For me, it’s always been about the way they sound. It never mattered that Chicago’s Enuff Z’nuff were dismissed by some as a Hair Metal band (like that’s a bad thing) when these guys make music that sounds like a sublime mash-up of The Beatles and Cheap Trick, or a hard rock version of Jellyfish. How can you ever throw shade at that? Fuck.
Gail and Chip Znuff, Summer 2001
In the halcyin days of my former career as a rock journalist, I had some very good times with the band at their shows all over New York, and my interview with bassist/songwriter Chip Z’nuff (who is now also kicking ass on vocals) is one of my favorite conversations Ive had with any musician, ever. If you’ve never heard Enuff Z’nuff before, let this clip for their new single, “Dog On A Bone,” be your introduction to their special magic.
“Dog On A Bone” can be found on the band’s upcoming new album, Clowns Lounge, available December 2nd, 2016 on Frontiers Music Srl. Clowns Lounge is a collection of rarities and early demos that have been reworked and re-recorded by the band. Chip explains, “We had unfinished, unreleased material in the vault, and I went back into the studio in Chicago and started working on all the songs. Guitars, bass, vocals, it all needed to be tweaked, and with help from Chicago Recording Company and Chris Steinmetz of Stonecutter recording studios, we were able to create another rock solid record. It is basically an archival record featuring the original band, and Enuff Z’nuff as it is today. The record showcases the best elements of Enuff Z’nuff in the early days — in-your-face glitter rock with pop overtones. This is a true must have rock record for the diehard Enuff Z’nuff fans worldwide.”
Again, all that matters to fans is how it sounds, which is to say, terrific. Enjoy!
Another One Bites The Dust: Me with Kevin Dubrow, Frankie Banali and Donnie Vie, Summer 2001
Okay, seriously, I’m wondering if it is some kind of cosmic ’80s Metal joke that both Ricky Parent of ENuff Z’Nuff and Kevin Dubrow of Quiet Riot have passed away within one month of each other. As a tribute to Kevin, who died on November 25th, 2007 of a drug overdose, I’ve decided to re-run my review of the re-release of Quiet Riot’s immortal, genre-defining 1983 album, Metal Health. Read on and be enlightened.
(Originally published on Ink19.com, Fall 2001)
Quiet Riot Metal Health (Portrait/Epic/Legacy)
I’ve got a story for you about Quiet Riot.
On a gorgeous summer day this past July, I spent about eight hours hanging out at this big outdoor 80’s metal revival arena rock concert where Poison, Warrant, Quiet Riot and Enuff Z’Nuff were the featured bands. Now, everybody knows I’m a total idiot for that kind of music and, being a journalist, I’ve become pretty good pals with Poison’s drummer Rikki Rockett, and Warrant’s drummer, Mike Fasano. Thus I found myself, Ms. Headbanger’s Ball of 2001, back stage with an All Access Pass. There was no question that having the run of an arena’s back stage area would prove to be a curious thing, but I digress. When I was walking around unsupervised, I met Quiet Riot’s front man, the infamous Kevin Dubrow, when he accidentally caught me checking out his ass. Kevin is amazing-looking up close and has transformed himself from the scrawny, balding speed freak you remember from those 80s Quiet Riot videos into this full-on rock Adonis with a killer six pack and arms to die for. He smells really good too. I felt a little giddy meeting him because – I mean, I’m a fan and everything – but I didn’t expect him to be so handsome. Hair weave or no hair weave, the guy looks 100% better than he did when he was in his 20’s. I’d do it.
Anyway, Portrait Records re-released Quiet Riot’s best album, the multi-platinum selling Metal Health, last fall, but it took me awhile to get around to reviewing it. Sorry.
When I think of Quiet Riot, their venerated cover of Slade’s “Cum On Feel the Noize” leaps to mind immediately. I just can’t help but sing along.
“Cum on feel the noize/Girls rock your boys/We’ll get wild wild wild/Wild wild wild…” lather, rinse, repeat.
Talk about inspired lyrics! How can anyone who was ever young and in love not worship that song? Carlos Cavazo’s guitar solo on the bridge has got to be right up there with anything Eddie Van Halen ever laid down on tape and I’d even put it up against the solo from “Wait” by White Lion!
But Quiet Riot was always about so much more than just big guitar noise and epic macho posturing. I mean, Metal Health, was the first metal album to reach #1 on the Billboard charts! And this was back in the 80’s when the charts were actually an indication of music being any good. Quiet Riot rocked, and they still do.
My favorite Quiet Riot song is “Slick Black Cadillac,” which is from way back when Randy Rhodes (RIP) was in the band. This song was originally recorded for an album that was only released in Japan, but the band loved it so much that they re-recorded it for Metal Health – and thank God for that, because the song just rocks hard enough to crack skulls wide open. I love the lyrics, which are so simple, but paint such a rich picture: “Driving in a slick, black Cadillac/It’s got solid gold hubcaps/It makes me feel like a King/I only need one thing/and that’s a Slick Black Cadillac.” It’s great use of language, where Kevin is as involved in the physical sound of the words as he is in telling the story. No shit — here’s a song about a big black car that sticks with you. A live version of “Slick Black Cadillac” is included here as a bonus track. I could listen to it again and again.
Hearing Quiet Riot’s hard-driving, melodic, anthemic, life-affirming, joyous, crazy party rock amid all the shitty false metal and mind-numbing idiot rock that passes for pop music these days is like oxygen in a vacuum. Metal Health is a sentimental journey connecting the attributes of commercial rock with the sonic muscle of heavy metal, which is what catapulted LA Sunset Strip glam metal to the top of the charts in the first place. This album is perfect. Go out and buy a copy right now.
Ricky, Rikki Rockett, Me and Mike Fasano, Glam Slam Metal Jam at Jones Beach, 2001
I’m a little late to the game on this one but I just found out that Ricky Parent lost his long battle with cancer on October 27th, 2007. He was 44 years old. Ricky played drums for one of my favorite bands, Enuff Z’Nuff and he was a super sweet guy and a great drummer. I first heard that Ricky had cancer a few years ago, when Enuff Z’Nuff’s former manager hooked us up with the idea that I might use my skills as a Reiki practitioner to help Ricky with his recovery. Sadly, we could never make that happen, but until this afternoon I thought Ricky had recovered from his illness. My heart goes out to Ricky’s family, friends and bandmates on hearing this sad news.