During World War II, after the imprisonment of then partner, Max Ernst, Leonora Carrington fled France and sought asylum in Spain. There, she experienced a series of psychological crises. Her family placed her in a sanatorium against her will, where she was subjected to severe treatments. Carrington eventually moved to New York, where Andre Breton encouraged you to write about her experiences in the Surrealist journal VVV.
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Modern Art Monday Presents: Paul Thek, Hand With Ring
I’m a longtime fan of Paul Thek, particularly his famous wax meat sculptures, which remain some of the most unsettling and fascinating artworks of the 1960s. While exploring his work recently, I was captivated by a very different piece: Untitled (Hand with Ring) (1967), a colorful sculpture of a human hand encased inside a clear Plexiglas vitrine.
The work is part of Thek’s renowned Technological Reliquaries series, a body of work that helped establish him as one of the most original artists of his generation. At first glance, the hand appears almost archaeological, as though it has been unearthed from another time. Its surface is covered in layers of pink, blue, green, yellow, and silver, creating the appearance of peeling paint, weathered skin, or a treasured object transformed by age. A simple green ring adorns one finger, adding an unexpected touch of personality and mystery.
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Modern Art Monday Presents: Self Portrait (Mom) By Alex Israel
Deeply enmeshed with his hometown, Alex Israel (b. 1982) explores how popular media and Hollywood are central to the Los Angeles interpretation of the American Dream and the nuclear family. Created specifically for the Jewish Museum, the work reflects on the prominence of portraits of mothers throughout the museum collection.
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Modern Art Monday Presents: Rene Magritte, Femme Bouteille
Long before luxury fashion houses were commissioning artists to redesign bottles and packaging, René Magritte was quietly turning an ordinary wine bottle into a work of Surrealist sculpture.
Created in 1955, Femme Bouteille (Woman Bottle) transforms the curved form of a glass bottle into the elongated figure of a nude woman. Rather than simply painting an image onto the surface, Magritte cleverly incorporated the shape of the bottle itself into the composition, allowing the object to become the body. The result is elegant, slightly strange, and unmistakably Magritte.
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Modern Art Monday Presents: Dorothea Tanning, Temoins Du Drame (Witnesses)
Painted in Sedona, Arizona in 1947, Witnesses originates in a pivotal moment of Dorothy Tanning’s career, when she turned inward, translating the psychological imperatives of Surrealism into interior worlds shaped by ambiguity and concealment. The painting presents a crowded, deliberately compressed interior populated by uncanny, quasi-human figures whose anatomy resist stable definition.
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