Being different is much easier to deal with when the characteristic that sets you apart isn’t immediately visible. In Matthew Perkins‘ very entertaining and heartfelt first film, The Little Tin Man, Herman (Aaron Beelner) is a struggling actor who works as a waiter in his family’s NYC restaurant. Herman also happens to be a little person, something that makes the typecasting he often finds himself up against even more glaring when he auditions for a Martin Scorsese remake of the Wizard of Oz.