Tag Archives: movie poster

Modern Art Monday Presents: Mel Gibson Story By Jonathan Horowitz

mel gibson story by jonathan horowitz photo by gail worley
Photo By Gail

Actor Mel Gibson rose to stardom in the 1979 film Mad Max, an action movie set in a dystopian future. In 2006, Gibson directed and cowrote Apocalypto, a dystopian fantasy set in the past. Drawing on durable colonialist tropes, Apocalypto portrays the indigenous civilizations of a pre-Colombian Central America as irredeemably brutal and doomed; the film ends with the arrival of the Spanish conquistadors. During the time that elapsed between the release of these two films, Gibson’s life took many sordid turns that land Apocalypto’s melodramatic tagline — “No One Can Outrun Their Destiny” — an ironic air. Mel Gibson Story (2010) by Jonathan Horowitz illustrates the actor’s downward spiral through a five-panel metamorphosis of the two movie posters.

Photographed in The Jewish Museum in Manhattan.

Modern Art Monday Presents: Rosalyn Drexler, Love and Violence

love and violence by rosalyn drexler photo by gail worley
Photo By Gail

Rosalyn Drexler’s work often explores the dark backstories of postwar media culture and gender roles through imagery taken from mass-produced printed materials. For Love and Violence (1965), she enlarged a poster from the 1963 Hollywood film, Toys in the Attic, collaged it onto canvas and then painted over it within a flattened visual field. In this image, the movie’s main character, played by Dean Martin, embraces the female lead, Yvette Mimieux, with his hands at her chin. By setting the image against a red background, above cinematic scenes of brutality, Drexler highlights the threat implied by the male character’s seemingly intimate gesture. In the artist’s words, these popular images were “hidden but present, like a disturbing memory.”

Photographed in the Whitney Museum in NYC.

Recommended Viewing: Rolling Stone, Life and Death of Brian Jones

Brian Jones Movie Poster By Gail Worley
All Photos By Gail Worley

Growing up with an older sister who came of age amid the fever pitch of Beatlemania, I received an excellent education in British rock starting at about the age of five. I knew the music of The Rolling Stones because their hits were all over the radio and, because he was the lead singer, I thought of them as “Mick Jagger’s band.”  For whatever reason, I don’t recall even hearing the name of the Stones‘ original guitarist and foundling member, Brian Jones, until I was in high school, which would have been in the late ’70s. At that time, I was completely obsessed with The Who.
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Movie Review: Bo Burnham’s Eighth Grade

Eight Grade Movie Poster
Photo By Gail

Let’s play a game: would you rather be poked incessantly with sharp objects, or be forced to relive the eighth grade? You might need a minute to think it over. No one wants to be tortured, but eighth grade is a special kind of hell. It only lasts for one year; but what a socially awkward, puberty-riddled, emotionally agonizing year it is. Eighth grade blows, but now you can vicariously cringe your way through the gauntlet that is the last week of middle school for an earnest, 13-year old wallflower in director / writer Bo Burnham’s fantastic debut feature, Eighth Grade. He went back to eight grade, so you don’t have to.

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Recommended Viewing: The Endless

The Endless Movie Poster
All Images Courtesy of Well Go USA Entertainment

If you’ve seen the two previous feature films by writer/director team Justin Benson and Aaron Moorhead, then you understand that these guys enjoy being meta. Both their 2013 breakout sci-fi flick, Resolution, and 2014’s body horror/romance, Spring include references to a common character (“Shitty Carl”) who is never seen onscreen, and the duo even appear together in one scene in Resolution. Impressively, their new film, The Endless, takes meta to a delightfully mind-bending level.

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