Modern Art Monday Presents: Paul Signac, Notre-Dame-de-la-Garde (La Bonne-Mere) Marseilles

Notre Dame De La Garde
All Photos By Gail

After visiting Marseilles in late 1905, Paul Signac proceeded to paint two canvases in his studio: one showing the entrance to the port, and this view, facing the hill surmounted by Notre-Dame-de-la-Garde, the church nicknamed the Good Mother by seamen. Bright and boldly colored, the composition reflects Signac’s contact with the artists Henri-Edmond Cross and Matisse at Saint Tropez in the summer of 1904. The rectangular strokes of unmixed pigment, arranged like tesserae (an individual tile, usually formed in the shape of a cube) in a mosaic, are Signac’s variation on the innovative painting method pioneered by Georges Seurat.

Notre Dame De La Garde Detail
Painting Detail

Photographed in the Metropolitan Museum of Art in NYC.

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