Tag Archives: modern art monday

Modern Art Monday Presents: west By Doug Aitken

west by doug aitken photo by gail worley
Photo By Gail

west (2008) is a lightbox, a technology typically used in commercial signage that artist Doug Aitken has long retooled for aesthetic purposes. Here, the word “west“ is formed by glowing photographs of tract houses, repeating in loose grids across the horizon. This is an ironic and satirical take on the credo of Manifest Destiny, a slogan that swept the United States in the 19th century, holding that western expansion towards the Pacific Ocean was both a divine right and duty. In west, Aitken proposes that this history can be seen from a different perspective, that the dream of the West was simply a pretext for swift development, resource acquisition, and the submission of existing lands and peoples to an imposed order.

Photographed in The Broad Museum in Los Angeles.

Modern Art Monday Presents: Jeff Koons, Tulips

jeff koons tulips sculpture bulbs photo by gail worley
Photos By Gail

Few artists know how to make an everyday object feel larger than life quite like Jeff Koons. His Tulips sculpture (1995–2004) takes the familiar shape of a bouquet of colorful flowers and transforms it into an exuberant work of art with a decidedly impressive personality. This  sculpture is one of five unique versions, and its production was an extraordinarily complex undertaking.

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Modern Art Monday Presents: The Welcoming Committee By Alfredo de Batuc

the welcoming committee photo by gail worley
Photo By Gail

Looking for something suitably spooky,  The Welcoming Committee (1987) by Chicano artist Alfredo de Batuc makes quite an impression.  Against a blazing red sky, two menacing black cats bare their fangs from atop dark, rocky outcroppings. Between them, a tall, glowing silhouette of Los Angeles City Hall rises in the distance, creating an eerie focal point in the otherwise ominous landscape. The cats’ exaggerated features and sharply pointed ears give them an almost supernatural presence, while the intense red-and-black palette heightens the drama.
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Modern Art Monday Presents: Cecily Brown, Hangover Square

hangover square by cecily brown photo by gail worley
Photo By Gail

Rich purples lend lushness to this overstuffed interior, whose piles of clothing and jumble of furnishings suggest the morning after a raucous night of mayhem. The painting’s title, Hangover Square (2005), is a pun on London’s upscale green Hanover Square, one that artist Cecily Brown gladly borrowed from a 1941 novel. With its unabashed clutter, the disarrayed room foreshadows Brown’s return to painting crowded interiors 15 years later, at the beginning of the COVID-19 pandemic.

Photographed in the Metropolitan Museum of Art in New York City.

 

Modern Art Monday Presents: Knight Horrors by Aaron Bohrod

knight horrors by aaron bohrod photo by gail worley
Photo By Gail

Knight Horrors looks like some sort of surreal still life extracted from  a child’s  fever dream — and the longer you look, the stranger it gets.  A tiny armored knight on horseback  occupies the center of the scene, surrounded by an outrageous assortment of creatures and characters: a grinning finger puppet-style monster perched on the helmet of a Roman soldier, a grimacing gremlin, a colorful parrot, a rat, a flamingo, a skull and assorted other fantastical beings. It’s part cabinet of curiosities, part nightmare, and part seriously weird family portrait.

Painted in 1985 by American artist Aaron Bohrod, Knight Horrors is an oil painting on gesso panel measuring just 12 by 16 inches. The title itself seems to contain a little visual joke: Knight Horrors sounds suspiciously like “night terrors,” which makes the painting feel like a parade of creatures that have escaped from somebody’s particularly bizarre dream. Continue reading Modern Art Monday Presents: Knight Horrors by Aaron Bohrod →