In Florine Stettheimer’s frequent group portraits, her family and friends are not only clearly identifiable, but represented in attitudes that express their inner selves — an idea with roots in Symbolist painting of the late nineteenth century. In Family Portrait I (1915), she shares an elegant afternoon outdoors wither sisters and mother. Ettie, at left with a Japanese parasol is turned away, conversing with Carrie, who gazes at the viewer. Florine, too, looks outward, presiding over each bouquet of flowers and a dish of fruit that pays homage to the apples of Paul Cezanne. Their mother, Rosetta, the proper Victorian in black, is reading a novel by Ettie, the family intellectual.
Thick brushwork, deep jewel-tone colors, shallow perspective, and wealth of surface pattern all suggest Stettheimer’s familiarity with Post-Impressionist painters such as Pierre Bonnard and Paul Gauguin, infused with her own brand of social perceptiveness
Photographed in the Jewish Museum in NYC.