Tag Archive | Waterfall

Felix Gonzalez-Torres, Untitled (Water) at the Brooklyn Museum

Water
All Photos By Gail

Felix Gonzales-Torres (1957 – 1996) ever-generous artworks invite viewers to participate in them — by eating candy from a gleaming pile of sweets making up one of his works, for example, or removing a poster from an endlessly replaceable stack of paper. Yet despite their decisive ephemerality, these works are imbued with both personal and political undertones. While invoking the allegedly content-free vocabulary of minimalism, Gonzalez-Torres nonetheless subtly hints at possible meanings through parenthetical subtitles he assigned to each untitled work.

Water

The luminous, blue-beaded curtain Untitled (Water) evokes images of an aquatic landscape but also dreams of travel and escape. The strings of faceted, blue plastic beads have as their source the humble curtains often found in bodegas, but when stretched across the expanse of the entrance-way, the shimmering strands resemble a waterfall. Installed in the lobby of the Brooklyn Museum, Untitled (Water), 1995, serves as a threshold, a place of passage, marking off the activity of the street from the theater of the exhibition.

Water Detail
Water, Detail

Water

Fatal Attraction: Photographs By Piotr Uklański at the Met

Lips
All Photos By Gail

During our most recent Art Safari to the vast and spectacular Met, we were thrilled by Fatal Attraction, an exhibit of photography from the New York–based artist Piotr Uklański (born Poland, 1968). This exhibition, the first to survey Uklański’s photography, locates his work with the camera at the center of his artistic practice. Reveling in moribund or marginal artistic languages from a position at once ironic and sincere, the artist simultaneously subverts and pays homage to defunct modes of expression.

Flame

Uklański’s underappreciated yet historically significant series The Joy of Photography (1997–2007) explores clichés of popular photography using the kitschy subjects and hackneyed effects of Eastman Kodak’s how-to manual for the serious amateur.

Geese
Swans, Intentionally Blurry

Whereas artists of the 1980s, such as Richard Prince, appropriated such images by rephotographing them to reveal their constructed nature, Uklański remade them, in a manner akin to slightly irreverent cover versions of songs that bring out hidden or repressed aspects of his source material.

Psychedelic Skull and Crossbones

In this way, the artist both acknowledges appropriation’s endgame — that there are no new pictures under the sun — while creating a space for the creation of new works.

Waterfall

As an example, here is a blurb from the exhibit that accompanies this photograph of a Waterfall.

“As a photographic subject, the waterfall is so ubiquitous that it is invisible – a natural form that has been subsumed into an image via millions of snapshot mementos, postcards, and artistic renderings. Instead of looking for the impossible – a “new” picture of a waterfall – Uklanski presents the viewer with a dutifully exact representation of the camera’s capabilities as prescribed by Eastman Kodak – until the 1980s, as powerful a shaper of how Americans saw the world as Disney or any presidency. In conflating the roles of the amateur, professional and fine artist, Uklanski was also commenting, ironically – from a European perspective – on how Americans can turn even leisure activities into forms of work and self-improvement.”

Sunset

Tulips
Tulips, Intentionally Blurry

Fatal Attraction: Photographs by Piotr Uklański, will be on Exhibit Through August 16th, 2015 in Gallery 851, 2nd Floor of the Metropolitan Museum of Art, Located at 1000 Fifth Ave at 81st Street, New York, NY.

Fatal Attraction Signage

Bacon Thing of The Day: Bacon Heaven

Click on Image to Enlarge!

MC Escher’s Waterfall Becomes a LEGO Sculpture!

The World of MC Escher: Waterfall
How impressive is this!

MC LEGO

Thanks to Frank at OMG Blog for the tip!