Tag Archives: Bob Ezrin

Recommended Viewing: Super Duper Alice Cooper

Super Duper Alice Cooper Poster

I’m going to assume that everyone reading this not only knows who Alice Cooper is, but is also aware that “Alice Cooper” was originally the name of a band with five guys in it. If you don’t know that much, you need to do your homework. Aside from getting your hands on Bob Greene’s long out of print book, Billion Dollar Baby, this film is as good a place as any to get schooled.

Although many only know Alice Cooper as an individual solo artist and Pop Culture icon, there are legions of devoted fans who are deeply dedicated to the music, history and memory of the Rock & Roll Hall of Fame-inducted original band called Alice Cooper – a group that recorded seven groundbreaking gold and platinum-selling albums of original material and set single concert attendance World Records before disbanding in late 1974. For that latter group, let me speculate now that there will never be a better-made, more authentic public vehicle for telling the story of that original band, in as close to the ‘true story’ as possible, than this film. If the statement “Alice Cooper was a Band” resonates with you, then there is no way you will want to miss seeing this film.

Super Duper Alice Cooper is a highly entertaining documentary that aims to tell the life story of Vincent Furnier, the lead singer of the band Alice Cooper, who took the name as his own when the group disbanded. Vince/Alice’s story is told via first person voice over and vintage interview clips with Alice, but Alice Cooper band bassist Dennis Dunaway (whom Furnier met in high school) and drummer Neal Smith, who joined the band when they were still called The Nazz, also contribute to its engaging narrative. Furnier’s early days playing in local Phoenix bands with Dunaway and AC co-founder and lead guitarist, the late Glen Buxton are discussed in fairly minute detail, so you get a really good idea of the struggle that these guys went through on their way to becoming the biggest band in the world. Oddly, rhythm guitarist and primary songwriter, Michael Bruce is never mentioned by name even once in the film.

The most enjoyable parts of the film, for me, were the up-and-coming story of the band, its transition into becoming Alice Cooper, and the insane live performance footage, 90 percent which I would guess has never been shown in public before. It is one thing to read about how the band Alice Cooper invented Shock Rock, but it is an entirely different animal to see it play out before your eyes. No wonder that fans who were lucky enough to see the band live 40 years ago still talk about those shows to this day.

I’d say that a good 80 percent of Super Duper Alice Cooper is dedicated the formation and disintegration of the band (and holy shit, what a great fucking band they were), with the other 20 percent covering Alice’s budding solo career, alcoholism, cocaine addiction and recovery. So, there’s something for everyone. Consult Google to find a showing in your area, or wait for the DVD release. Either way, you gotta see this film.

The Worley Gig Gives Super Duper Alice Cooper 5 out of 5 Stars!

Classic Alice Cooper Album Billion Dollar Babies To Be Released On Hybrid SACD On February 4, 2014!

B$B Dollar Bill

Alice Cooper fans worldwide rejoice! Marshall Blonstein’s Audio Fidelity is releasing “…one of the best rock ‘n’ roll records of all time” – the band called Alice Cooper’s classic album Billion Dollar Babies on Hybrid SACD (Super Audio CD) on February 4, 2014! As a bonus, along with the meticulously reproduced artwork, enclosed in every CD is the very collectible replicated Billion Dollar Bill that was Included in each original vinyl album.

With Billion Dollar Babies, the band called Alice Cooper refined the raw grit of their earlier work in favor of a slightly more polished sound, resulting in a mega-hit album that reached the top of the US and UK album charts. It’s impossible to overstate how popular the band had become by the time their sixth album was released. The album is brilliant, decadent and encapsulated all the celebrity trashiness of the ‘70s only three years into the decade.

Song for song, Billion Dollar Babies is probably the original Alice Cooper group’s finest and strongest work. The album’s singles “Elected,” “Hello Hooray,” “Billion Dollar Babies” and “No More Mr. Nice Guy” all became hits on the Billboard Hot 100. Also included are a pair of perennial concert standards – the disturbing necrophilia ditty “I Love the Dead” and the chilling macabre of “Sick Things.”

After the album was released, the band embarked on a tour which broke the US box office records previously held by The Rolling Stones. The show climaxed with a guillotine execution of Alice. The album and the tour made the band into the world’s preeminent pied pipers of teenage trash culture and the most successful rock band ever to be loathed by American parents.

