Tag Archive | Ian Koss

Worleygig Dot Com Celebrates Soft Re-launch With a Hot New Look

Worleygig Illo by Dean Haspiel
Worleygig Avatar By Dean Haspiel

Greetings friends and fiends. You may have noticed that we underwent a facelift over the weekend. What you see now is leaner, meaner Gig where we will bring you even more rad Pop Culture Happenings, News and Event Reports in a virtual environment with much less clunk in the trunk.

Many of the old dead service pages that nobody ever looked at have been eliminated and I am in the process of updating the Interview archives for your perusal. Oh, the Radness.

Worley Gig is now hosted by WordPress, having escaped the tyranny of our former Hostage Company, so you should no longer experience any messages that the site is down, as had been the case with our former host. Special thanks to Ian Koss for the new site design and supervision of the move.

Worley Gig Dot Com Turns Ten in June, so stay tuned for more good times ahead and thanks for your readership!

Please become a fan on FaceBook if you aren’t already and don’t forget to follow me on Instagram!

Origami Yoda

Origami Yoda

Thanks to Ian Koss For The Tip!

We Are Moving

moving-day

Due to persistent and chronic hacking of this site by an unknown entity that hates bacon and all things Rad, The Worley Gig will be moving to a new host server some time this weekend. We would like to take this opportunity to thank Ian Koss at the wonderful UBI Korp for his years of devoted, cheerful service and unfailing, proactive willingness to troubleshoot a problem that, unfortunately, proved to be just too confounding to warrant much more of anybody’s time trying to solve. The ‘Gig may experience a few hours of downtime while the move takes place, so please come back later if we are found to be temporarily unavailable.

Thank You, Please Drive Through.

The Other Way of Not Stopping: An Interview with Stewart Copeland

stewart copeland circa 2006
I don’t care what anybody says about Sting being some kind of a Sex God: Stewart Copeland is smokin’ hot!

“I’m a cartoon American, with a deep understanding of the English psyche. I went to British boarding school. As an adult I was in England. My band, The Police, was an English band, I broke out of England. I’m more English than I care to admit. Although, like I said, I’m American, goddamit.”

The (former) drummer for The Police said that and a whole bunch of other very cool, crazy fucked-up stuff in my friend Ian’s amazing Interview with Stewart Copeland up now at Ink19.com. Nice work, Ian!

Happy Birthday, Ian Koss!

Ian and Gail Dancing
Gail and Ian Dancing at the Wedding of David Lee Beowulf, April 2002

Ian’s Dream, as Told to Gail

We had rented some hotel room in Melbourne as a party pad. I was
there with a bunch of friends, we were smoking something special in a
weird way — putting it on the stem of these miniature palm fronds.
This guy kept leaving the door open for some reason.

We’d closed the door when there’s a knock on it. We open it and it’s
the hotel manager, with a large group of expectant/confused kids
behind him. Like a hundred kids. We’re a bit freaked out, what with
the funny smell and everything, but the manager starts going on and
on, talking about how glad he is to have us here, how we’re
beautiful, and that it’s a real honor for us to stay in his hotel and
visit the town of Melbourne. What the fuck? Eventually we figure out
that he thinks we’re a band from Chicago named ‘Beautiful’ (do they
exist? It’s not a very Google-friendly name), hence the look on the
kids’ faces.

After a while, the band shows up, and we have a good laugh over the
whole thing. I give them my phone number so they can call me next
time they’re in town, writing it on a slip of paper. The singer looks
at it and goes ‘Koss… that’s what’s written on the headphone amp
that we have in the studio.’

The end.

A Taste of Her Own Medicine: The Gail Worley Interview

A Taste of Her Own Medicine:

The Gail Worley Interview

by Ian Koss

May 2003

by Dean Haspiel

illustration by Dean Haspiel

To hear her tell it, Gail Worley’s serious writing career began around the time we met, November of 1995. She had an interview with Marilyn Manson, and I had the curiosity to run it. That was nearly eight years ago, and in the meantime, Gail’s writing has gone from the occasional monthly contribution to a full-on career in the business. In a time when making a go of it in the music journalism biz has become as rare a day without spam, Gail has managed to thrive, with a constant flow of top-notch subjects and well-turned pieces.

