Throughout the 1800s, playing the piano was considered obligatory for the educated and upper class, and many artists depicted girls and women at the piano. Although little is known about the relationship between Berthe Morisot and her subject, Lucie León spent the majority of her childhood training to be a concert pianist. Yet rather than depicting León from behind or in profile — as so many of her male peers do in their portrayals of female pianists — Morisot renders the young artist mid-recital without any visible sheet music, a virtuoso in command of both her instrument and our gaze.
Lucie León at the Piano (1892) was Photographed as Part of The Exhibit Women Artists In Paris at The Clark Institute, Located in Williamstown, Massachusetts.
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