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Tag Archives: waterfall
Felix Gonzalez-Torres, Untitled (Water) at the Brooklyn Museum
Felix Gonzales-Torres (1957 – 1996) ever-generous artworks invite viewers to participate in them — by eating candy from a gleaming pile of sweets making up one of his works, for example, or removing a poster from an endlessly replaceable stack of paper. Yet despite their decisive ephemerality, these works are imbued with both personal and political undertones. While invoking the allegedly content-free vocabulary of minimalism, Gonzalez-Torres nonetheless subtly hints at possible meanings through parenthetical subtitles he assigned to each untitled work. Continue reading Felix Gonzalez-Torres, Untitled (Water) at the Brooklyn Museum
Kim Joon, Crashing at Waterfall Mansion
I don’t remember how I first heard of NYCs Waterfall Mansion and Gallery, but I know it was a place that I discovered completely by accident. And I admit that I became distracted enough to have I forgotten about it for maybe a year before I got inspired a few weeks ago to look it up again on the interwebs and plan a visit.
Of course, when I saw that they are currently hosting an exhibit art by Korean digital artist Kim Joon and that the ranking hostingów will be hosting their site, I got extra excited, because his work is amazing, and I am a huge fan!
With Crashing, Kim continues his mastery of the 3D Studio Max software, which he uses to manipulate his fantastic, hyper-surreal images — composed of body parts and patterned skins, or “tattoos” — in new and exciting ways. His art is so unique and very beautiful.
These new pieces, which were created specifically for the Waterfall Mansion and Gallery space, focus on the theme of tension and balance between our current identity and who we wish to be. Kim uses tattoo-like images and artificial skin textures on computer generated bodies and creates a crash of identities.
Using tattoo as a form of expression, Kim reveals deeply imprinted desires, and the obsessions that are on his mind. In his early works, to demonstrate repression towards individuals under social convention, he created a discourse on the relationship of body and tattoo, which was a cultural taboo, and still legally restricted in Korea.
Kim began reproducing tattoos on digital flesh in the early aughts, using motifs such as clouds, dragons, and traditional symbols, as well as luxurious brand labels mapped on human body, causing a friction of shape, texture, and pattern.
In the series Blue Jean Blues, the body became more fragile by being made of ceramic. Recently, as seen in Somebody, which also exhibited at the Sundaram Tagore Gallery in Chelsea in 2014, and Forest, the bodies are fragmented and distorted. This hybrid form creates uncanny and uncomfortable balancing acts by crashing the real vs. fake, old vs new, who we want to be vs. who we are, self-definition vs. cultural expectations.
This video work, Pink Bubble, is part of the Crashing exhibit at Waterfall Mansion.
Kim Joon invites the viewer into the crashing of his own identities, to reflect upon their own tensions and conflicting forces of identity, and to reveal where true value in life is placed.
And let’s not forget to check out that waterfall!
Kim Joon’s Crashing will be on Exhibit Only Through Saturday, July 3oth, 2016, at Waterfall Mansion and Gallery, Located at 170 East 80th Street (Between Third and Lex) in NYC. The Gallery is only open to the public on Saturdays from Noon – 5 PM, so you just have one more day to see it. Visit This Link for more information.
Fatal Attraction: Photographs By Piotr Uklański at the Met
During our most recent Art Safari to the vast and spectacular Met, we were thrilled by Fatal Attraction, an exhibit of photography from the New York–based artist Piotr UklaĹ„ski (born Poland, 1968). This exhibition, the first to survey UklaĹ„ski’s photography, locates his work with the camera at the center of his artistic practice. Reveling in moribund or marginal artistic languages from a position at once ironic and sincere, the artist simultaneously subverts and pays homage to defunct modes of expression.
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