While I was in California over the Christmas holidays, I was fortunate to be able to check out the Stanley Kubrick Career Retrospective at LACMA – which was just amazing! I absolutely loved the exhibit and took a bunch of pictures, some of which I’ll share with you in this post.
As the museum’s website concisely describes the exhibit: “Stanley Kubrick was known for exerting complete artistic control over his projects; in doing so, he re-conceived the genres in which he worked. The exhibition covers the breadth of Kubrick’s practice, beginning with his early photographs for Look magazine, taken in the 1940s, and continuing with his groundbreaking directorial achievements of the 1950s through the 1990s. His films are represented through a selection of annotated scripts, production photography, lenses and cameras, set models, costumes and props.
In addition, the exhibition explores Napoleon and The Aryan Papers, two projects that Kubrick never completed, as well as the technological advances developed and utilized by Kubrick and his team. By featuring this legendary film auteur and his oeuvre as the focus of his first retrospective in the context of an art museum, the exhibition reevaluates how we define the artist in the 21st century, and simultaneously expands upon LACMA’s commitment to exploring the intersection of art and film.”
Below is a selection of my photos from the show, representative of an overview of the exhibit. Enjoy!
Above and Below, 2001 Miniature Model Set
Kubrick’s epic period drama, Barry Lyndon, is represented mostly by its lavish costumes. Barry Lyndon is a fantastic film if you have three hours to devote to a viewing.
Signage and Props from the Korovoa Milk Bar scene in A Clockwork Orange — My favorite movie of all time!
Droog Costume worn by Malcolm McDowell as Alex, A Clockwork Orange. Notice the skewed shadow of the baton against the wall.
Alex’s Turntable. Trivia: the British band Heaven 17 took their name from the pre-orgy record store scene in this film.
The Shining Production Stills. Note the emphatic use of the color red, which Kubrick employed in each of his films to heighten the emotional impact of certain scenes.
The Shining’s Grady Sisters Dresses and Shoes
Masks from Eyes Wide Shut
AI Set Rendering
Stanley Kubrick Runs Through June 30, 2013 in the Art of the Americas Building, Level 2 at LACMA, 5905 Wilshire Blvd, Los Angeles, CA 90036. Admission to the Exhibit, which includes Admission to all Galleries, is $20.00.