But I knew that there was more to the story than that. As Gail herself will tell you, “do your homework.” A bit of searching around on the web yielded plenty of her work, but little about the girl herself. So I turned to the best source of information on Gail Worley…

Tell me about the moment you “got into” music.

I was five years old and my 13-year-old sister was a Beatlemaniac. I remember listening to this American Beatles album — Songs, Stories and Pictures of the Fabulous Beatles — which had all of these black and white pictures of the Beatles and all of these “factoids” about each member — like they’d have in a teen magazine. I loved songs like “Please Please Me” and their cover of “A Taste of Honey.” I thought that was rad. I was in love with Paul; my “goal” was to

  1. Join the Beatles
  2. Marry Paul

I was five.

Very astute for a five-year old.

I knew what I wanted.

What instrument would you play?

I thought I would be their dancer; you know, dance and play the tambourine! My father took me and my brother (one year older than me) and my sister to see HELP! when it was in theaters. It was insane; I LOVED IT. Let It Be was the first album I bought with my own money, when I was ten.

The next big deal to me after that was Emerson Lake and Palmer — I had seen them on “In Concert,” which was their performance at the first California Jam, backing the 70’s. I had to have that three-disc live record they did, Welcome Back My Friends. My favorite track on that was “Jerusalem,” their version of the English Hymn. I was just insane for that. I still love that song to this day. I was a very progressive pre-teen.

Right after that, I fell in love with The Who, when Ken Russell’s movie version of Tommy came out, so I had to buy all of their albums. I think I was twelve or thirteen then. I was in LOVE with Roger Daltrey. He was my first real sexual fantasy.

Already things are getting interesting. As the planets would have it, Gail spent her teens in Orange County, CA, at the time when the area was the epicenter of California punk and hardcore. Gail was able to piece some hazy memories together.

What happened when the teens hit?

Queen was a huge, huge deal to me between ages 15 – 18. I worshiped Freddie Mercury (RIP) and I was so way beyond obsessed. Queen was my first real rock concert; I saw them on the A Night at the Opera tour. I can absolutely say I would not be the person I am today if not for the influence of that band. My parents just hated them.

In my last year of High School, I was just getting over prog rock (Queen, Yes, Genesis etc.) and getting into the punk rock. It was ground zero for OC punk rock. Locally, I was into Black Flag, Circle Jerks, Agent Orange, Adolescents, The Screamers, X, Alley Cats, The Germs and The Go Gos, who were considered to be a punk rock band back then. Of the British punk bands, I loved Generation X, Buzzcocks, Sex Pistols, The Damned, Undertones, Tenpole Tudor, Tubeway Army and Nick Lowe. It was REALLY fun; I had a great time back then. I saw the last ever live performance by The Germs at the Starwood club in Hollywood, it was just a couple of days before Darby Crash died.

Are you somewhere in “The Decline of Western Civilization”?

I was at some of those shows but I don’t think I am on camera. I remember being at shows at the Fleetwood in Redondo Beach when they filmed some of those scenes. I recall this one riot with people throwing bottles inside the club. Those were fun times.

After the wild abandoned partying of her high school years, it was time for Gail to do some serious studied partying. Going to college gave Gail her first chance at writing for the University’s newspaper, and exposed her to the addictive perks of college radio.

Did you have an air name in college radio?

Oh yeah, and you know it — Gail Pink.

Aha!

I was also called Neo Girl and Gail Chaos at various times. Neo Girl was for new wave shows; I took the name from lyrics to a song by the English Beat, I think it was “Twist & Crawl.” Chaos was for the punk shows I did early on. Gail Pink came about because I was wearing a pink dress and the other DJ just announced me as “Coming up next, Gail Pink” and it stuck. This was at KUCI in Irvine. 88.9 on your FM radio dial.

You were there for the huge ’80s LA metal explosion, though?

Oh yeah. I went from punk to metal. I liked Billy Idol and Motley Crue. I used to totally stay home on Saturday nights to watch Headbanger’s Ball on MTV. The thing is, I really always liked all kinds of music… even what we referred to as “butt music” — like Depeche Mode and Scritti Politti, and everything like that. My taste was cumulative. Whatever I liked, I still liked when I moved onto the next phase of whatever music was happening.

Interview Continue After The Jump!

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