SacSix is a Miami born artist now living in NYC. His #SidewalksAndIcons street art series explores pop culture icons, past and present, and their relationship with the streets of New York. This image of the late Amy Winehouse as an enhaloed Statue of Liberty was spotted on a boiler truck parked on Avenue B, across the street from Tompkins Square Park. Get a detailed look at the piece in the photo below.
I love comedian Craig Ferguson as the host of CBS’s The Late Late Show, but can rarely stay up late enough to watch it, so I was excited to have the chance to see Craig do Stand up at NYC’s best performance venue, Radio City Music Hall. Ferguson is so off the wall and charming, so I suspected he would put on a pretty good show, and I was not disappointed.
What stood out most for me was that Craig’s jokes are some of the most original bits I’ve heard in a stand up routine. I hadn’t heard any of them before, either on his talk show or via YouTube clips, so everything was totally fresh and hilarious.
While a bit in which Craig debated the correct pronunciation of the word “Clitoris” went on kind of longer than it needed to, he did manage to incorporate a distinctive and highly memorable hand gesture culled from that routine (you’ll recognize it if you see his act) into bits about Warren Beatty and possibly others as well. Hysterical! My friend, Jamie and I continued to make that gesture to each other while we hung out after the show! We were laughing so hard for well over an hour, and you know how you can hardly ever recall specific bits from a show like this after you leave the theater, because it moves so fast, but many jokes — such as his bit about Actors going to Rehab and a Drew Carry Joke that took him the entire length of the set to finish telling — stood out. Craig is awesome and I would see him again.
We also enjoyed the opening act, Josh Robert Thompson, who you will recognize as the voice of Craig’s Late Late Show gay robot skeleton Side Kick, Geoff Peterson. Thompson does spot on Morgan Freeman impersonation and his ability to actually transform his face into that of a young Robert Deniro for his “Happy Birthday to Me” bit was just amazing.
A publicist recently asked me what bands I’m currently listening to – and I know she expected me to name some “new” bands, but I had to confess that the bulk of music I’ve been loading on my iPod or adding to my collection in recent months is music from the 1970s. Because, from The Beatles through Glam, Prog Rock, Classic Rock, Hard Rock, the onset of Electronica, Punk Rock and New Wave, the Seventies really had it all. This realization actually brought back an awkward memory of the time an editor (whom I still affectionately refer to as Iron Nuts) accused me of being “desperate to like a modern band.” Okay, guilty as charged. Still, I’m not going to apologize for it.
One modern band that I do like a lot is Black Stone Cherry. I’d own all of their records even if I didn’t get them for free from their label, and I try to see the band play live when they come to New York City. So, I felt very fortunate to get on the guest list to see these remorselessly southern rockers from Kentucky kick out a super tight but exhilarating 45 minute set last week, in support of the Sammy Hagar-fronted all star contingent Chickenfoot. Making sure to please both faithful and new fans, Black Stone Cherry’s three albums (2006’s eponymous debut, 2008’s Folklore and Superstition and 2011’s Between the Devil and the Deep Blue Sea) were equally represented within an eclectic 10-song set list.
Black Stone Cherry maintain a gritty enough modern edge to do battle with the fiercest head bangers, but what they remind me of at their creative core is The Allman Brothers with a touch of Hendrix. Surely no one could find fault with that. And any doubt of the veracity of this groups’ southern rock roots is laid to waste with Deep Blue Sea’s exceptional cover of The Marshall Tucker Band’s “Can’t You See,” on which Black Stone Cherry pay deep homage to the original tune while completely making it their own. It’s easy enough to casually toss out a phrase like “The Real Deal” when describing a blues-based rock band, but I’m not fronting when I say that Black Stone Cherry does their old school mentors proud in their ability to rock out and entertain without the need for any added bells and whistles. These guys just love music; and it shows. Front man Chris Robertson, who effortlessly tackles lead vocals and lead guitar owns a seasoned but fluid voice that delivers both rockers and ballads with equal power and finesse. As a front man, he’s cute but also burly and masculine. I dig his vibe. While bassist Jon Lawhon stays mostly anchored to the stage, his fretwork is top shelf, and it’s a lot of fun to watch rhythm guitarist Ben Wells work the stage, tirelessly leaping atop monitors, engaging the audience and heightening the energy of the room. But for me, the superstar of the band is drummer John Fred Young, who channels the thunder power of John Bonham in his attack on the kit while fully capturing the showmanship of a crowd-pleasing player like Tommy Lee. Young’s arms never stop moving. I could watch him play drums all day. Plus: Hot.
Black Stone Cherry had me and the rest of the crowd on our feet for most of their set (impressive for an opening act), and I love all of their songs, but the most memorable tune of the evening, I think, was “Blame It On The Boom Boom,” which, despite being somewhat dorky, keeps the decadence of the Rock Star Lifestyle alive with its message about the joys of bonking and getting wasted, or something like that. I doubt that any of these guys are Motley Crue-level partiers, but it certainly wasn’t lost on me that they chased “Boom Boom” with few bars of Amy Winehouse’s “Rehab” – a song I would love to see them cover on a future album.
See the Set List after the Jump!
Just when Steve Tyler is finally getting clean for the umpteenth time, Urban Outfitters brings us the thrilling board game adventure, Rock Star Rehab, where the most tragic players become the most famous winners! Just roll the dice and move your drunken rocker around the board, stopping at LA nightclubs, VIP parties… even jail! The goal of the game: to make your way through Rock Star Rehab! No word yet on whether the game pieces feature miniature replicas of Amy Winehouse, Vince Neil and Pete Doherty.
“Getting Sober is Fun!”