Tag Archive | Pylon

Video Clip of The Week: Killing Joke, “Euphoria”



Hey east coast, how about that snow storm yesterday? That was lots of fun, right? I spent the day posting photos of the blizzard on the FaceBook and gleaning my in-box for bitchen new music videos to share with you. Here’s what I found: it’s the appropriately entitled “Euphoria” — another new video from Killing Joke’s latest album, Pylon, which was released this past October. Both the song and the video are pretty fucking excellent.

Much of what was said about the group’s video for “I Am The Virus” — which made an appearance in this very space back in September 2015, also applies here. The goruso sound as menacing and melodic as they did way back  in 1978, or whenever it was that they released “Requiem” as a single, and I lost my teenage mind over its greatness. And Jaz Coleman is still completely fucking insane. You either love Killing Joke or you don’t. I can’t make you have good taste. Enjoy!

Jaz Coleman of Killing Joke
Jaz Coleman (Image Source)

Video Clip of the Week: Killing Joke, “I Am The Virus”



When it comes to making dangerous music that reliably brings the Sturm Und Drang while also maintaining a tenuous grip on melodic pop sensibilities, nobody beats Post Punk/Industrial legends, Killing Joke. While we are not super fond of the current phenomenon known as the Lyric Video, when you have a chance to post new a Killing Joke video, you put your personal preferences slightly off to the side, just as we have long since forgiven Jaz Coleman for allowing one of his band’s most menacing anthems to be used as the theme music for a Short-lived TV Sitcom. Yes, it happened.

I don’t know what to say about “I Am The Virus” except that it provides solid evidence that Killing Joke refuse to compromise on their sound, ever. There is no rap/metal Killing Joke and there is no EDM Killing Joke; there is only hard, fierce aural terror that comes from guys who also know how to play their instruments. What other band that’s been around for over 3o years can you even say that about? I ask yez.

“I Am The Virus” comes from the group’s sixteenth studio album, Pylon, releasing October 23rd, 2015 via Spinefarm Records. Enjoy, bitches.

Killing Joke 2015
Still With All Original Members! Geordie, Jaz Coleman, Youth, and Big Paul

Steven Kasher Gallery Presents Rude And Reckless: Punk/Post-Punk Graphics, 1976-82


Killing Joke, Gang of Four, Bauhaus, Et Al (This Photo by Geoffrey Dicker)

Walking into the Steven Kasher Gallery last night for the opening reception of Rude And Reckless was very much like flashing back to my teenage bedroom, whose walls were plastered floor to ceiling with Punk Rock posters, show flyers, stickers and album cover art until I moved out of my parents house to go to college. Punk Rock – at a time when Punk Rock was really something vital and alive – was everything to me at that time, and I was an avid collector of 7” Punk singles (which I’d pick up by the dozens at Zed Records in Long Beach, California) and punk/new wave badges. A lot of what I collected, and probably still have, seems to have been magically curated into this amazing collection of memorabilia that is sure to delight anyone who has fond memories of the British, New York or LA/Orange County punk scenes in the late ‘70s to early ‘80s. Good times.


Poly Styrene
X-Ray Spex, Oh Bondage Up Yours!, 1977

Rude and Reckless: Punk/Post-Punk Graphics, 1976-82 is the first New York exhibition surveying the extraordinary diversity of Punk and Post-Punk graphic design. The exhibition showcases a wide range of American and British artistry, with influences that include the Bauhaus, Futurism, Dadaism, Pop Art, Constructivism and Expressionism. The exhibition features over 200 rare posters, along with fanzines, flyers, clothing, badges and stickers.


Malcolm Garrett & Linder Sterling
Buzzcocks, Orgasm Addict, 1977
Vintage Poster

Rude and Reckless documents an era that produced a great burst of applied graphic-design creativity, one of the most subversive of the 20th Century. Vivid, violent and frequently acid-tongued, the works in this exhibit represent one of the truly authentic DIY youth culture movements of the Western World. The exhibition is timed to coincide with the 35th anniversary of Punk Rock; both the release of the first Ramones album, and the mythical (and notorious) Anarchy in the UK Tour were seminal punk events in 1976. The exhibition is based on the collection Andrew Krivine, who began collecting in 1977. Curated by Krivine and Steven Kasher, the selection comprises the rarest and finest examples culled from an archive of more than 800 punk/new wave/post-punk posters and ephemera.

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