The Most Beautiful Daughters (after Balthus) By SHAG (All Photos By Gail, Click on Any Image to Enlarge for Detail)
Do you enjoy the artwork of Josh Agle — AKA SHAG? I sure do. In fact, the very high point of last week’s art crawl was the opening reception of SHAG’s latest exhibit, All My Bones at Jonathan LeVine Gallery’s 23rd Street space. Nicole and I enjoyed looking at the paintings and pretending they depicted favorite scenes from episodes of Mad Men. When you look at the photos in this post, I think you will understand why.
With a distinct style influenced by mid-century modern design, Agle paints with a keen attention to figure and form. Depicting stylized subjects in affluent settings he invites viewers into a playful yet satirical world, confronting themes of fame, youth, revelry and excess. With a paradoxical central narrative influenced by Biblical stories, All My Bones epitomizes the artist’s retro aesthetic and expands upon his sophisticated iconography.
The Queen of Sheba, featuring Don Draper, Megan Draper and Roger Sterling!
Spy Pic of SHAG (foreground, second from left) taken by me at the Opening Reception. He was very nice!
Rendered with vividly saturated colors, crisp shapes and fluid line work, Agle’s works sardonically look at consumption and consumerism. His extravagant subjects are surrounded by lavish architecture, fashion and furnishings but are apathetic toward their opulence, predominately portrayed as expressionless and emotionally detached.
The pieces in All My Bones were inspired by a book of Old Testament stories Agle had as a child. He recalls, “What seemed like straightforward morality plays told in simple language and pictures meant for children turned out to be complex, grotesque and ethically confusing stories when I read them in the Bible as I got older.”
The Most Virtuous Family (Note: Possibly the First Depiction of a “Selfie” in an SHAG Paining!)
In this series demonic characters, blazing flames and kingly lions are placed within the hedonistic atmosphere of a SHAG painting with the goal of reinterpreting these fables in such a way that will keep the imagery as morally ambiguous as the source material.
Installation View Left to Right: Ahab’s Wife, Woman with False Idol III, Ethbaal’s Daughter
The detail in these paintings is just fantastic and photos cannot even do them justice, so if you are intrigued you need to check out this show in person.
Dagon’s Pad (Note: SHAG Autograph Procured at the Opening)
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