While Self Portrait (1929) realistically depicts John Kane’s body in his late sixties — detailing his veins, chest hair and wrinkles — it is also an object of decorative display, with a frame painted around the canvas edges and arches defining the figure’s head. Rendered in muted colors, the bare-chested artist faces his viewers against a stark background, recalling classic self-portraits and images of Christ. Kane explained, “Chiefly, I am impressed with the works of the old masters. These I cannot study enough.” Working by day as a laborer, Kane could not attend formal art classes, but he devoted much of his spare time to studying and practical painting.
Photographed in the Museum of Modern Art in NYC.