“More than anything, people just want stars, Andy Warhol once remarked. In Myths (1981) he depicts Superman, the Wicked Witch from Wizard of Oz, and other heroes and villains of American culture (including, on the far right, himself). Silver paint alludes to the “silver screen,” and the vertical rows of mechanically reproduced head shots suggest filmstrips or contact sheets, the sources feeding our obsession with celebrity. Yet Warhol’s title is more complex: “myths” could refer to the “mythic” status of movie stars but it also connotes falseness, the distortion of truth, and the fleeting nature of fame.
They walked side by side down that road built out of yellow bricks, heading to their fate in the emerald colored city, off to see a wizard who would make them superstars.
They had visual appeal, they had individual backstories, they were a band of heroes headed straight to the top in a magical land where the worst critics were flying monkeys.
The mania started when they crossed the street, Dorothy in the front with the man made of metal bringing up the rear, and that one artsy munchkin was there to capture the scene and memorialize the moment they said “we’re off!”
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The Museum at NYC’s Fashion Institute of Technology has been known to host some pretty fabulous special exhibits, and the only bummer about them is that you usually are not allowed to take photographs of the clothes. This restriction can really take the fun out of it, because if i can’t take pictures, it’s like I wasn’t even there. Fortunately, at the Museum’s current exhibit, Fairy Tale Fashion, photography is not only allow, it is encouraged. And that is a fantastic thing, because this exhibit is just insane.
Being different is much easier to deal with when the characteristic that sets you apart isn’t immediately visible. In Matthew Perkins‘ very entertaining and heartfelt first film, The Little Tin Man,Herman (Aaron Beelner) is a struggling actor who works as a waiter in his family’s NYC restaurant. Herman also happens to be a little person, something that makes the typecasting he often finds himself up against even more glaring when he auditions for a Martin Scorsese remake of the Wizard of Oz.
That new James Franco Wizard of Oz film may be getting universally panned by the critics, but I am sure this magnificent Cake, inspired by imagery from the original film, would receive rave reviews! Created by Mike’s Amazing Cakes of Redmond, Washington, the back of the cake (below) is also quite impressive!