Modern Art Monday Presents: Augustina Woodgate, National Times

Augustina Woodgate National Times
All Photos By Gail

National Times (2016 / 2019) by Augustina Woodgate (b. 1981) is a closed-circuit network of clocks synchronized directly by the power grid. Since the Industrial Revolution, schools, factories, hospitals, and offices have used this kind of network architecture — referred to as a “master/slave” configuration — to keep consistent time.

National Times

A single digital master clock sends power signals to a series of analog slave clocks, commanding synchronized measure across an entire institution. The master keeps steady time based on a pulse    transmitted directly from the local power grid, whose frequency is aligned with the atomic clock at the National Institute of Standards and Technology, which establishes official United States time.

National Times

Here, the hands of the slave clocks have been outfitted with sand paper. As National Times progresses, the minute hands of the slave clock scrape away the numerals on their faces until they are completely erased. Conditioned by the current state of labor and power, the slave clocks progressively erode their functional value, collectively reclaiming autonomy in the process of disintegration.

National Times
National Times, Installation View

Photographed as Part of the 2019 Biennial Exhibit at The Whitney Museum in NYC

Advertisements

Please Leave a Comment!

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.