Tag Archive | Museum of Modern Art

Eye On Design: Chaise Lounge LC/4, Collaborative Design

Chaise Lounge LC/4
Photos By Gail

Inspired by bentwood rocking chairs by Michael Thonet, and recumbent doctor’s chairs, the angle of repose on this Chaise Lounge LC/4 (1928)  is adjusted by sliding the chromed steel frame on its stationary base. The LC/4 was a collaborative design of Le Corbusier (Charles-Edouard Jeanneret), Pierre Jeanneret and Charlotte Perriand, spearheaded by  Perriand, who had designed other furnishings in tubular steel before joining Le Corbusier’s studio. The model was prominently displayed in numerous exhibition settings designed by Perriand, including the 1929 Paris Salon d’Automne and the Internationale Raumausstellung in 1931 in Cologne.
Photographed in the Museum of Modern Art in NYC.

Chaise Lounge LC/4 Installation View
Installation View

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Eye On Design: Eames Chaise Lounge

Eames Chaise Lounge
Photos By Gail

This Chaise Lounge (prototype 1948) by husband wife design team Charles and Ray Eames was inspired by Gaston Lachaise’s 1927 sculpture Reclining Nude, and nicknamed “Lachaise,” after the artist. It did not receive a prize in MOMA’s International Competition for Low-Cost Furniture Design because it was considered to specialized in us and too expensive to manufacture. However, it was highlighted by the judges, who admired its striking, good-looking and inventive molded construction.

Eames Chaise Lounge

La Chaise finally went into production in 1990, and is now one of the Eames‘ signature works.

Photographed in the Museum of Modern Art in NYC.

Modern Art Monday Presents: Francis Picabia, Idyll

Idyll Francis Picabia
Photo By Gail

The predominant hue of this sentimental postcard composition is an intense azure blue, typical of skies on the French Riviera, overlaid with bright greens, pinks, reds, yellows, whites and lines of black. The transparency of the two figures makes literal what Francis Picabia (1879 – 1953) described as the “empty” character of Cannes high society. They have no substance to speak of, their bodies merging with the surrounding landscape in a painted version of superimposition, a technique more commonly associated with avant-garde photography and film. Idyll (1925 – 27) is displayed in its original goatskin frame, built by the frame-maker and bookbinder Pierre Legrain. The frame highlights Picabia’s abiding interest in the decorative, a category often considered antithetical to “serious” art.

Photographed in the Museum of Modern Art in NYC as Part of the Exhibit, Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction, Up Through March 19th, 2017.

Eye on Design: Area Lamp (Model 1112) By Neal Small

Area Lamp By Neal Small
Photos By Gail

Dubbed the Prince of Plastic by the New York Times, Neal Small (b. 1937) lead a craze in the late 1960s for sculptural lighting and furniture made from plastic and acrylic. “I like to think of it as all part of the new permissiveness,” he commented. ‘I Know that I am being more permissive with myself and the designs I allow myself to make — making fuller, more sensuous things. People are permitting themselves in every area, whether it’s music, with the Beatles and the Stones, architecture or clothes. They are allowing themselves things that please them personally. You don’t have to invest in things forever anymore. Lighting is getting to be an art form”

 Area Lamp (model 1112), 1966 -67 was Photographed in the Museum of Modern Art in NYC.

Area Lamp By Neal Small

Eye On Design: Ribbon Chair By Pierre Paulin

Ribbon Chair
All Photos By Gail

Mushrooms, oysters, tongues, and tulips are some of the iconic shapes French designer Pierre Paulin (1927 – 2009) was best known for creating. Having trained under Parisian designer Marcel Gascion, Paulin was influenced by the Scandinavian aesthetic as well as American pre-fabricated designs by Charles and Ray Eames and Florence Knoll.

Inspired to develop his own brand of accessible luxury, Paulin began designing and manufacturing seats made of molded wood lined with foam padding and fashioned with a stretch elastic jersey fabric for Thonet-France. Paulin’s forward-looking, innovative designs for affordable chairs, divans, and sofas in an array of bright and vivid colors, most notably the Mushroom, Tongue and Ribbon chair, among others, can be found in contemporary art and design collections around the world.

Pierre Paulin Chairs
Tongue Chairs and Ribbon Chair (Rear)

Paulin designed his Ribbon Chair (model 582) in 1966, for manufacture in 1967 by Artifort in the Netherlands. It involves a tubular steel frame, latex foam, stretch fabric and a painted wood base.

Photographed in the Museum of Modern Art in NYC.

Eye On Design: Malitte Lounge Furniture By Roberto Matta

Malitte Lounge Furniture
Photo By Gail

Primarily known as a painter and architect, Roberto Matta (1911 – 2002) designed his Malitte Lounge Furniture in 1966. This colorful collection of polyurethane foam shapes (manufactured by Gavina, Italy) could be stacked into a rectangular wall or used as individual pieces of seating. The round, center piece serves as a table. The design is playful and flexible, Its interlocking organic shapes reflect Mattas training as an architect in his native Chile, as well as his Surrealist painting practice, which developed after his move to Paris.

Photographed in the Museum of Modern Art in NYC.

Malitte Seating System

Modern Art Monday Presents: Side View Mirror By Allan D’Arcangelo

Side-View Mirror 1
All Photos By Gail

Side View Mirror (1965) by Allan D’Arcangelo (19301998) consist of a color screenprint printed on Plexiglas, set into round chrome side-view mirror, and  mounted on a black Plexiglas base.

Side-View Mirror 3

As a readymade /sculpture, Side View Mirror  is part of a multiple artist collaboration, Seven Objects in a Box (Published 1965-66), which consisted of a stenciled wooden box, containing one artwork each by artists Tom Wesselmann, Andy Warhol, Claes Oldenburg, Roy Lichtenstein, Jim Dine, George Segal, and D’Arcangelo (see photo below). Part of the permanent collection at MOMA, all pieces are displayed as stand-alone works.

Seven Objects in a Box
Image Source

Photographed in the Museum of Modern Art in NYC.