For Venezuelan artist Antonieta Sosa, Ajedrez Visual(Visual Chess), 1965, was “like my spinal column or my umbilical cord, uniting me to painting.” Scattered pops of color interrupt the regularity of the black grid, animating it with the playful movement suggested by the work’s title.
At times, these contrasting hues prompt an optical flickering or afterimage. To Sosa, such retinal effects underscore vision as a dynamic physiological process. Thus, Visual Chess foreshadows her eventual decisions to “come down from the wall” to engage with real space and bodies in the form of sculpture, performance and installations.
Artist Chuck Close is renowned for his highly inventive investigations into how we process information. Celebrated internationally, Close uses the absolute minimum amount of information necessary to render likenesses. In the new works for his sixteenth exhibition with Pace, entitled Red Yellow Blue , Close continues his involvement with the grid as an organizing device, creating full-color paintings out of only cyan, magenta, and yellow pigments, and layering colors in singular brushstrokes; applying multiple thin washes of red, yellow and blue paint in each cell of the grid, until they accumulate into extravagant full-color images. Continue reading Chuck Close, Red Yellow Blue at Pace Gallery→
Urban Light, 2008, Los Angeles County Museum of Art(Photos By Gail)
This forest of city street lights, called Urban Light, was created by artist Chris Burden. Despite initial appearances, the arrangement is not a perfect grid. Depending on where the viewer stands, the lamps arrange themselves in different angles and arrays.
These 202 cast iron lamps once lit the streets of Los Angeles. Burden bought one at the Rose Bowl flea market, and soon collecting and restoring street lights became an obsession. He painted them all the same neutral gray, in order to draw the eye to all the different varieties of cast iron decoration.
Burden says that street lamps like these were symbols of a civilized and sophisticated city; safe after dark and beautiful to behold. The lights all still work, and they are now powered by solar energy. They are switched on every night from dusk until dawn. At night, Burden says his sculpture becomes transformed into “a building with a roof of light.”