“Other than the original ‘Alice Cooper Band’ being inducted into the Rock and Roll Hall Of Fame in 2011, our second biggest achievement was when our album Billion Dollar Babies went to Number #1 in all three music trade magazines at the same time in April of 1973. Number #1 in Billboard, Number #1 in Record World and Number #1 in Cash Box. We had hoped it would sell Gold or Platinum as a follow up to the success of our album School’s Out, but a Number #1 album was something that was totally unexpected. Over the years the title track “Billion Dollar Babies” has become my signature song because of the recognizable drum intro.”

– Neal Smith, Alice Cooper drummer and founding member

“I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, ‘It’s amazing, we’re really pulling this off’. The album was very, very unique and very, very different. I was really proud of the songs, especially ‘No More Mr Nice Guy’, ‘Billion Dollar Babies’ and ‘Generation Landslide’.”

– Michael Bruce, Alice Cooper guitarist/keyboardist and founding member

TRACKS:
1. Hello Hooray
2. Raped and Freezin’
3. Elected
4. Billion Dollar Babies
5. Unfinished Sweet
6. No More Mr. Nice Guy
7. Generation Landslide
8. Sick Things
9. Mary-Ann
10. I Love the Dead

Produced by Bob Ezrin, Mastered by Steve Hoffman at Stephen Marsh Mastering.

To purchase, visit This Link.

B$B SACD

Alice Cooper Debuts Tracks From Upcoming Welcome 2 My Nightmare CD

Alice Cooper’s long-awaited sequel to his 1975 classic Welcome to My Nightmare comes out on September 13, 2011, but Alice will preview select tracks in their entirety and offer his personal commentary on his syndicated Nights with Alice Cooper radio show on Friday, August 19th. Coop kicks off the program with the world debut of W2MN’s first single, “I’ll Bite Your Face Off” (written by original Alice Cooper drummer Neal Smith) and he’ll pick other favorites from the 14-track album, including “Runaway Train” and “I Gotta Get Outta Here” to tease and talk about during the show. W2MN, recorded with longtime collaborator Bob Ezrin (who produced the original multi-platinum Welcome To My Nightmare album in 1975), picks up right where they left off.

Continue reading Alice Cooper Debuts Tracks From Upcoming Welcome 2 My Nightmare CD

Original Members of the Alice Cooper Band Record New Material for Cooper Solo Album

Alice Cooper in 1972: Neal, Alice, Michael, Dennis and Glen

Hello, Hurray! Fans of the original 1970s band Alice Cooper are about to have one of their long-hoped-for dreams come true. The band’s four surviving members, guitarist Michael Bruce, bassist Dennis Dunaway, drummer Neal Smith and vocalist Alice Cooper (lead guitarist Glen Buxton passed away in 1997) spent two days in September at a NYC studio recording three original tracks for Cooper’s next solo album. Rumored to be a follow-up to Cooper’s first solo effort, 1975’s Welcome To My Nightmare, the album is due to be released in the fall of 2011. These sessions were the first to feature all members of the original Alice Cooper band since the group recorded its 1974 swan song, Muscle of Love.

At the board for these sessions was studio legend Bob Ezrin, who not only produced the band’s commercial breakthrough, 1971’s Love it To Death (featuring the hit single “I’m Eighteen”), but who was also responsible for producing several of their other classic hits, including School’s Out and their most popular and commercially successful album, 1973’s Billion Dollar Babies. Ezrin has also produced many solo albums for Alice Cooper the individual since the band’s breakup. Ezrin, whose exhaustive body of work includes landmark albums such as Pink Floyd’s The Wall, has been quoted as saying that the work he did with the Alice Cooper Band in the seventies gave him his career. It is also rumored that rock photographer Bob Gruen, who took many photos of the original band back in the day – including promotional shots for Muscle of Love featuring the band dressed in identical sailor suits – made an appearance to visually document the band hanging out in the studio.

Those Alice Cooper band devotees still hoping for a reunion that would see the band perform live can hold out hope that Smith, Dunaway and Bruce make good on rumors that they will join Cooper this coming December in Phoenix, AZ for his annual Christmas Pudding charity concert event.

Gail In Print: Modern Drummer, September 2006

md september 2006
Not Bobcat Goldthwaite

Dave Lombardo of Slayer is looking very much like comedian Bobcat Goldthwaite on the cover of the September 2006 issue of Modern Drummer Magazine. Inside, on page 150 and continuing for seven glorious, glossy pages you will find my current masterpiece: an in-depth interview with the extraordinary Ray Luzier. Continue reading Gail In Print: Modern Drummer, September 2006