes looks like a photograph. But spend a moment with it, and the illusion begins to unfold into something far more complex.
Painted at the height of the emerging Photorealism movement, The Candy Store captures a New York City storefront window filled with jars of sweets, signage, and fluorescent lighting. Yet what makes the painting so compelling isn’t just the meticulous detail — it’s the layered reflections that transform a simple shop window into a study of perception. Continue reading Modern Art Monday Presents: The Candy Store By Richard Estes




