Tag Archives: painting

Arts and Culture

Modern Art Monday Presents: Knight Horrors by Aaron Bohrod

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knight horrors by aaron bohrod photo by gail worley
Photo By Gail

Knight Horrors looks like some sort of surreal still life extracted from  a child’s  fever dream — and the longer you look, the stranger it gets.  A tiny armored knight on horseback  occupies the center of the scene, surrounded by an outrageous assortment of creatures and characters: a grinning finger puppet-style monster perched on the helmet of a Roman soldier, a grimacing gremlin, a colorful parrot, a rat, a flamingo, a skull and assorted other fantastical beings. It’s part cabinet of curiosities, part nightmare, and part seriously weird family portrait.

Painted in 1985 by American artist Aaron Bohrod, Knight Horrors is an oil painting on gesso panel measuring just 12 by 16 inches. The title itself seems to contain a little visual joke: Knight Horrors sounds suspiciously like “night terrors,” which makes the painting feel like a parade of creatures that have escaped from somebody’s particularly bizarre dream. Continue reading Modern Art Monday Presents: Knight Horrors by Aaron Bohrod →

Health and Wellness, Lifestyle

Why Paint by Numbers Is Having a Wellness Moment

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cozy afternoon art session with tea
Photo by Hilal Diken on Pexels.com

Creative hobbies aren’t just a pandemic-era holdover anymore; they’ve settled into daily life as a real coping tool. A 2024 American Psychiatric Association “Healthy Minds Monthly” poll found that 46% of Americans use creative activities such as painting, crocheting, or puzzles specifically to relieve stress or anxiety, and among adults who rate their mental health as very good or excellent, that figure climbs to 71%. Paint by numbers sits right in the middle of this trend. It doesn’t require a background in art, a studio, or even much confidence, just a canvas, a handful of paints, and twenty quiet minutes.

That accessibility is exactly why the hobby has outgrown its reputation as a nostalgic craft-store novelty. It’s becoming something closer to a low-barrier mindfulness practice, one with a growing body of clinical research behind it.
Continue reading Why Paint by Numbers Is Having a Wellness Moment →

Arts and Culture

Modern Art Monday Presents: George Morrison, The Antagonist

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the antagonist by george morrison photo by gail worley
Photo By Gail

George Morrison (1919–2000) was one of the most significant yet often underrecognized figures in twentieth-century American art. A member of the Grand Portage Band of Lake Superior Chippewa (Ojibwe), Morrison became known for his richly textured abstract paintings and later for his celebrated wood collages inspired by the rugged shoreline of Lake Superior. After studying at the Art Students League in New York, he became part of the city’s vibrant postwar art scene, exhibiting alongside many of the leading Abstract Expressionists. While his Indigenous heritage informed his deep appreciation for the natural world, Morrison resisted being defined solely as a Native American artist, preferring to be recognized first and foremost for the strength and originality of his modernist vision.
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Arts and Culture

How Tom Sachs Deconstructed Hello Kitty in Eight Foot My Way

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tom sachs 8 foot my way photo by gail worley
Photos By Gail

Tom Sachs’ Eight Foot My Way (2001) looks like a page torn from a sketchbook. Arranged in a grid of nine panels, the artwork functions as a step-by-step tutorial for drawing Hello Kitty, the beloved character created by Sanrio in 1974. Beginning with a simple red circle for her signature bow, Sachs methodically builds the character panel by panel, adding ‘wings,’ a head, whiskers, clothing, and other details until a likeness of the familiar feline mascot emerges.

But this is no ordinary how-to guide.
Continue reading How Tom Sachs Deconstructed Hello Kitty in Eight Foot My Way →

Arts and Culture

Modern Art Monday Presents: Dorothea Tanning, Temoins Du Drame (Witnesses)

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witnesses by dorothea tanning photo by gail worley
Photo By Gail

Painted in Sedona, Arizona in 1947, Witnesses originates in a pivotal moment of Dorothy Tanning’s career, when she turned inward, translating the psychological imperatives of Surrealism into interior worlds shaped by ambiguity and concealment. The painting presents a crowded, deliberately compressed interior populated by uncanny, quasi-human figures whose anatomy resist stable definition.

Continue reading Modern Art Monday Presents: Dorothea Tanning, Temoins Du Drame (Witnesses) →