In 1995, the Isaac Mizrahi documentary Unzipped was released and it was an immediate hit. Unzipped details the making of Mizrahi’s 1994 fall collection, which was partly inspired by the groundbreaking 1922 documentary, Nanook of the North.
In one dramatic scene, Mizrahi appears crestfallen to learned that designer Jean Paul Gaultier has also produced and ‘Eskimo-inspired’ collection — but Mizrahi need not have worried. His ebullient and cheerful take on Arctic chic — which include Technicolor Parka’s and billowing, vibrantly striped even skirts — in no way resembled Gaultier’s more literal adaptations.
Lumberjack Evening Ensemble, Parka Hood Detail
Photographed at The Museum at FIT in October 2017 as Part of the Exhibit, Expedition: Fashion From The Extreme.
Cannabis, weed, or whatever you call it, has been a part of popular culture and entertainment for centuries. A lot has been said about this plant; discover here what stands out from the rest when it comes to weed on the screen!
Making a Story
These stories have documented the rise of the cannabis industry from obscurity to legitimate business ventures through the CBD products that do not have THC – the psychotropic ingredient that gives the feeling of being high. The latest installments will have you considering the multiple benefits of starting a business with certified CBD hemp seed for sale and making it in the industry yourself.
Settling down to watch an interesting, thought-provoking documentary is a way of learning something new. As you are probably held in quarantine right now, you might be missing sports, if you are a fan. Currently, everyone is buzzing on the recently launched Netflix documentary about Michael Jordan’s golden era, The Last Dance. However, if you are looking for similar documentaries to keep you entertained, we got you covered.
Growing up with an older sister who came of age amid the fever pitch of Beatlemania, I received an excellent education in British rock starting at about the age of five. I knew the music of The Rolling Stones because their hits were all over the radio and, because he was the lead singer, I thought of them as “Mick Jagger’s band.” For whatever reason, I don’t recall even hearing the name of the Stones‘ original guitarist and foundling member, Brian Jones, until I was in high school, which would have been in the late ’70s. At that time, I was completely obsessed with The Who.
One afternoon, I was pouring over an interview in Circus magazine with Who guitarist Pete Townshend, in which he cited Brian Jones as a key influence; not only on his playing, but on his personal image and sense of style. Townshend also mentioned having written and recorded a song called “A Normal Day for Brian, A Man Who Died Every Day” — the title based on an off-the-cuff quote he’d given to a reporter on hearing about Jones‘ untimely death in 1969. And I very distinctly remember pausing to think, Who the fuck is Brian Jones, because I had no clue. What I realized though is that if Pete Townshend — who was like a god to me — held him in such reverence that he wrote a song about him, then I need to do my homework. Sadly, the Internet did not exist in the seventies, so the life of Brian Jones remained a mystery to me beyond what I could glean from listening to his work with the Stones, which spans many studio albums including Their Satanic Majesty’s Request, which is a work of genius.
For decades Jones’ death at age 27 was ruled to be an accidental drowning: he was an admitted drug user, and there appeared to be no reason to suspect foul play. It took the 2005 biopic, Stoned (which features great performances and excessive nudity – two thumbs up) to explore an alternate version of Jones‘ demise, based on the deathbed confession of his (alleged) killer Frank Thorogood, who was employed as a builder at Jones‘ estate. Now, an exhaustive new documentary directed by Danny Garcia gives equal time to both Brian Jones‘ extraordinary life and his mysterious, controversial death.
Rolling Stone: Life and Death of Brian Jones, which I was fortunate to see at a NYC screening in late January, is a wildly engaging and meticulously researched documentary that I believe any music fan — whether or not they even know who Brian Jones‘ was — would enjoy viewing. Pardon the pun, but while the surviving Rolling Stones declined to participate in the making of this film, no ‘stone’ was otherwise left un-turned by Garcia in his quest to paint a complete picture of a vastly talented and charismatic musician who remains a juggernaut of pop future influence four decades after his death.
Life and Death of Brian Jones tells its story through archival footage augmented by dozens of first-hand interviews with the people who knew Jones personally — his friends, family, and fellow musicians — so the viewer really gets to know what Brian was like as a person from childhood through adolescence and adulthood. We learn that Brian was musically gifted, headstrong and rebellious from an early age (he had fathered 3 illegitimate children by age 19!) as he grew into the original Bad Boy of Rock and Roll who set trends on and off the stage, and raised the bar very high for living a hedonistic lifestyle. It’s truly amazing how much he accomplished in his short life.
The film also dives deep into the circumstances and the aftermath of Brian’s apparent drowning, including various conspiracy theories and documented evidence, building a very compelling case that Jones did not suffer a death by misadventure but, rather, was murdered; and there are more than a few suspects. Equal parts nostalgia-inducing, pop culture time capsule and riveting true-crime procedural, Rolling Stone, Life and Death of Brian Jones, is a story that likely took as long as it did to tell because Danny Garcia — who specializes in making films about controversial music icons — was the only filmmaker who could do it justice. It’s a film that will haunt you, as you think on who Brian Jones was, and who he might have become had he lived.
Rolling Stone, Life and Death of Brian Jones, will receive a very limited, select-market run of theatrical screenings in April 2020 before the film’s release on DVD later that month. Check the website of your favorite local Art House theater to find out if it will be playing in your area, and watch the trailer below:
Brazilian artist Eduardo Kobra continues to make the rounds in NYC, but this mural, entitled Black or White, of Michael Jackson’s Face as both a child and an adult actually went up some time ago, in late August of 2018. I have walked by it a bunch of times and that orange food truck is always there, so it’s hard to get a clear shot. Continue reading Michael Jackson Mural By Kobra→