Tag Archives: movie poster

Zombies Documentary Movie Poster Mural, East Village

zombies doc mural photo by gail worley
Photos By Gail

While out for a neighborhood walk on Juneteenth, I stumbled upon a spectacular find: a gorgeous and very groovy mural has appeared on the wall outside Berlin Under A, one of the East Village’s last remaining live‑music venues. Created by artist  Jane Beaird, the visually striking work is a spot-on recreation (complete with the  band’s iconic imagery and typography) of the movie poster for Hung Up On A Dream, the recently-released, career-spanning documentary on 60s pop legends The Zombies. Talk about a trip!

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Shark Attack Christmas Card!

santa jaws christmas card photo by gail worley
Photo By Gail

Just when you thought it was safe to go shopping for holiday cards,  this seasonal twist on the iconic Jaws poster swaps horror for . . . humor. Here we see a festive, Santa hat-sporting shark lurking beneath the waves, ready to feast on a blissfully unaware antler-clad swimmer because no-one warmed her that Santa Jaws was coming to town — and suddenly, CHOMP! This card is the perfect mix of holly and jaws-olly.

Shark Attack on Your Christmas Cards!

Modern Art Monday Presents: Mel Gibson Story By Jonathan Horowitz

mel gibson story by jonathan horowitz photo by gail worley
Photo By Gail

Actor Mel Gibson rose to stardom in the 1979 film Mad Max, an action movie set in a dystopian future. In 2006, Gibson directed and cowrote Apocalypto, a dystopian fantasy set in the past. Drawing on durable colonialist tropes, Apocalypto portrays the indigenous civilizations of a pre-Colombian Central America as irredeemably brutal and doomed; the film ends with the arrival of the Spanish conquistadors. During the time that elapsed between the release of these two films, Gibson’s life took many sordid turns that land Apocalypto’s melodramatic tagline — “No One Can Outrun Their Destiny” — an ironic air. Mel Gibson Story (2010) by Jonathan Horowitz illustrates the actor’s downward spiral through a five-panel metamorphosis of the two movie posters.

Photographed in The Jewish Museum in Manhattan.

Modern Art Monday Presents: Rosalyn Drexler, Love and Violence

love and violence by rosalyn drexler photo by gail worley
Photo By Gail

Rosalyn Drexler’s work often explores the dark backstories of postwar media culture and gender roles through imagery taken from mass-produced printed materials. For Love and Violence (1965), she enlarged a poster from the 1963 Hollywood film, Toys in the Attic, collaged it onto canvas and then painted over it within a flattened visual field. In this image, the movie’s main character, played by Dean Martin, embraces the female lead, Yvette Mimieux, with his hands at her chin. By setting the image against a red background, above cinematic scenes of brutality, Drexler highlights the threat implied by the male character’s seemingly intimate gesture. In the artist’s words, these popular images were “hidden but present, like a disturbing memory.”

Photographed in the Whitney Museum in NYC.

Recommended Viewing: Rolling Stone, Life and Death of Brian Jones

Brian Jones Movie Poster By Gail Worley
All Photos By Gail Worley

Growing up with an older sister who came of age amid the fever pitch of Beatlemania, I received an excellent education in British rock starting at about the age of five. I knew the music of The Rolling Stones because their hits were all over the radio and, because he was the lead singer, I thought of them as “Mick Jagger’s band.”  For whatever reason, I don’t recall even hearing the name of the Stones‘ original guitarist and foundling member, Brian Jones, until I was in high school, which would have been in the late ’70s. At that time, I was completely obsessed with The Who.
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